4.5
Table Of Contents
- Contents
- What’s new
- Compressor basics
- Simple transcoding
- Advanced adjustments
- Intro to advanced adjustments in Compressor
- Work with settings
- View and modify a setting’s properties in Compressor
- Create custom settings in Compressor
- Formats and settings in Compressor
- Properties of settings
- Apple Devices settings in Compressor
- Common Audio Formats settings in Compressor
- Dolby Digital settings in Compressor
- H.264 for Blu-ray setting in Compressor
- Image Sequence settings in Compressor
- MP3 settings in Compressor
- MPEG-2 setting in Compressor
- MPEG-4 settings in Compressor
- MXF settings in Compressor
- QuickTime Export Components setting in Compressor
- QuickTime Movie settings in Compressor
- Work with destinations
- Work with locations in Compressor
- Work with jobs
- Work with batches in Compressor
- Advanced tasks
- Import an image sequence in Compressor
- Work with surround sound files
- Work with 360-degree video
- Work with captions
- Create iTunes Store packages
- Create IMF packages
- Modify frame size
- Modify playback speed
- View and modify audio tracks in Compressor
- Add video and audio effects
- Work with metadata annotations in Compressor
- Add descriptive audio tracks in Compressor
- Set a poster frame in Compressor
- Add markers using Compressor
- Transcode time ranges in Compressor
- Modify starting timecode in Compressor
- Work smarter
- Compressor preferences
- Keyboard shortcuts
- Wide color gamut and HDR
- Create and use droplets in Compressor
- Create additional instances of Compressor
- Transcode Final Cut Pro and Motion projects in Compressor
- Use distributed processing
- Glossary
44Compressor User Guide
• Cropping: This pop-up menu sets the dimension of the output image. The custom
option allows you to enter your own image dimensions in the fields; other options use
predetermined sizes. The Letterbox Area of Source option detects image edges and
automatically enters crop values to match them. This is useful if you want to crop out
the letterbox area (the black bars above and below a widescreen image) of a source
media file.
• Padding: This pop-up menu sets the scaling of the output image while retaining the
output image’s frame size. The custom option allows you to enter your own scaling
dimensions in the fields; other options use predetermined dimensions.
Quality
The following properties set the processing algorithm used by Compressor during the
transcoding process. For more information about using these controls, see Retime video
and audio using Compressor and Modify timing and frame rate in Compressor.
• Resize filter: This pop-up menu sets the resizing method. There are several options:
• Nearest Pixel (Fastest): Samples the nearest neighboring pixel when resizing an
image. This option provides the fastest processing time, but it is more likely to
show aliasing artifacts and jagged edges.
• Linear: Adjacent pixel values are averaged using a linear distribution of weights.
Produces fewer aliasing artifacts than Nearest Pixel, with a small increase in
processing time.
• Gaussian: Adjacent pixel values are averaged using a gaussian distribution
of weights. This provides a medium trade-off between processing time and
output quality.
• Lanczos 2: Adjacent pixel values are averaged using a truncated sinc function. This
option is slower than Gaussian but provides sharper results.
• Lanczos 3: Similar to Lanczos 2 but averages more pixel values. This option is slower
than Lanczos 2 but may produce better results.
• Bicubic: Adjacent pixel values are averaged using a bicubic function. The processing
time and output are most similar to Lanczos 2 and Lanczos 3.
• Anti-aliased (Best): Provides the highest output quality, but can take substantially
longer to process.
• Retiming Quality: This pop-up menu sets the retiming method. There are four options:
• Fast (Nearest Frame): Linearly interpolates frames using nearest neighbor frames.
• Good (Frame Blending): Blends neighboring frames using a filter to produce
good-quality interpolation.
• Best (Motion Compensated): Uses optical flow to interpolate using areas of
movement between neighboring frames to produce high-quality output.
• Reverse Telecine: Removes the extra fields added during the telecine process to
convert the film’s 24 fps to NTSC’s 29.97 fps. Choosing this item disables all the
other Quality controls. See Use reverse telecine in Compressor.
• Adaptive details: Select this checkbox to use advanced image analysis to distinguish
between noise and edge areas during output.










