6
Table Of Contents
- Final Cut Pro Working with High Definition and Broadcast Formats
- Contents
- About High Definition andBroadcast Formats
- Working with HDV
- About HDV
- Native HDV Editing Workflow
- Transcoded HDV Editing Workflow
- Using the Canon XL H1 HDV Camcorder
- Using the Sony HVR-V1 HDV Camcorder
- HDV Format Specifications
- Working with DVCPROHD
- About DVCPROHD
- Working with DVCPROHD in FinalCutPro
- Using the DVCPRO HD FrameRateConverter
- Working with 24p DVCPROHD
- DVCPROHD Format Specifications
- Working with IMX
- Using the Log and Transfer Window
- About File-Based Media
- About the Log and Transfer Window
- File-Based Media Terminology
- Sample File-Based Media Workflow
- Mounting Media Devices
- Using the Browse Area
- Using the Preview Area
- Using the Logging Area
- Using the Transfer Queue
- Reingesting Clip Media
- Working with Spanned Clips
- Archiving File-Based Media from Cards
- Setting Log and Transfer Import Preferences
- Working with Panasonic P2 Cards
- About Panasonic P2 Cards and Media Files
- Working with Panasonic P2 Cards and FinalCutPro
- Using Print to Video to Output to P2 Cards intheAGHVX200 Camcorder
- Capturing over FireWire as if a P2 Card Were a Tape in a VTR
- Panasonic AG-HVX200 Camcorder Compatibility
- Panasonic P2 Card Format Specifications
- Working with AVCHD
- Working with AVC-Intra
- Working with Sony XDCAM Formats
- About XDCAM, XDCAMHD, and XDCAMEX
- Working with XDCAM, XDCAMHD, and XDCAMEX inFinalCutPro
- Installing Sony XDCAM Software
- Connecting an XDCAM, XDCAMHD, or XDCAM EXDevice toYour Computer
- Ingesting XDCAM, XDCAM HD, or XDCAMEX Media
- Choosing an Easy Setup and Editing XDCAMMedia inFinalCutPro
- Choosing an Easy Setup and Editing XDCAM HD orXDCAMEX Media inFinalCutPro
- Rendering and Conforming XDCAMHD or XDCAMEX Media
- Exporting Sequences to XDCAM, XDCAMHD, orXDCAMEXMedia
- XDCAM, XDCAMHD, and XDCAMEX Format Specifications
- Working with REDCODE RAW
- Working with Sony Video Disk Units
28 Chapter 1 Working with HDV
Editing HDV Footage
For the most part, editing HDV footage is identical to editing any other format in
Final Cut Pro. However, because of the GOP structure of MPEG-2 media, edits in HDV
sequences require some additional processing during playback and output. The
additional processing happens automatically, but it is a good idea to understand
why it is necessary.
About Long-GOP Editing and Rendering
When you edit two HDV clips together in a sequence, the GOP pattern is typically
broken. In particular, cutting an HDV clip can remove the I-frame that subsequent
P- and B-frames rely on for picture information. When this happens, Final Cut Pro must
preserve the I-frame for these other frames to refer to, even though the I-frame is no
longer displayed in the sequence. Final Cut Pro reconforms the broken GOPs in the
vicinity of the edit and leaves the subsequent GOPs unchanged.
This requires additional processing power and memory not necessary for I-frame-only
editing (such as DV editing). During playback, this process happens in real time. For
output and export, Final Cut Pro reencodes (or conforms) the areas of your sequence
that require new I-frames or GOPs.
Note: Some applications, such as DVD Studio Pro, support simple MPEG-2 editing, in
which you are allowed to cut only at GOP boundaries. Final Cut Pro allows you to cut
on any frame. Although you cannot set Final Cut Pro to edit on GOP boundaries only,
you can transcode your source files to the Apple ProRes 422 codec, ensuring
I-frame-only editing, or you can temporarily turn off the reconforming of the GOP
boundaries by deselecting one or more render status categories in the appropriate
Render submenu of the Sequence menu.
Improving HDV Rendering by Using the Apple ProRes 422 Codec
To save time during rendering, you can set up your native HDV sequence to render
using the Apple ProRes 422 codec. Using the Apple ProRes 422 codec also produces
high-quality 4:2:2 render files that, in some cases, may be higher quality than rendering
back to native HDV.
Using an HDV Camcorder to Capture or Output DV Footage
You can use an HDV camcorder as a standard DV device. However, before doing this,
make sure that:
 The Log and Capture window is closed
 The camcorder is set to DV mode, not HDV mode
For more information, see the documentation that came with your camcorder.
 You choose the proper DV Easy Setup before opening the Log and Capture window










