5
Table Of Contents
- Final Cut Pro 5 Working With High Definition and Broadcast Formats
- Contents
- About High Definition andBroadcast Formats
- Working With HDV
- About HDV
- Native HDV Editing Workflow
- HDV Apple Intermediate Codec Editing Workflow
- Using the Canon XL H1 HDV Camcorder
- HDV Format Specifications
- Working With DVCPROHD
- About DVCPROHD
- Working With DVCPROHD in FinalCutPro
- Working With Variable Frame Rate DVCPROHD Footage
- DVCPROHD Format Specifications
- Combining Standard andHighDefinition Video
- Working With 24p andVariableFrame Rate Video
- Working With IMX
- Working With Panasonic P2 Media
- About Panasonic P2 Cards and Media Files
- Working With Panasonic P2 Cards and FinalCutPro
- About the Import Panasonic P2 Window
- Example Panasonic P2 Workflow
- Recording Footage With a P2 Camcorder
- Mounting P2 Cards, Disk Images, and Folders
- Using the Browse Area
- Using the Preview Area
- Using the Logging Area
- Using the Transfer Queue
- Reingesting Clip Media
- Working With Spanned Clips
- Using Print to Video to Output to P2 Cards in the AG-HVX200
- Archiving P2 Cards
- Setting Preferences
- Capturing Over FireWire as if the P2 Card Were a Tape in a VTR
- Panasonic AG-HVX200 Camcorder Compatibility
- Panasonic P2 Card Format Specifications
- Working With Sony XDCAMHD and Video Disk Units
72 Chapter 5 Working With IMX
IMX Format Specifications
IMX, also known as Betacam IMX or MPEG IMX, records standard definition NTSC and
PAL video using high-quality MPEG-2 compression.
Storage Medium
One of the features of the IMX format is that it is not restricted to a single media type. IMX
can be recorded on XDCAM, a Sony optical disc format, as well as the IMX tape format.
IMX VTRs bridge the gap between conventional tape decks and modern computer
editing systems with the following features:
 Playback of older video formats such as Betacam SP, Beta SX, and Digital Betacam.
These formats can be converted and output to MPEG IMX in real time.
Note: Not all IMX VTRs support playback and recording of all Betacam formats.
 IMX digital video file transfer via networking interfaces such as Ethernet and
TCP/IP protocols
Video Standards
IMX supports both standard definition NTSC and PAL.
Aspect Ratio
NTSC and PAL IMX both have an aspect ratio of 4:3.
Frame Dimensions, Number of Lines, and Resolution
IMX can store video at two possible resolutions: NTSC (525) and PAL (625). The numbers
refer to the number of analog lines of the corresponding video formats. However, many
of these analog lines are not used to store picture information. In Final Cut Pro, the
following dimensions are used:
 NTSC IMX: 720 pixels per line, 486 lines
 PAL IMX: 720 pixels per line, 576 lines
In both formats, standard definition rectangular pixels are used, just as with DV, DVD,
Digital Betacam, and other standard definition digital video formats.
Frame Rate
IMX supports NTSC and PAL frame rates of 29.97 fps and 25 fps respectively.
Scanning Methods
IMX supports interlaced recording.










