4.5
Table Of Contents
- Contents
- What’s new
- Compressor basics
- Simple transcoding
- Advanced adjustments
- Intro to advanced adjustments in Compressor
- Work with settings
- View and modify a setting’s properties in Compressor
- Create custom settings in Compressor
- Formats and settings in Compressor
- Properties of settings
- Apple Devices settings in Compressor
- Common Audio Formats settings in Compressor
- Dolby Digital settings in Compressor
- H.264 for Blu-ray setting in Compressor
- Image Sequence settings in Compressor
- MP3 settings in Compressor
- MPEG-2 setting in Compressor
- MPEG-4 settings in Compressor
- MXF settings in Compressor
- QuickTime Export Components setting in Compressor
- QuickTime Movie settings in Compressor
- Work with destinations
- Work with locations in Compressor
- Work with jobs
- Work with batches in Compressor
- Advanced tasks
- Import an image sequence in Compressor
- Work with surround sound files
- Work with 360-degree video
- Work with captions
- Create iTunes Store packages
- Create IMF packages
- Modify frame size
- Modify playback speed
- View and modify audio tracks in Compressor
- Add video and audio effects
- Work with metadata annotations in Compressor
- Add descriptive audio tracks in Compressor
- Set a poster frame in Compressor
- Add markers using Compressor
- Transcode time ranges in Compressor
- Modify starting timecode in Compressor
- Work smarter
- Compressor preferences
- Keyboard shortcuts
- Wide color gamut and HDR
- Create and use droplets in Compressor
- Create additional instances of Compressor
- Transcode Final Cut Pro and Motion projects in Compressor
- Use distributed processing
- Glossary
55Compressor User Guide
• Motion estimation: This pop-up menu sets the amount of motion processing that will be
performed on the file. There are three options:
• Good: The fastest processing setting. Use this setting when there is relatively low
motion between frames. In general, use Good with the one-pass encoding modes.
• Better: Provides very good results even in the presence of complex interlaced
motion. In general, use Better with Single Pass VBR (Best) and Two Pass VBR (Best).
• Best: The slowest processing setting. Use for the most complex motion and for
interlaced source files. In general, use the Best mode to maximize quality when
using Single Pass VBR (Best) or Two Pass VBR (Best).
• GOP structure: This property is available only when the “Frame rate” property is set
manually (does not use Automatic).
Compressor provides three methods of grouping frames, or “pictures,” in encoded
video: as I-frames (intra-frames), P-frames (predictive frames), and B-frames
(bidirectional predictive frames). These are collectively called a group of pictures (GOP).
The “GOP structure” pop-up menu includes several methods of arranging frames:
• IP: Use IP only if your media contains fast motion that isn’t encoded with sufficient
quality using an IBBP or IBP structure.
• IBP: Use IBP only if your media contains fast motion that isn’t encoded with
sufficient quality using an IBBP structure.
• IBBP: Recommended for the majority of MPEG-2 encoding situations.
Note: For most MPEG-2 encoding situations intended for use on a DVD, choose IBBP as
the GOP structure setting, and a GOP size of 15 for NTSC, or 12 for PAL.
• GOP size: This property is available when the “Frame rate” property is set manually
(does not use Automatic).
This slider specifies how many frames are contained within a GOP (group of pictures).
The values available in the slider are determined by the GOP structure property
(described above). The maximum GOP size you can choose within Compressor is 15
frames (NTSC) or 12 frames (PAL and 720p). The minimum GOP size for all video
formats is 6 frames (closed GOP) or 7 frames (open GOP).
• Automatically select bit rate: Select this checkbox to have Compressor automatically
compute the best bit rate for the output file, based on the duration of the source file.
To manually adjust the bit rate, deselect the checkbox and drag the “Average bit rate”
and “Maximum bit rate” sliders (or enter values in the adjacent fields).
• YUV 422 color encoding: This property appears in most built-in settings that output
MPEG-2 files. Select this checkbox to use YUV 422 color encoding for superior
chroma quality.










