4.5
Table Of Contents
- Contents
- What’s new
- Compressor basics
- Simple transcoding
- Advanced adjustments
- Intro to advanced adjustments in Compressor
- Work with settings
- View and modify a setting’s properties in Compressor
- Create custom settings in Compressor
- Formats and settings in Compressor
- Properties of settings
- Apple Devices settings in Compressor
- Common Audio Formats settings in Compressor
- Dolby Digital settings in Compressor
- H.264 for Blu-ray setting in Compressor
- Image Sequence settings in Compressor
- MP3 settings in Compressor
- MPEG-2 setting in Compressor
- MPEG-4 settings in Compressor
- MXF settings in Compressor
- QuickTime Export Components setting in Compressor
- QuickTime Movie settings in Compressor
- Work with destinations
- Work with locations in Compressor
- Work with jobs
- Work with batches in Compressor
- Advanced tasks
- Import an image sequence in Compressor
- Work with surround sound files
- Work with 360-degree video
- Work with captions
- Create iTunes Store packages
- Create IMF packages
- Modify frame size
- Modify playback speed
- View and modify audio tracks in Compressor
- Add video and audio effects
- Work with metadata annotations in Compressor
- Add descriptive audio tracks in Compressor
- Set a poster frame in Compressor
- Add markers using Compressor
- Transcode time ranges in Compressor
- Modify starting timecode in Compressor
- Work smarter
- Compressor preferences
- Keyboard shortcuts
- Wide color gamut and HDR
- Create and use droplets in Compressor
- Create additional instances of Compressor
- Transcode Final Cut Pro and Motion projects in Compressor
- Use distributed processing
- Glossary
137Compressor User Guide
3. Click the “Field order” pop-up menu, then choose a progressive or interlaced
frame rate.
If the current setting doesn’t allow field order modification, this control remains
dimmed. If you want to convert a file with an interlaced format into a progressive format,
see Use deinterlacing in Compressor.
Note: The properties in the Retiming section of the General inspector are always affected
by the “Frame rate” property, as well as the “Retiming quality” property in the
Video inspector.
Use deinterlacing in Compressor
Video to be played on traditional NTSC or PAL televisions is encoded using an interlaced
frame rate. Each frame is actually made up of two half-frames called fields. Each field
contains half the frame lines; the odd (or upper) field contains lines 1, 3, 5, 7, 9 and so
on, and the even (or lower) field contains lines 2, 4, 6, 8, 10, and so on. When the video is
played back, the TV displays the fields in an alternating pattern, which creates an effective
illusion of smooth movement. Viewing interlaced video on a computer screen that displays
both fields simultaneously may reveal a combing effect.
You can deinterlace, or remove the fields from an interlaced video clip, by converting it to a
progressive frame rate. The video settings provided in Compressor contain a “Field order”
pop-up menu in the Video inspector that you can use to turn interlacing on or off for the
transcoded file. For more information, see the topic that covers the format you’re using for
transcoding, for example, QuickTime Movie settings in Compressor or MPEG-2 setting
in Compressor.










