3
Table Of Contents
- Compressor 3 User Manual
- Contents
- Welcome to Compressor
- Getting Started Quickly
- Ways to Use Compressor
- The Basic Transcoding Workflow
- The Compressor Interface
- Setting Compressor Preferences
- Importing Source Media Files
- Creating, Previewing, and Modifying Settings
- Finalizing Jobs and Submitting Batches
- Creating AIFF Files
- Creating Dolby Digital Professional Output Files
- About the Dolby Digital Professional Encoder Pane
- General Information About Creating Dolby Digital Professional Files
- Converting Stereo Audio Files to Dolby Digital Professional Format
- Assigning Files to Surround Sound Channels (Manual Method)
- Assigning Files to Surround Sound Channels (Automatic Methods)
- Assigning Files to Surround Sound Channels with Droplets
- Options for Spatial Mixing
- Creating DV Stream Output Files
- Creating H.264 for Apple Devices Output Files
- Creating H.264 for DVD Studio Pro Output Files
- Creating H.264 for Blu-ray Disc
- Creating Image Sequence Files
- Creating MP3 Output Files
- Creating MPEG-1 Output Files
- Common Uses for MPEG-1
- MPEG-1 Specifications
- About the MPEG-1 Encoder Pane
- About the MPEG-1 Video Tab
- About the MPEG-1 Audio Tab
- About System and Elementary Streams
- MPEG-1 Transcoding Workflow
- Configuring the MPEG-1 File Format for Web Use
- Configuring the MPEG-1 File Format for DVD Use
- Creating the MPEG-1 Video for DVD Setting
- Creating the MPEG-1 Audio for DVD Setting
- Optional—Creating an MPEG-1 for DVD Group and Destination
- Creating MPEG-2 Output Files
- Creating MPEG-4 Output Files
- About MPEG-4 Part 2
- About the MPEG-4 Part 2 Encoder Pane
- Using Default MPEG-4 Part 2 Settings
- Customizing MPEG-4 Part 2 Settings
- Audio Podcasting Workflow
- Stage 1: Configuring the MPEG-4 Output for Audio-Only Output
- Stage 2: Including Podcasting Information
- Stage 3: Applying the Setting to a Source Media File’s Target
- Stage 4: Entering Annotations for the Output Media File
- Stage 5: Creating and Configuring Markers for the Output Media File
- Stage 6: Submitting the Job and Verifying the Output Media File
- Adding Additional Settings and Presets
- Creating QuickTime Movie Output Files
- Creating QuickTime Export Component Files
- Adding Filters to a Setting
- Working with Frame Controls
- Adding Geometry Settings
- Adding Actions
- Using the Preview Window
- Creating and Changing Destinations
- Using Droplets
- Appendix A: Keyboard Shortcuts
- Appendix B: Solving Problems
- Resources for Solving Problems
- Solutions to Common Problems
- Exporting from Final Cut Pro and Distributed Processing
- QuickTime Reference Movies
- Cluster Settings for Extended Transcoding Sessions
- Cleaning Up Cluster Storage
- Using Apple Qmaster with an NFS Server
- Apple Qmaster Distributed Processing and Xsan
- Compressor Command-Line Usage Requires Login
- Create Blu-ray Disc Job Action
- Contacting AppleCare Support
- Appendix C: Using the Command Line
- Installing Apple Qmaster from the Command Line
- Using the Command Line for Distributed Processing
- Using Scripts to Run Apple Qmaster, Compressor, and Batch Monitor
Note: If your source media file has a timecode track with a specific timecode, the
timecode of the clip will appear in the playback timecode field. For everything else,
the timecode will start with 00:00:00:00.
• In and Out points: Use these if you want to transcode only a section of your source
media file, rather than the whole thing. Drag the points to indicate the Start and End
points within the source media file that you want to transcode. The In and Out timecode
fields at the bottom of the Preview window update as you drag these points. (You can
also click the Set In Point or Set Out Point buttons to set the points to wherever the
playhead is currently positioned.)
In and Out points are not preserved after a transcode has been completed, so if you
want to resubmit a batch from the History table, you need to reapply these points to
your clip. In and Out points are assigned to the source media file rather than the setting,
so whatever In and Out points you create will be the same for all other settings related
to that source media file in the current batch.
• Playhead: Gives you a visual indication of where the displayed frame is located within
the clip. You can drag the playhead to navigate quickly to a specific location within
the clip.
• Marker: Gives you a visual indication of where a marker has been placed in the clip.
The color of the marker indicates its type:
• Blue: Compression markers (These are compression markers that you add manually.)
• Purple: Chapter or Podcast markers (These are named markers that are intended to
be navigational chapter stops or visual artwork in the output media file.)
• Green: Edit/cut markers (These are compression markers that are added automatically
at edit points in the Final Cut Pro sequence.)
See Adding Markers to a Clip for more information.
Transport Controls
These move the playhead backward or forward to the exact position of the next marker
or In and Out point, making it easy to navigate quickly between existing markers. You
can also use these buttons to quickly move the playhead to the start or end of the clip.
Move to previous marker
Play/Pause
Fast Backward
Move to next marker
Fast Forward
Playback Loop button
• Play/Pause button: Starts or stops playback of the clip. If you stop playback, the playhead
remains at its current position. To return to the start of the clip, you need to drag the
playhead back to the beginning or click the “move to previous marker” control.
313Chapter 26 Using the Preview Window