4
Table Of Contents
- Compressor 4 User Manual
- Contents
- Welcome to Compressor
- Getting Started Quickly
- Ways to Use Compressor
- The Basic Transcoding Workflow
- The Compressor Interface
- Compressor Windows and the Transcoding Workflow
- Creating and Managing Compressor Layouts
- Working with the Compressor Windows
- Batch Window
- Settings Tab
- Destinations Tab
- Inspector Window
- History Window
- Preview Window
- Apple Qmaster Sharing Window
- Share Monitor
- Droplet Windows
- About Changing Values and Timecode Entries
- Keyboard Shortcuts
- Setting Compressor Preferences
- Importing Source Media Files
- Creating, Previewing, and Modifying Settings
- Finalizing Jobs and Submitting Batches
- Creating AIFF Files
- Creating Common Audio Format Files
- Creating DV Stream Output Files
- Creating Dolby Digital Professional Output Files
- About the Dolby Digital Professional Encoder Pane
- General Information About Creating Dolby Digital Professional Files
- Converting Stereo Audio Files to Dolby Digital Professional Format
- Assigning Files to Surround Sound Channels (Manual Method)
- Assigning Files to Surround Sound Channels (Automatic Methods)
- Assigning Files to Surround Sound Channels with Droplets
- Options for Spatial Mixing
- Creating H.264 for Apple Devices Output Files
- Creating H.264 for Blu-ray Disc
- Creating Image Sequence Files
- Creating MP3 Output Files
- Creating MPEG-1 Output Files
- Common Uses for MPEG-1
- MPEG-1 Specifications
- About the MPEG-1 Encoder Pane
- About the MPEG-1 Video Tab
- About the MPEG-1 Audio Tab
- About System and Elementary Streams
- MPEG-1 Transcoding Workflow
- Configuring the MPEG-1 File Format for Web Use
- Configuring the MPEG-1 File Format for DVD Use
- Creating the MPEG-1 Video for DVD Setting
- Creating the MPEG-1 Audio for DVD Setting
- Optional—Creating an MPEG-1 for DVD Group and Destination
- Creating MPEG-2 Output Files
- Creating MPEG-4 Output Files
- About MPEG-4 Part 2
- About the MPEG-4 Part 2 Encoder Pane
- Using Default MPEG-4 Part 2 Settings
- Customizing MPEG-4 Part 2 Settings
- Audio Podcasting Workflow
- Stage 1: Configuring the MPEG-4 Output for Audio-Only Output
- Stage 2: Including Podcasting Information
- Stage 3: Applying the Setting to a Source Media File’s Target
- Stage 4: Entering Annotations for the Output Media File
- Stage 5: Creating and Configuring Markers for the Output Media File
- Stage 6: Submitting the Job and Verifying the Output Media File
- Adding Additional Settings and Presets
- Creating QuickTime Export Component Files
- Creating QuickTime Movie Output Files
- Adding Filters to a Setting
- Working with Frame Controls
- Adding Geometry Settings
- Adding Actions
- Using the Preview Window
- Creating and Changing Destinations
- Using Droplets
- Apple Qmaster and Distributed Processing
- Distributed Processing Basics
- Basic Components of the Apple Qmaster Distributed Processing System
- Getting Started Quickly Using This Computer Plus
- Getting Started Quickly Using QuickClusters
- The Interfaces in the Apple Qmaster Distributed Processing System
- Apple Qmaster Sharing Window of Compressor
- General Information About Clusters
- Options in the Apple Qmaster Sharing Window of Compressor
- Managed vs. Unmanaged Services
- Turning Cluster Controller Services On or Off
- Using Virtual Clusters to Make the Most of Multicore Computers
- Setting a Service Password for Including a Computer in a Cluster
- Scheduling Service Availability
- Using Cluster Storage
- Defining Ports for Service Advertisements
- Recovery and Failure Notification Features
- Creating Clusters with Apple Qadministrator
- Setting Up for Part-Time Distributed Processing with Shake
- Appendix A: Keyboard Shortcuts
- Appendix B: Solving Problems
- Appendix C: Using the Command Line
Compression Selection
The compression selection, located at the top of the window, defines which settings are
active in the rest of the window.
• Compression Type: Use this pop-up menu to choose the video codec you want to add
to your preset.
Motion Area
The Motion area settings are only active for some codecs.
• Frame Rate: With this pop-up menu, you can reduce the frame rate of your original file
to reduce the size of the compressed file. Higher frame rates make for smoother motion
but require more bandwidth. You use the Frame Rate pop-up menu to choose a different
frame rate, but for best results you should change it to a number that the original file
can be easily divided by. For example, if your original file had a frame rate of 30 fps,
you should use a frame rate of 10 fps or 15 fps. Choosing a frame rate of something
like 24 fps would result in uneven motion and even dropped frames, because 30 is not
evenly divisible by 24. Choose from the following settings: 8, 10, 12, 15, 23.98, 24, 25,
29.97, 30, 59.94, 60 fps, or choose Custom to enter a number manually.
• Key Frames: If your selected codec allows it, use the Key Frames Every field to enter the
number of frames you want between your key frames. Codecs based on the temporal
compression method use key frames. These act as a reference frame for the next
sequence of frames, so that any data redundancy between the key frame and the
ensuing frames can be removed. In between key frames are the less detailed delta
frames. You need to insert key frames throughout your media file because content
changes. Some video codecs allow you to insert a key frame every certain number of
frames, while other video codecs use natural key frames by scanning the whole file to
detect where the major similarities and differences occur and inserting the key frames
accordingly.
If there’s a lot of motion in your media file, you need key frames more often than you
do with something more static, such as a talking head sequence.
Data Rate Area
The Data Rate area is only active for some codecs.
• Data Rate: Use this field to set the number of kilobytes per second (KB/sec.) required
to deliver your media file. This setting is useful if you have a specific bit rate (such as a
DSL connection) or amount of space (on a DVD or CD-ROM). You should choose a data
rate that is appropriate for your delivery medium and set it as high as possible within
your data limitations. When you set a data rate, you override other codec quality settings
because the codec compresses the file as much as it needs to based on its data rate
limit.
Remember that the data rate is only for the video track of a media file. If your media
file also contains audio, you must allow some space for that too.
240 Chapter 21 Creating QuickTime Movie Output Files










