4.5
Table Of Contents
- Contents
- What’s new
- Compressor basics
- Simple transcoding
- Advanced adjustments
- Intro to advanced adjustments in Compressor
- Work with settings
- View and modify a setting’s properties in Compressor
- Create custom settings in Compressor
- Formats and settings in Compressor
- Properties of settings
- Apple Devices settings in Compressor
- Common Audio Formats settings in Compressor
- Dolby Digital settings in Compressor
- H.264 for Blu-ray setting in Compressor
- Image Sequence settings in Compressor
- MP3 settings in Compressor
- MPEG-2 setting in Compressor
- MPEG-4 settings in Compressor
- MXF settings in Compressor
- QuickTime Export Components setting in Compressor
- QuickTime Movie settings in Compressor
- Work with destinations
- Work with locations in Compressor
- Work with jobs
- Work with batches in Compressor
- Advanced tasks
- Import an image sequence in Compressor
- Work with surround sound files
- Work with 360-degree video
- Work with captions
- Create iTunes Store packages
- Create IMF packages
- Modify frame size
- Modify playback speed
- View and modify audio tracks in Compressor
- Add video and audio effects
- Work with metadata annotations in Compressor
- Add descriptive audio tracks in Compressor
- Set a poster frame in Compressor
- Add markers using Compressor
- Transcode time ranges in Compressor
- Modify starting timecode in Compressor
- Work smarter
- Compressor preferences
- Keyboard shortcuts
- Wide color gamut and HDR
- Create and use droplets in Compressor
- Create additional instances of Compressor
- Transcode Final Cut Pro and Motion projects in Compressor
- Use distributed processing
- Glossary
35Compressor User Guide
• 360° metadata: Use this pop-up menu to choose the type of 360° metadata, if any,
included in the output file:
• Automatic: Compressor chooses the metadata format based on the properties in the
Job inspector and the transcode setting you applied. The format chosen is listed to
the right of the pop-up menu.
• None: No 360° metadata is attached to your output file.
• Spherical Video V1: The 360° metadata format most commonly used by sharing sites,
including YouTube and Vimeo.
• Spherical Video V2: A less common, but more up-to-date, 360° metadata format
used by YouTube and Vimeo.
For more information, see View 360° video metadata using Compressor.
• Compatible with: This list shows devices that will play the transcoded file (compatible
device types are marked with a green circle that contains a checkmark
).
When
you change the setting’s properties (frame size, frame rate, codec, and so on), the
compatibility list is automatically updated.
Cropping and padding
Customize the final cropping, sizing, and aspect ratio in Compressor using the Cropping &
Padding properties. Cropping removes video content from an image. Padding scales the
image to a smaller size while retaining the output image’s frame size.
• Cropping: Use this pop-up menu to set the dimensions of the output image. The custom
option allows you to enter your own image dimensions in the fields; other options use
predetermined sizes. The Letterbox Area of Source menu item detects image edges and
automatically enters crop values to match them. This is useful if you want to remove
a source file’s letterbox area, by cropping out the black bars above and below the
widescreen image.
• Padding: Use this pop-up menu to set the scaling of the output image while retaining
the output image’s frame size. The custom option allows you to enter your own scaling
dimensions in the fields; other options use predetermined dimensions.
For more information about these properties, see Intro to modifying frame size in
Compressor.
Quality
The following properties in Compressor provide instructions for image analysis, including
frame resizing, clip retiming, and deinterlacing:
• Resize filter: This pop-up menu sets the resizing method. There are several options:
• Nearest Pixel (Fastest): Samples the nearest neighboring pixel when resizing an
image. This option provides the fastest processing time, but it is more likely to
show aliasing artifacts and jagged edges.
• Linear: Adjacent pixel values are averaged using a linear distribution of weights.
Produces fewer aliasing artifacts than Nearest Pixel, with a small increase in
processing time.
• Gaussian: Adjacent pixel values are averaged using a gaussian distribution
of weights. This provides a medium trade-off between processing time and
output quality.










