5
Table Of Contents
- Final Cut Pro 5 Working With High Definition and Broadcast Formats
- Contents
- About High Definition andBroadcast Formats
- Working With HDV
- About HDV
- Native HDV Editing Workflow
- HDV Apple Intermediate Codec Editing Workflow
- Using the Canon XL H1 HDV Camcorder
- HDV Format Specifications
- Working With DVCPROHD
- About DVCPROHD
- Working With DVCPROHD in FinalCutPro
- Working With Variable Frame Rate DVCPROHD Footage
- DVCPROHD Format Specifications
- Combining Standard andHighDefinition Video
- Working With 24p andVariableFrame Rate Video
- Working With IMX
- Working With Panasonic P2 Media
- About Panasonic P2 Cards and Media Files
- Working With Panasonic P2 Cards and FinalCutPro
- About the Import Panasonic P2 Window
- Example Panasonic P2 Workflow
- Recording Footage With a P2 Camcorder
- Mounting P2 Cards, Disk Images, and Folders
- Using the Browse Area
- Using the Preview Area
- Using the Logging Area
- Using the Transfer Queue
- Reingesting Clip Media
- Working With Spanned Clips
- Using Print to Video to Output to P2 Cards in the AG-HVX200
- Archiving P2 Cards
- Setting Preferences
- Capturing Over FireWire as if the P2 Card Were a Tape in a VTR
- Panasonic AG-HVX200 Camcorder Compatibility
- Panasonic P2 Card Format Specifications
- Working With Sony XDCAMHD and Video Disk Units