6
Table Of Contents
- Final Cut Pro Working with High Definition and Broadcast Formats
- Contents
- About High Definition andBroadcast Formats
- Working with HDV
- About HDV
- Native HDV Editing Workflow
- Transcoded HDV Editing Workflow
- Using the Canon XL H1 HDV Camcorder
- Using the Sony HVR-V1 HDV Camcorder
- HDV Format Specifications
- Working with DVCPROHD
- About DVCPROHD
- Working with DVCPROHD in FinalCutPro
- Using the DVCPRO HD FrameRateConverter
- Working with 24p DVCPROHD
- DVCPROHD Format Specifications
- Working with IMX
- Using the Log and Transfer Window
- About File-Based Media
- About the Log and Transfer Window
- File-Based Media Terminology
- Sample File-Based Media Workflow
- Mounting Media Devices
- Using the Browse Area
- Using the Preview Area
- Using the Logging Area
- Using the Transfer Queue
- Reingesting Clip Media
- Working with Spanned Clips
- Archiving File-Based Media from Cards
- Setting Log and Transfer Import Preferences
- Working with Panasonic P2 Cards
- About Panasonic P2 Cards and Media Files
- Working with Panasonic P2 Cards and FinalCutPro
- Using Print to Video to Output to P2 Cards intheAGHVX200 Camcorder
- Capturing over FireWire as if a P2 Card Were a Tape in a VTR
- Panasonic AG-HVX200 Camcorder Compatibility
- Panasonic P2 Card Format Specifications
- Working with AVCHD
- Working with AVC-Intra
- Working with Sony XDCAM Formats
- About XDCAM, XDCAMHD, and XDCAMEX
- Working with XDCAM, XDCAMHD, and XDCAMEX inFinalCutPro
- Installing Sony XDCAM Software
- Connecting an XDCAM, XDCAMHD, or XDCAM EXDevice toYour Computer
- Ingesting XDCAM, XDCAM HD, or XDCAMEX Media
- Choosing an Easy Setup and Editing XDCAMMedia inFinalCutPro
- Choosing an Easy Setup and Editing XDCAM HD orXDCAMEX Media inFinalCutPro
- Rendering and Conforming XDCAMHD or XDCAMEX Media
- Exporting Sequences to XDCAM, XDCAMHD, orXDCAMEXMedia
- XDCAM, XDCAMHD, and XDCAMEX Format Specifications
- Working with REDCODE RAW
- Working with Sony Video Disk Units
4
Contents
45
DVCPRO HD Frame Rates
48
Working with DVCPRO HD in Final Cut Pro
48
Connecting a DVCPRO HD Device to Your Computer
49
Choosing a DVCPRO HD Easy Setup
49
Logging and Capturing Your DVCPRO HD Footage
51
Editing DVCPRO HD Footage
52
Outputting Your DVCPRO HD Sequence
53
Using the DVCPRO HD Frame Rate Converter
53
Choosing an Intended Playback Rate
54
How DVCPRO HD Variable Frame Rate Recording Works
56
About the DVCPRO HD Frame Rate Converter
57
About the Frame Rate Converter Options
59
Using the Frame Rate Converter
59
Working with 24p DVCPRO HD
59
Working with 1080pA24 DVCPRO HD Video
61
Working with 720p24 DVCPRO HD Video
62
DVCPRO HD Format Specifications
Chapter 3 67 Working with IMX
67
About IMX
68
IMX Formats Supported by Final Cut Pro
68
About MXF
68
Working with IMX in Final Cut Pro
69
Transferring IMX Footage to Your Computer
69
Importing MXF-Wrapped IMX Media Files into Your Project
69
Choosing an IMX Easy Setup
69
Editing IMX Clips into a Sequence
69
Exporting IMX QuickTime Media Files
70
IMX Format Specifications
Chapter 4 73 Using the Log and Transfer Window
74
About File-Based Media
74
About the Log and Transfer Window
76
File-Based Media Terminology
78
Sample File-Based Media Workflow
80
Mounting Media Devices
80
Using Folders with Valid File-Based Media Folder Structure
80
Using the Browse Area
81
Controls in the Browse Area
83
Adding Volumes and Folders to the Browse Area
83
Selecting Clips in the Browse Area
84
Deleting Clips Directly from Storage Media
84
Using the Preview Area










