4
Table Of Contents
- Compressor 4 User Manual
- Contents
- Welcome to Compressor
- Getting Started Quickly
- Ways to Use Compressor
- The Basic Transcoding Workflow
- The Compressor Interface
- Compressor Windows and the Transcoding Workflow
- Creating and Managing Compressor Layouts
- Working with the Compressor Windows
- Batch Window
- Settings Tab
- Destinations Tab
- Inspector Window
- History Window
- Preview Window
- Apple Qmaster Sharing Window
- Share Monitor
- Droplet Windows
- About Changing Values and Timecode Entries
- Keyboard Shortcuts
- Setting Compressor Preferences
- Importing Source Media Files
- Creating, Previewing, and Modifying Settings
- Finalizing Jobs and Submitting Batches
- Creating AIFF Files
- Creating Common Audio Format Files
- Creating DV Stream Output Files
- Creating Dolby Digital Professional Output Files
- About the Dolby Digital Professional Encoder Pane
- General Information About Creating Dolby Digital Professional Files
- Converting Stereo Audio Files to Dolby Digital Professional Format
- Assigning Files to Surround Sound Channels (Manual Method)
- Assigning Files to Surround Sound Channels (Automatic Methods)
- Assigning Files to Surround Sound Channels with Droplets
- Options for Spatial Mixing
- Creating H.264 for Apple Devices Output Files
- Creating H.264 for Blu-ray Disc
- Creating Image Sequence Files
- Creating MP3 Output Files
- Creating MPEG-1 Output Files
- Common Uses for MPEG-1
- MPEG-1 Specifications
- About the MPEG-1 Encoder Pane
- About the MPEG-1 Video Tab
- About the MPEG-1 Audio Tab
- About System and Elementary Streams
- MPEG-1 Transcoding Workflow
- Configuring the MPEG-1 File Format for Web Use
- Configuring the MPEG-1 File Format for DVD Use
- Creating the MPEG-1 Video for DVD Setting
- Creating the MPEG-1 Audio for DVD Setting
- Optional—Creating an MPEG-1 for DVD Group and Destination
- Creating MPEG-2 Output Files
- Creating MPEG-4 Output Files
- About MPEG-4 Part 2
- About the MPEG-4 Part 2 Encoder Pane
- Using Default MPEG-4 Part 2 Settings
- Customizing MPEG-4 Part 2 Settings
- Audio Podcasting Workflow
- Stage 1: Configuring the MPEG-4 Output for Audio-Only Output
- Stage 2: Including Podcasting Information
- Stage 3: Applying the Setting to a Source Media File’s Target
- Stage 4: Entering Annotations for the Output Media File
- Stage 5: Creating and Configuring Markers for the Output Media File
- Stage 6: Submitting the Job and Verifying the Output Media File
- Adding Additional Settings and Presets
- Creating QuickTime Export Component Files
- Creating QuickTime Movie Output Files
- Adding Filters to a Setting
- Working with Frame Controls
- Adding Geometry Settings
- Adding Actions
- Using the Preview Window
- Creating and Changing Destinations
- Using Droplets
- Apple Qmaster and Distributed Processing
- Distributed Processing Basics
- Basic Components of the Apple Qmaster Distributed Processing System
- Getting Started Quickly Using This Computer Plus
- Getting Started Quickly Using QuickClusters
- The Interfaces in the Apple Qmaster Distributed Processing System
- Apple Qmaster Sharing Window of Compressor
- General Information About Clusters
- Options in the Apple Qmaster Sharing Window of Compressor
- Managed vs. Unmanaged Services
- Turning Cluster Controller Services On or Off
- Using Virtual Clusters to Make the Most of Multicore Computers
- Setting a Service Password for Including a Computer in a Cluster
- Scheduling Service Availability
- Using Cluster Storage
- Defining Ports for Service Advertisements
- Recovery and Failure Notification Features
- Creating Clusters with Apple Qadministrator
- Setting Up for Part-Time Distributed Processing with Shake
- Appendix A: Keyboard Shortcuts
- Appendix B: Solving Problems
- Appendix C: Using the Command Line
Frame controls use advanced image analysis for retiming, resizing, and other sophisticated
video effects.
Through frame controls, Compressor offers high-quality transcoding from many different
source formats to many different target formats using advanced image analysis.
This chapter covers the following:
• About the Frame Controls Pane (p. 265)
• Adding Frame Controls to a Setting (p. 270)
• About Deinterlacing (p. 271)
• About Reverse Telecine (p. 272)
• Using the Retiming Controls (p. 275)
About the Frame Controls Pane
Using frame controls, you can do any of the following at levels of quality that were
previously available only through expensive hardware solutions:
• Convert video files between international television standards such as PAL to NTSC, or
NTSC to PAL.
• Downconvert high definition (HD) video sources to standard definition (SD), or upconvert
SD to HD.
• Convert a progressive stream to an interlaced one, or interlaced to progressive.
• Make high-quality frame rate adjustments, including high-quality slow-motion effects.
• Automatically remove telecine pull-down (reverse telecine).
The Advanced Format Conversions settings group in the Settings tab has particular
relevance to working with frame controls.
265
Working with Frame Controls
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