User Guide

4 Contents
48 Editing DVCPRO HD in Final Cut Pro
48 Working With DVCPRO HD Timecode
50 Using Graphics and Effects With DVCPRO HD
50 Creating Graphics for HD Projects
51 Generating Color Bars and Tone for 1080i60 and 720p60 Video
51 Real Time and Rendering
51 Upconverting and Downconverting
51 Combining High Definition and Standard Definition Media in Sequences
55 DVCPRO HD Output in Final Cut Pro
55 720p Output and Playback
56 Offline and Online Editing Using DVCPRO HD
56 Capture and Media Management Workflows Using DVCPRO HD
60 Trading Project Files Using Email or the Internet
Chapter 2 63 Editing and Trimming
63 Copying and Pasting Clips in the Timeline
66 Filling a Timeline Gap With Slug
66 Adding Edits on Auto-Selected Tracks
66 Asymmetrical Trimming
68 Applying Filters to Multiple Tracks
68 Dynamic Trimming in the Trim Edit Window
68 Choosing Incoming and Outgoing Clips in the Trim Edit Window
69 Listening to Sequence Audio While Trimming
70 Changing View Options in the Timeline Track Layout Menu
70 Detecting Duplicate Frames Over Transitions
Chapter 3 71 Using LiveType Titles in Final Cut Pro
Chapter 4 73 Editing Film With Final Cut Pro in a PAL Environment
73 New Support for Conforming 25 fps to 24 fps and Exporting 25 fps EDLs
77 Exercises for Understanding 24 @ 25 fps Timecode
Chapter 5 83 Viewing and Modifying Timecode
83 Displaying Timecode in Final Cut Pro
88 Modifying Media File and Sequence Timecode
91 High Definition and Film Timecode Options
92 Generating Timecode Window Burns
Chapter 6 93 Media and Clip Management
93 Edit to Tape and Print to Video
93 Setting Minimum Allowable Space on Scratch Disks
94 Maximizing Media File Performance for Multiple Stream, Real-Time Playback
94 Determining the Application That Created a Clip
94 Creating Duplicate Master Clips in the Browser
UP01022.Book Page 4 Tuesday, March 23, 2004 7:32 PM