4.5
Table Of Contents
- Contents
- What’s new
- Compressor basics
- Simple transcoding
- Advanced adjustments
- Intro to advanced adjustments in Compressor
- Work with settings
- View and modify a setting’s properties in Compressor
- Create custom settings in Compressor
- Formats and settings in Compressor
- Properties of settings
- Apple Devices settings in Compressor
- Common Audio Formats settings in Compressor
- Dolby Digital settings in Compressor
- H.264 for Blu-ray setting in Compressor
- Image Sequence settings in Compressor
- MP3 settings in Compressor
- MPEG-2 setting in Compressor
- MPEG-4 settings in Compressor
- MXF settings in Compressor
- QuickTime Export Components setting in Compressor
- QuickTime Movie settings in Compressor
- Work with destinations
- Work with locations in Compressor
- Work with jobs
- Work with batches in Compressor
- Advanced tasks
- Import an image sequence in Compressor
- Work with surround sound files
- Work with 360-degree video
- Work with captions
- Create iTunes Store packages
- Create IMF packages
- Modify frame size
- Modify playback speed
- View and modify audio tracks in Compressor
- Add video and audio effects
- Work with metadata annotations in Compressor
- Add descriptive audio tracks in Compressor
- Set a poster frame in Compressor
- Add markers using Compressor
- Transcode time ranges in Compressor
- Modify starting timecode in Compressor
- Work smarter
- Compressor preferences
- Keyboard shortcuts
- Wide color gamut and HDR
- Create and use droplets in Compressor
- Create additional instances of Compressor
- Transcode Final Cut Pro and Motion projects in Compressor
- Use distributed processing
- Glossary
103Compressor User Guide
• Cubic: A less common form of spatial mapping, this option represents the
spherical data as an unfolded cube with six faces.
• Pixel bounds: When “Projection mode” is set to Equirectangular, this property
becomes available, allowing you to modify the boundaries of the equirectangular
frame. Most of the time, there’s no need to change these values. However, if you
need to alter the dimensions of 360° video from its 2:1 aspect ratio to a more
conventional aspect ratio (16:9, for example), you can do so using these controls.
Enter values in the Left and Top fields to crop a specific number of pixels from the
left edge and top edge of the image. Enter new values in the Width and Height fields
to change the dimensions of the equirectangular frame.
• Layout and Padding: When “Projection mode” is set to Cubic, these fields become
available, allowing you to adjust the six faces of the unfolded cube. Most of the
time, there’s no need to change these values. The integer value in the Layout field
specifies the order of the six unfolded cube faces (the default value of 0 specifies
the face order used in the Spherical Video V2 metadata standard: right, left, up,
down, front, back). The value in the Padding field specifies the width (in pixels)
of borders around the edges of each cube face.
Include 360° metadata in the output file
After you apply a transcode setting to the 360° video source file, make sure the setting
uses the correct metadata format for the output destination you’ve chosen (YouTube,
Vimeo, or another publishing platform). In most cases, Compressor automatically chooses
the correct metadata format for the job, based on the values entered in the Job inspector
and the transcode setting you applied. However, you can modify that choice, if necessary.
1. In the Compressor batch area, select an applied setting.
2. In the Video inspector, click the “360° metadata” pop-up menu (in the Video Properties
area) and choose an option:
• Automatic: Compressor chooses the metadata format based on the properties in the
Job inspector and the transcode setting you applied. The format chosen is listed to
the right of the pop-up menu.
• None: No 360° metadata is attached to your output file.










