5
Table Of Contents
- Final Cut Pro 5 Working With High Definition and Broadcast Formats
- Contents
- About High Definition andBroadcast Formats
- Working With HDV
- About HDV
- Native HDV Editing Workflow
- HDV Apple Intermediate Codec Editing Workflow
- Using the Canon XL H1 HDV Camcorder
- HDV Format Specifications
- Working With DVCPROHD
- About DVCPROHD
- Working With DVCPROHD in FinalCutPro
- Working With Variable Frame Rate DVCPROHD Footage
- DVCPROHD Format Specifications
- Combining Standard andHighDefinition Video
- Working With 24p andVariableFrame Rate Video
- Working With IMX
- Working With Panasonic P2 Media
- About Panasonic P2 Cards and Media Files
- Working With Panasonic P2 Cards and FinalCutPro
- About the Import Panasonic P2 Window
- Example Panasonic P2 Workflow
- Recording Footage With a P2 Camcorder
- Mounting P2 Cards, Disk Images, and Folders
- Using the Browse Area
- Using the Preview Area
- Using the Logging Area
- Using the Transfer Queue
- Reingesting Clip Media
- Working With Spanned Clips
- Using Print to Video to Output to P2 Cards in the AG-HVX200
- Archiving P2 Cards
- Setting Preferences
- Capturing Over FireWire as if the P2 Card Were a Tape in a VTR
- Panasonic AG-HVX200 Camcorder Compatibility
- Panasonic P2 Card Format Specifications
- Working With Sony XDCAMHD and Video Disk Units
Chapter 6 Working With Panasonic P2 Media 103
Panasonic AG-HVX200 Camcorder Compatibility
The Panasonic AG-HVX200 P2 camcorder supports a large number of standard and high
definition video formats at various frame rates. The AG-HVX200 can record on either tape
or P2 cards, but some formats can only be recorded on P2 cards. The following table
shows which formats are compatible with recent versions of Final Cut Pro.
AG-HVX200 (NTSC)
i = interlaced, p = progressive, A = advanced pulldown, N = native frame rate (without duplicate fields or frames),
DF = drop frame, NDF = non-drop frame, VFR = variable frame rate
1 - No pulldown removal is necessary; native frame rate is captured or ingested.
2 - Use Remove Advanced Pulldown command in Final Cut Pro or Cinema Tools after capture or ingest.
3 - Enable Advanced Pulldown Removal option during capture (tape) or ingest (P2).
4 - Use Frame Rate Converter plug-in (audio and timecode are removed).
5 - Basic editing is supported, but rendering in a sequence is not supported. For more information, go to
http://docs.info.apple.com/article.html?artnum=303950.
Format
Recorded
frame rate
Pulldown/
duplicate
frame
pattern
Timecode
v5.0.4
P2 Tape
v5.1
P2 Tape
v5.1.1
P2 Tape
v5.1.2
P2 Tape
1080i60 29.97i - DF, NDF 1 1111 111
1080p30 29.97i 2:2 DF, NDF 1 1111 111
1080p24 29.97i 2:3 NDF - ---- -22
1080pA24 29.97i 2:3:3:2 NDF - ---- - 2,3 2,3
480i60 29.97i - DF, NDF 1 1111 111
480p30 29.97i 2:2 DF, NDF 1 1111 112
480p24 29.97i 2:3 DF, NDF 2 2222 222
480pA24 29.97i 2:3:3:2 DF, NDF 2 2,3 2,3 2,3 2,3 2,3 2,3 2,3
720p60 59.94p - NDF 1 1111 111
720p30 59.94p 2:2 NDF 4 3, 43, 43, 43, 4 3, 43, 43, 4
720p24 59.94p 2:3 NDF 4 3, 43, 43, 43, 4 3, 43, 43, 4
720p VFR 59.94p - NDF 4 4444 444
720pN30 29.97p - NDF 1 n/a 1 n/a 1 n/a 1 n/a
720pN24 23.98p - NDF 5 n/a 5 n/a 1 n/a 1 n/a
720pN
VFR
1
VFR - NDF 1 n/a 1 n/a 1 n/a 1 n/a
1
720p variable frame rates: 12, 18, 20, 22, 24, 26, 30, 32, 36, 48, and 60 fps










