4.5
Table Of Contents
- Contents
- What’s new
- Compressor basics
- Simple transcoding
- Advanced adjustments
- Intro to advanced adjustments in Compressor
- Work with settings
- View and modify a setting’s properties in Compressor
- Create custom settings in Compressor
- Formats and settings in Compressor
- Properties of settings
- Apple Devices settings in Compressor
- Common Audio Formats settings in Compressor
- Dolby Digital settings in Compressor
- H.264 for Blu-ray setting in Compressor
- Image Sequence settings in Compressor
- MP3 settings in Compressor
- MPEG-2 setting in Compressor
- MPEG-4 settings in Compressor
- MXF settings in Compressor
- QuickTime Export Components setting in Compressor
- QuickTime Movie settings in Compressor
- Work with destinations
- Work with locations in Compressor
- Work with jobs
- Work with batches in Compressor
- Advanced tasks
- Import an image sequence in Compressor
- Work with surround sound files
- Work with 360-degree video
- Work with captions
- Create iTunes Store packages
- Create IMF packages
- Modify frame size
- Modify playback speed
- View and modify audio tracks in Compressor
- Add video and audio effects
- Work with metadata annotations in Compressor
- Add descriptive audio tracks in Compressor
- Set a poster frame in Compressor
- Add markers using Compressor
- Transcode time ranges in Compressor
- Modify starting timecode in Compressor
- Work smarter
- Compressor preferences
- Keyboard shortcuts
- Wide color gamut and HDR
- Create and use droplets in Compressor
- Create additional instances of Compressor
- Transcode Final Cut Pro and Motion projects in Compressor
- Use distributed processing
- Glossary
138Compressor User Guide
Use reverse telecine in Compressor
Telecine is the process of converting motion picture film to the NTSC video format used in
broadcast television. The most common telecine approach to converting film’s standard
24 fps frame rate to NTSC video’s 29.97 fps frame rate is to perform a 3:2 pulldown (also
known as a 2:3:2:3 pulldown). If you alternate recording two fields of one film frame and
then three fields of the next, the 24 frames in 1 second of film end up filling the 30 frames
in 1 second of video.
As shown above, the 3:2 pattern repeats after four film frames.
For editing and effects purposes, it’s often desirable to remove the extra fields and
restore the video to its original 24 fps rate. This process is known as reverse telecine.
An additional benefit of restoring the original is that it’s easier to convert this to PAL,
the European broadcast standard, which uses a 25 fps frame rate.
The lower frame rate also has the advantage of requiring fewer frames per second of video,
leading to smaller file sizes. The reverse telecine feature in Compressor makes it easy to
do this conversion.
When using the reverse telecine feature in Compressor, consider these issues:
• Because of the unpredictable nature of the processing when reversing the telecine,
segmented encoding doesn’t work as efficiently as it does when reverse telecine is
not being used.
• If you pause the transcoding process, the transcode must start from the beginning
when you restart it.










