3
Table Of Contents
- Compressor 3 User Manual
- Contents
- Welcome to Compressor
- Getting Started Quickly
- Ways to Use Compressor
- The Basic Transcoding Workflow
- The Compressor Interface
- Setting Compressor Preferences
- Importing Source Media Files
- Creating, Previewing, and Modifying Settings
- Finalizing Jobs and Submitting Batches
- Creating AIFF Files
- Creating Dolby Digital Professional Output Files
- About the Dolby Digital Professional Encoder Pane
- General Information About Creating Dolby Digital Professional Files
- Converting Stereo Audio Files to Dolby Digital Professional Format
- Assigning Files to Surround Sound Channels (Manual Method)
- Assigning Files to Surround Sound Channels (Automatic Methods)
- Assigning Files to Surround Sound Channels with Droplets
- Options for Spatial Mixing
- Creating DV Stream Output Files
- Creating H.264 for Apple Devices Output Files
- Creating H.264 for DVD Studio Pro Output Files
- Creating H.264 for Blu-ray Disc
- Creating Image Sequence Files
- Creating MP3 Output Files
- Creating MPEG-1 Output Files
- Common Uses for MPEG-1
- MPEG-1 Specifications
- About the MPEG-1 Encoder Pane
- About the MPEG-1 Video Tab
- About the MPEG-1 Audio Tab
- About System and Elementary Streams
- MPEG-1 Transcoding Workflow
- Configuring the MPEG-1 File Format for Web Use
- Configuring the MPEG-1 File Format for DVD Use
- Creating the MPEG-1 Video for DVD Setting
- Creating the MPEG-1 Audio for DVD Setting
- Optional—Creating an MPEG-1 for DVD Group and Destination
- Creating MPEG-2 Output Files
- Creating MPEG-4 Output Files
- About MPEG-4 Part 2
- About the MPEG-4 Part 2 Encoder Pane
- Using Default MPEG-4 Part 2 Settings
- Customizing MPEG-4 Part 2 Settings
- Audio Podcasting Workflow
- Stage 1: Configuring the MPEG-4 Output for Audio-Only Output
- Stage 2: Including Podcasting Information
- Stage 3: Applying the Setting to a Source Media File’s Target
- Stage 4: Entering Annotations for the Output Media File
- Stage 5: Creating and Configuring Markers for the Output Media File
- Stage 6: Submitting the Job and Verifying the Output Media File
- Adding Additional Settings and Presets
- Creating QuickTime Movie Output Files
- Creating QuickTime Export Component Files
- Adding Filters to a Setting
- Working with Frame Controls
- Adding Geometry Settings
- Adding Actions
- Using the Preview Window
- Creating and Changing Destinations
- Using Droplets
- Appendix A: Keyboard Shortcuts
- Appendix B: Solving Problems
- Resources for Solving Problems
- Solutions to Common Problems
- Exporting from Final Cut Pro and Distributed Processing
- QuickTime Reference Movies
- Cluster Settings for Extended Transcoding Sessions
- Cleaning Up Cluster Storage
- Using Apple Qmaster with an NFS Server
- Apple Qmaster Distributed Processing and Xsan
- Compressor Command-Line Usage Requires Login
- Create Blu-ray Disc Job Action
- Contacting AppleCare Support
- Appendix C: Using the Command Line
- Installing Apple Qmaster from the Command Line
- Using the Command Line for Distributed Processing
- Using Scripts to Run Apple Qmaster, Compressor, and Batch Monitor
• MPEG-4, Part-2: Intended for a variety of uses including the web or wireless devices.
For more details on the MPEG-4 format, see Creating MPEG-4 Output Files.
• QuickTime Export Components: Leveraging the component plug-in architecture of
QuickTime, Compressor can output a variety of additional codec options and third-party
formats such as Windows Media, RealPlayer, 3G, and AVI. The QuickTime Export
Components feature allows you to control the third-party encoding engine without
having to open another application. For more details on QuickTime Export Components,
see Creating QuickTime Export Component Output Files.
• QuickTime Movie: Intended for use with QuickTime in a variety of playback environments.
Because QuickTime is cross-platform multimedia technology, it allows Mac OS and
Windows applications to capture and play back video, audio, and still-image files. For
more details on the QuickTime format, see Creating QuickTime Movie Output Files.
Creating a Compressor Batch
This section describes the complete steps in manually creating and submitting a complete
Compressor batch. For a quicker and easier but more limited method, see Quick and Easy
Compressor Workflow: Batch Template Method.
Once you have the necessary settings and destinations available, you can begin to create
your batch for transcoding. A batch contains one or more jobs. A job consists of one
source media file with one or more targets, which contain the settings and destinations.
You can submit a batch for transcoding only after you have assigned at least one target
(setting and destination) to each job (source media file) in the batch. All jobs in the batch
are submitted together. Think of batches as documents that can be saved, closed, and
opened again. And much like a Final Cut Pro project, a separate tab (that can be torn off)
contains each Compressor batch.
Stage 1: Importing Source Media Files into Compressor
You import source media files into a batch either by using the File Selection dialog or by
dragging the files from the Finder to the Compressor Batch window. You can import
source media files from any folder that you have access to.
See Importing Source Media Files for more information.
Stage 2: Assigning a Setting
Once you have imported your source media file into the Batch window, you need to
assign one or more settings to it. This makes it a job. A source media file can be transcoded
only after it has at least one setting assigned to it, and you can add a setting to a source
media file only after you have either selected a preexisting setting or created one. Your
setting must have an output file format associated with it.
• If you choose a preexisting setting: The output file format has already been assigned.
35Chapter 3 The Basic Transcoding Workflow