4
Table Of Contents
- Compressor 4 User Manual
- Contents
- Welcome to Compressor
- Getting Started Quickly
- Ways to Use Compressor
- The Basic Transcoding Workflow
- The Compressor Interface
- Compressor Windows and the Transcoding Workflow
- Creating and Managing Compressor Layouts
- Working with the Compressor Windows
- Batch Window
- Settings Tab
- Destinations Tab
- Inspector Window
- History Window
- Preview Window
- Apple Qmaster Sharing Window
- Share Monitor
- Droplet Windows
- About Changing Values and Timecode Entries
- Keyboard Shortcuts
- Setting Compressor Preferences
- Importing Source Media Files
- Creating, Previewing, and Modifying Settings
- Finalizing Jobs and Submitting Batches
- Creating AIFF Files
- Creating Common Audio Format Files
- Creating DV Stream Output Files
- Creating Dolby Digital Professional Output Files
- About the Dolby Digital Professional Encoder Pane
- General Information About Creating Dolby Digital Professional Files
- Converting Stereo Audio Files to Dolby Digital Professional Format
- Assigning Files to Surround Sound Channels (Manual Method)
- Assigning Files to Surround Sound Channels (Automatic Methods)
- Assigning Files to Surround Sound Channels with Droplets
- Options for Spatial Mixing
- Creating H.264 for Apple Devices Output Files
- Creating H.264 for Blu-ray Disc
- Creating Image Sequence Files
- Creating MP3 Output Files
- Creating MPEG-1 Output Files
- Common Uses for MPEG-1
- MPEG-1 Specifications
- About the MPEG-1 Encoder Pane
- About the MPEG-1 Video Tab
- About the MPEG-1 Audio Tab
- About System and Elementary Streams
- MPEG-1 Transcoding Workflow
- Configuring the MPEG-1 File Format for Web Use
- Configuring the MPEG-1 File Format for DVD Use
- Creating the MPEG-1 Video for DVD Setting
- Creating the MPEG-1 Audio for DVD Setting
- Optional—Creating an MPEG-1 for DVD Group and Destination
- Creating MPEG-2 Output Files
- Creating MPEG-4 Output Files
- About MPEG-4 Part 2
- About the MPEG-4 Part 2 Encoder Pane
- Using Default MPEG-4 Part 2 Settings
- Customizing MPEG-4 Part 2 Settings
- Audio Podcasting Workflow
- Stage 1: Configuring the MPEG-4 Output for Audio-Only Output
- Stage 2: Including Podcasting Information
- Stage 3: Applying the Setting to a Source Media File’s Target
- Stage 4: Entering Annotations for the Output Media File
- Stage 5: Creating and Configuring Markers for the Output Media File
- Stage 6: Submitting the Job and Verifying the Output Media File
- Adding Additional Settings and Presets
- Creating QuickTime Export Component Files
- Creating QuickTime Movie Output Files
- Adding Filters to a Setting
- Working with Frame Controls
- Adding Geometry Settings
- Adding Actions
- Using the Preview Window
- Creating and Changing Destinations
- Using Droplets
- Apple Qmaster and Distributed Processing
- Distributed Processing Basics
- Basic Components of the Apple Qmaster Distributed Processing System
- Getting Started Quickly Using This Computer Plus
- Getting Started Quickly Using QuickClusters
- The Interfaces in the Apple Qmaster Distributed Processing System
- Apple Qmaster Sharing Window of Compressor
- General Information About Clusters
- Options in the Apple Qmaster Sharing Window of Compressor
- Managed vs. Unmanaged Services
- Turning Cluster Controller Services On or Off
- Using Virtual Clusters to Make the Most of Multicore Computers
- Setting a Service Password for Including a Computer in a Cluster
- Scheduling Service Availability
- Using Cluster Storage
- Defining Ports for Service Advertisements
- Recovery and Failure Notification Features
- Creating Clusters with Apple Qadministrator
- Setting Up for Part-Time Distributed Processing with Shake
- Appendix A: Keyboard Shortcuts
- Appendix B: Solving Problems
- Appendix C: Using the Command Line
• Frame Rate (fps) pop-up menu and field: Choose or enter a number to set the overall
frame rate of your output media file, or click the Automatic button to have Compressor
choose the frame rate.
• Key Frame Interval field: Enter a value to designate how often (number of frames) you
want key frames created in your output media file, or click the Automatic button to
have Compressor choose the key frame interval rate (the displayed value is 0 with
Automatic on; the actual value is determined during the encoding process).
• Multi-pass: Select this for higher-quality results but at the expense of longer encoding
times. This is only available when you choose an H.264 option from the “Video
compression” pop-up menu.
• Bit Rate slider and field: Move the slider to set the overall video bit rate for your output
media file, or enter a specific number in the accompanying field.
Audio Pane
You use the Audio pane to set the audio track quality, sample rate, quality, and bit rate
of the MPEG-4 output file.
Sample Rate pop-up
menu
Bit Rate slider
Use the following buttons and slider to make more detailed adjustments.
• Audio Enabled checkbox: Make sure that this checkbox is selected if you want the MPEG-4
Part 2 output format audio settings to be applied.
• Channels buttons: Choose the audio channel for your output media file to be either
mono or stereo.
• Mono: Choose this button for mono output.
• Stereo: Choose this button for stereo output.
• Sample Rate pop-up menu: Choose from one of the following sample rates: 8, 11.025,
12, 16, 22.05, 24, 32, 44.1, or 48 kHz. You can also choose Recommended to have
Compressor choose a sample rate that is suitable for the Channels and Bit Rate settings.
Note: If you choose Recommended, the sample rate is not determined until the
transcode actually starts.
• Quality pop-up menu: Choose one of the following for the audio quality of your output
media file:
• Low: This allows for fast transcoding, but it is at the expense of output file quality.
222 Chapter 19 Creating MPEG-4 Output Files