4.5
Table Of Contents
- Contents
- What’s new
- Compressor basics
- Simple transcoding
- Advanced adjustments
- Intro to advanced adjustments in Compressor
- Work with settings
- View and modify a setting’s properties in Compressor
- Create custom settings in Compressor
- Formats and settings in Compressor
- Properties of settings
- Apple Devices settings in Compressor
- Common Audio Formats settings in Compressor
- Dolby Digital settings in Compressor
- H.264 for Blu-ray setting in Compressor
- Image Sequence settings in Compressor
- MP3 settings in Compressor
- MPEG-2 setting in Compressor
- MPEG-4 settings in Compressor
- MXF settings in Compressor
- QuickTime Export Components setting in Compressor
- QuickTime Movie settings in Compressor
- Work with destinations
- Work with locations in Compressor
- Work with jobs
- Work with batches in Compressor
- Advanced tasks
- Import an image sequence in Compressor
- Work with surround sound files
- Work with 360-degree video
- Work with captions
- Create iTunes Store packages
- Create IMF packages
- Modify frame size
- Modify playback speed
- View and modify audio tracks in Compressor
- Add video and audio effects
- Work with metadata annotations in Compressor
- Add descriptive audio tracks in Compressor
- Set a poster frame in Compressor
- Add markers using Compressor
- Transcode time ranges in Compressor
- Modify starting timecode in Compressor
- Work smarter
- Compressor preferences
- Keyboard shortcuts
- Wide color gamut and HDR
- Create and use droplets in Compressor
- Create additional instances of Compressor
- Transcode Final Cut Pro and Motion projects in Compressor
- Use distributed processing
- Glossary
167Compressor User Guide
Completed view
When you select an item in Completed view in Compressor, the following controls appear in
the Touch Bar:
Item Name Description
Reuse Adds the currently selected item (in
Completed view) to the batch area
as a new, unprocessed batch.
Show in Finder Displays a Finder window with all
exported files highlighted.
See Transcode files in Compressor.
Wide color gamut and HDR
Intro to wide color gamut and HDR in Compressor
No image device is capable of capturing and reproducing the full spectrum of colors and
levels of brightness visible to the human eye. Consequently, image devices record, edit,
display, or output a subset of those colors and luminances. This range of reproducible
color is known as the device’s color space or color gamut. See HDR and Wide Color Gamut
in Final Cut Pro.
Standard-gamut versus wide-gamut color
Traditional computer monitors and HDTVs support a limited color space that’s based on a
decades-old industry standard called Rec. 709. Rec. 709 devices (and the video content
created for display on them) have standard-gamut color, the constrained color palette you
see whenever you view a broadcast HDTV show, DVD, or Blu-ray disc.
A more recent generation of displays—including 4K televisions and computer displays,
newer Mac, iOS, and iPadOS devices, and Apple TV 4K—can render a much wider palette
of colors. These wide-gamut color devices display hues that are more vivid and lifelike
(in addition to all the hues that standard-gamut devices can display). Accordingly, the
video industry has adopted a wide-gamut color standard called Rec. 2020. Although most
currently available wide-gamut devices support only a subset of the colors contained in
the full Rec. 2020 specification, future imaging devices should be able to render more and
more of those hues.










