4
Table Of Contents
- Compressor 4 User Manual
- Contents
- Welcome to Compressor
- Getting Started Quickly
- Ways to Use Compressor
- The Basic Transcoding Workflow
- The Compressor Interface
- Compressor Windows and the Transcoding Workflow
- Creating and Managing Compressor Layouts
- Working with the Compressor Windows
- Batch Window
- Settings Tab
- Destinations Tab
- Inspector Window
- History Window
- Preview Window
- Apple Qmaster Sharing Window
- Share Monitor
- Droplet Windows
- About Changing Values and Timecode Entries
- Keyboard Shortcuts
- Setting Compressor Preferences
- Importing Source Media Files
- Creating, Previewing, and Modifying Settings
- Finalizing Jobs and Submitting Batches
- Creating AIFF Files
- Creating Common Audio Format Files
- Creating DV Stream Output Files
- Creating Dolby Digital Professional Output Files
- About the Dolby Digital Professional Encoder Pane
- General Information About Creating Dolby Digital Professional Files
- Converting Stereo Audio Files to Dolby Digital Professional Format
- Assigning Files to Surround Sound Channels (Manual Method)
- Assigning Files to Surround Sound Channels (Automatic Methods)
- Assigning Files to Surround Sound Channels with Droplets
- Options for Spatial Mixing
- Creating H.264 for Apple Devices Output Files
- Creating H.264 for Blu-ray Disc
- Creating Image Sequence Files
- Creating MP3 Output Files
- Creating MPEG-1 Output Files
- Common Uses for MPEG-1
- MPEG-1 Specifications
- About the MPEG-1 Encoder Pane
- About the MPEG-1 Video Tab
- About the MPEG-1 Audio Tab
- About System and Elementary Streams
- MPEG-1 Transcoding Workflow
- Configuring the MPEG-1 File Format for Web Use
- Configuring the MPEG-1 File Format for DVD Use
- Creating the MPEG-1 Video for DVD Setting
- Creating the MPEG-1 Audio for DVD Setting
- Optional—Creating an MPEG-1 for DVD Group and Destination
- Creating MPEG-2 Output Files
- Creating MPEG-4 Output Files
- About MPEG-4 Part 2
- About the MPEG-4 Part 2 Encoder Pane
- Using Default MPEG-4 Part 2 Settings
- Customizing MPEG-4 Part 2 Settings
- Audio Podcasting Workflow
- Stage 1: Configuring the MPEG-4 Output for Audio-Only Output
- Stage 2: Including Podcasting Information
- Stage 3: Applying the Setting to a Source Media File’s Target
- Stage 4: Entering Annotations for the Output Media File
- Stage 5: Creating and Configuring Markers for the Output Media File
- Stage 6: Submitting the Job and Verifying the Output Media File
- Adding Additional Settings and Presets
- Creating QuickTime Export Component Files
- Creating QuickTime Movie Output Files
- Adding Filters to a Setting
- Working with Frame Controls
- Adding Geometry Settings
- Adding Actions
- Using the Preview Window
- Creating and Changing Destinations
- Using Droplets
- Apple Qmaster and Distributed Processing
- Distributed Processing Basics
- Basic Components of the Apple Qmaster Distributed Processing System
- Getting Started Quickly Using This Computer Plus
- Getting Started Quickly Using QuickClusters
- The Interfaces in the Apple Qmaster Distributed Processing System
- Apple Qmaster Sharing Window of Compressor
- General Information About Clusters
- Options in the Apple Qmaster Sharing Window of Compressor
- Managed vs. Unmanaged Services
- Turning Cluster Controller Services On or Off
- Using Virtual Clusters to Make the Most of Multicore Computers
- Setting a Service Password for Including a Computer in a Cluster
- Scheduling Service Availability
- Using Cluster Storage
- Defining Ports for Service Advertisements
- Recovery and Failure Notification Features
- Creating Clusters with Apple Qadministrator
- Setting Up for Part-Time Distributed Processing with Shake
- Appendix A: Keyboard Shortcuts
- Appendix B: Solving Problems
- Appendix C: Using the Command Line
About Reverse Telecine and Segmented Encoding
Because of the unpredictable nature of the processing when reversing the telecine,
segmented encoding does not work as efficiently as it does when reverse telecine is not
being used.
About Pausing the Transcode Process
If you pause the transcode process, the transcode must start from the beginning when
you restart it.
Creating PAL Video During the Reverse Telecine Process
It is a common practice to convert 23.98 fps or 24 fps video to PAL’s 25 fps rate by speeding
up the playback by 4 percent. If you are starting with NTSC 29.97 fps video from a telecine,
you can convert it to PAL video using two jobs.
• First job: Apply a setting to the job that performs the reverse telecine process and
results in an NTSC frame size at 23.98 fps.
Note: You could apply a setting that also converts the video to PAL; however, the
format conversion will not be done using Frame Controls and may not be of suitable
quality.
• Second job: Create the second job by having the first job selected and choosing Job >
New Job With Target Output. This creates a job that is chained to the output of the
first job. You can now apply a setting that sets the output format to PAL and use the
Frame Controls feature to ensure a high-quality output file.
See About Adding and Copying Jobs for more information about chaining jobs.
Using the Retiming Controls
The retiming controls have two common uses.
• Converting video from one frame rate to another: This typically involves converting NTSC
to PAL frame rates or PAL to NTSC frame rates. This function uses only the setting of
the Rate Conversion pop-up menu and is automatically configured when necessary.
• Converting video to a new speed: This can be a matter of playing the existing frames at
a different rate or, in the case of slow-motion effects, it can require generating
intermediate frames.
In all cases, if the source media file contains audio, the audio also has its speed changed,
with the audio pitch corrected so that it sounds the same as the original, just at a different
speed. This ensures that you will maintain sync between the video and audio.
If you preview a setting that uses retiming controls, the video will play at its new frame
rate or speed, but it will not have been processed by Frame Controls and will be of a
lower quality than the actual transcoded output file will be. The audio is pitch corrected
when the setting is previewed.
275Chapter 23 Working with Frame Controls










