HD
Table Of Contents
- Final Cut Express HD User Manual
- Contents
- Final Cut Express HD Documentation and Resources
- Part I: An Introduction to Final Cut Express HD
- Part II: Learning About the Final Cut Express HD Interface
- Overview of the Final Cut Express HD Interface
- Browser Basics
- Viewer Basics
- Canvas Basics
- Navigating and Using Timecode in the Viewer and Canvas
- Timeline Basics
- Customizing the Interface
- Part III: Setting Up Your Editing System
- Connecting Your Equipment
- Determining Your Hard Disk Storage Options
- External Video Monitoring
- Part IV: Capturing and Importing
- Capturing Your Footage to Disk
- Overview of the Capturing Process
- Overview of the Capture Window
- Preparing to Capture
- Capturing Individual Clips in the Capture Window
- Using Capture Now
- Adding Markers to Clips in the Capture Window
- Recapturing Clips
- Finding Your Media Files After Capture
- Modifying a Media File’s Reel Name Property
- Avoiding Duplicate Timecode Numbers on a Single Tape
- Importing Media Files Into Your Project
- Working With HDV
- Capturing Your Footage to Disk
- Part V: Organizing Footage and Preparing to Edit
- Organizing Footage in the Browser
- Using Markers
- Learning About Markers
- Working With Markers
- Viewing Markers in the Viewer or Canvas
- Viewing Markers in the Browser
- Adding Markers in Clips and Sequences
- Deleting Markers in Clips and Sequences
- Navigating With Markers
- Renaming Markers, Adding Comments, and Changing the Kind of Marker
- Moving a Marker
- Aligning Items in the Timeline by Their Markers
- Extending a Marker’s Duration
- Editing Markers Into Sequences
- Exporting Markers With Your QuickTime Movies
- Creating Subclips
- Part VI: Rough Editing
- Working With Projects, Clips, and Sequences
- Specifying Preferences Before You Start Editing
- Working With Projects
- Learning About the Different Types of Clips
- Viewing and Changing the Properties of a Clip
- Creating and Working With Sequences
- The Fundamentals of Adding Clips to a Sequence
- Setting Edit Points for Clips and Sequences
- About In and Out Points
- Setting Clip In and Out Points in the Viewer
- Setting Sequence In and Out Points in the Canvas or Timeline
- Navigating to In and Out Points
- Moving In and Out Points
- Clearing In and Out Points
- Working With Tracks in the Timeline
- Drag-to-Timeline Editing
- Three-Point Editing
- Finding and Selecting Content in the Timeline
- Understanding What’s Currently Selected
- Direct Methods for Selecting Content in a Sequence
- Finding and Selecting Based on Search Criteria
- Selecting a Vertical Range Between In and Out Points
- Using Auto Select to Specify Tracks for Selections
- Arranging Clips in the Timeline
- Cutting Clips and Adjusting Durations
- Linking and Editing Video and Audio in Sync
- Linked Sync Relationships Between Video and Audio Clips
- Linking and Unlinking Video and Audio Clip Items in the Timeline
- Selecting Individual Clip Items While They Are Linked
- Getting Clip Items Back in Sync
- Establishing a Different Sync Relationship Between Linked Clip Items
- Learning About Linking Behavior in Audio Channel Pairs
- Split Edits
- Audio Editing Basics
- The Goals of Audio Editing
- Using Waveform Displays to Help You Edit Audio
- Learning About the Audio Controls in the Viewer
- Editing Audio in the Viewer
- Opening Audio Clips in the Viewer
- Viewing Audio Tracks in the Viewer
- Zooming In or Out of the Waveform Display Area
- Scrolling Through a Zoomed-In Audio Clip
- Using the J, K, and L Keys to Hear Subtle Details
- Turning Off the Audio Scrubbing Sounds
- About Setting Edit Points for Audio
- Dragging an Audio Clip to the Canvas, Browser, or Timeline
- Trimming Audio Clips in the Viewer
- Editing Audio in the Timeline
- Creating or Separating Stereo Pairs
- Working With Audio at the Subframe Level
- Examples of Ways to Easily Edit Audio
- Working With Projects, Clips, and Sequences
- Part VII: Fine-Tuning Your Edit
- Performing Slip, Slide, Ripple, and Roll Edits
- About Trimming With Slip, Slide, Ripple, and Roll Tools
- Sliding Clips in the Timeline
- Slipping Clips in the Timeline
- Using the Ripple Tool to Trim an Edit Without Leaving a Gap
- Using the Roll Tool to Change Where a Cut Occurs
- Learning About Trimming Clips
- Trimming Clips Using the Trim Edit Window
- Adding Transitions
- Refining Transitions Using the Transition Editor
- Sequence to Sequence Editing
- Matching Frames
- Working With Timecode
- Performing Slip, Slide, Ripple, and Roll Edits
- Part VIII: Audio Mixing
- Overview of Audio Mixing
- Setting Up Audio Equipment
- Audio Fundamentals
- Audio Levels, Meters, and Output Channels
- Mixing Audio in the Timeline and Viewer
- Using the Voice Over Tool
- Using Audio Filters
- Tips for Better Audio
- Part IX: Effects
- Video Filters
- Different Ways to Use Filters
- Applying a Filter to a Clip
- Applying Multiple Filters to Clips
- Viewing and Adjusting a Filter’s Parameters
- Displaying Filter Bars in the Timeline
- Enabling and Rearranging Filters
- Copying and Pasting a Clip’s Filters
- Removing Filters From Clips
- Video Filters Available in Final Cut Express HD
- Changing Motion Parameters
- Adjusting Parameters for Keyframed Effects
- Reusing Effect and Motion Parameters
- Changing Clip Speed
- Working With Still Images and Photographs
- Using Still Images and Graphics in Your Sequences
- Creating Freeze Frame Stills From a Video Clip
- Considerations Before Creating and Importing Stills
- Creating Graphics With the Correct Frame Size for Video
- Working With Graphics Clips of Different Resolutions
- Video Is Not 72 Dots per Inch
- Bit Depth of Imported Graphics
- Scaling a Graphic to Fit the Frame Size
- Creating Graphics With the Correct Color Settings for Video
- Flattening Graphics With Layers
- Using Alpha Channels
- Selecting Fonts and Creating Line Art for Video
- Scaling Images and Video Clips to Match a Sequence
- Changing the Duration of Still Images
- Compositing and Layering
- Introduction to Compositing and Layering
- Adjusting Opacity Levels of Clips
- Working With Composite Modes
- Working With Layered Photoshop Files
- Using Video and Graphics Clips With Alpha Channels
- Temporarily Excluding Clips From Playback or Output
- Keying, Mattes, and Masks
- Color Correcting Clips
- Using Built-in Generated Clips
- Creating Titles
- Video Filters
- Part X: Real Time and Rendering
- Using RT Extreme
- Rendering
- What Is Rendering?
- Render Indicators in Final Cut Express HD
- The Rendering Process
- Rendering Effects in Sequences
- Commands for Rendering Effects
- Rendering One or More Sequences
- Rendering Part of a Sequence
- Rendering Audio Items in a Sequence
- Using the Mixdown Command
- Temporarily Disabling Rendering
- Auto-Rendering While You Are Away From Your Computer
- Changing Settings in the Render Control Tab
- Preserving Render Files
- Tips for Avoiding Unnecessary Rendering
- Part XI: Project Management and Settings
- Media Management
- Backing Up and Restoring Projects
- Elements of a Final Cut Express HD Project
- Working With Master and Affiliate Clips
- Using Master and Affiliate Clips
- How Master Clips Connect to Media Files
- Identifying Master Clips
- Creating Master and Affiliate Clips
- Breaking the Relationship Between an Affiliated Clip and Its Master
- Independent Clips
- Using Keyboard Shortcuts to Modify Master-Affiliate Relationships
- Finding a Clip’s Master Clip
- Master-Affiliate Relationships With Subclips and Freeze Frames
- Master-Affiliate Clip Properties
- Using Master and Affiliate Clips
- Reconnecting Clips and Offline Media
- Choosing Settings and Preferences
- Part XII: Output
- Preparing to Output to Tape
- Printing To Video and Output From the Timeline
- Exporting Sequences for DVD
- Learning About QuickTime
- Exporting QuickTime Movies
- Exporting QuickTime-Compatible Files
- Exporting Still Images and Image Sequences
- Exporting Audio for Mixing in Other Applications
- Part XIII: Appendixes
- Video Formats
- Characteristics of Video Formats
- Types of Video Signals and Connectors
- A Brief History of Film, Television, and Audio Formats
- Frame Rate and Timecode
- Working With Anamorphic 16:9 Media
- Solving Common Problems
- Video Formats
- Glossary
- Index
1148 Index
described 507, 1102
displaying 509, 533
duration 517–518, 533
editing clips after applying 519
fade-to-black transitions 514
handles and 510
identifying as real-time effects 873
included with Final Cut Express 520–524
insert with transition edits 335–336, 511
modifying 517–519, 525–535
moving 516, 534
opening 526, 531
overwrite with transition edits 338–339, 511
previewing 537
properties 530
real-time playback 871
rendering 536–537
rendering and 878, 894
replacing 520
reversing direction 529
ripple edits 535
roll edits 534
in sequences 507–524
settings 530
Start/End percentages slider 529
swapping 520
Transition Editor 526, 531
trimming 532–535
transparency
effects 777–779
masks 807
overlays 125
transport controls 173, 497, 504
in Canvas 84, 93, 95
in Capture window 174
in Viewer 82, 84, 95
trashing Preferences file 952
travel mattes 793
TR connectors 575
trim edits
See also trimming
clips with transitions 519
controls 479–480
dynamic trimming 494, 501
performing 483–484, 500–504
selecting edits and clips 480–483
using timecode 490
windows 478
Trim Edit window 493–504, 951, 1103
closing 496
controls 496–500, 504
described 493
keyboard shortcuts 501
opening 495
playing audio 505–506
reviewing edits in 504
slipping clips in 504
trim edits in 478, 501–503
using 500–504
Trim Forward and Trim Backward buttons 494, 498
trimming
See also trim edits
alert messages 491
asymmetrical edits 468–470
audio clips 436–437
clips 532–535
described 477, 532, 1103
dynamic trimming 494, 501
editing with timecode 487
extend edits 485
opening clips for 486–487
ripple edits 463
selecting clips for 369
selecting edit points for 482–483
selection tools for 369
settings 951
transitions 532–535
in Trim Edit window 493–504
in Viewer 436–437
Trim with Edit Selection Audio option 505
Trim with Sequence Audio option 505
troubleshooting 1069–1075
See also alert messages
audio problems 1074
Autosave Vaults on other drives 905
A/V sync problems 1071–1072
blocky still images 773
broken links to media files 934
camcorder/deck problems 1070, 1074
common problems 1070–1075
contacting AppleCare Support 1075
dragging markers out of clips 255
dropped frames 156, 874, 1071–1072
duplicate timecode numbers 195
external speakers 1071, 1074
external video monitors 167
fringing 799, 811
fuzzy still images 761
monitor problems 1070, 1073
pasting attributes into clips 674
performance problems 1074
playback problems 1070–1074, 1075
after power failures 907
reference movies 1075
stuttering video 1074
timecode problems 1073, 1074
trashing Preferences file 952
video devices 1070
video problems 1071–1072
TRS connectors 575
TrueType fonts 856
two-channel audio 587