3
Table Of Contents
- Compressor 3 User Manual
- Contents
- Welcome to Compressor
- Getting Started Quickly
- Ways to Use Compressor
- The Basic Transcoding Workflow
- The Compressor Interface
- Setting Compressor Preferences
- Importing Source Media Files
- Creating, Previewing, and Modifying Settings
- Finalizing Jobs and Submitting Batches
- Creating AIFF Files
- Creating Dolby Digital Professional Output Files
- About the Dolby Digital Professional Encoder Pane
- General Information About Creating Dolby Digital Professional Files
- Converting Stereo Audio Files to Dolby Digital Professional Format
- Assigning Files to Surround Sound Channels (Manual Method)
- Assigning Files to Surround Sound Channels (Automatic Methods)
- Assigning Files to Surround Sound Channels with Droplets
- Options for Spatial Mixing
- Creating DV Stream Output Files
- Creating H.264 for Apple Devices Output Files
- Creating H.264 for DVD Studio Pro Output Files
- Creating H.264 for Blu-ray Disc
- Creating Image Sequence Files
- Creating MP3 Output Files
- Creating MPEG-1 Output Files
- Common Uses for MPEG-1
- MPEG-1 Specifications
- About the MPEG-1 Encoder Pane
- About the MPEG-1 Video Tab
- About the MPEG-1 Audio Tab
- About System and Elementary Streams
- MPEG-1 Transcoding Workflow
- Configuring the MPEG-1 File Format for Web Use
- Configuring the MPEG-1 File Format for DVD Use
- Creating the MPEG-1 Video for DVD Setting
- Creating the MPEG-1 Audio for DVD Setting
- Optional—Creating an MPEG-1 for DVD Group and Destination
- Creating MPEG-2 Output Files
- Creating MPEG-4 Output Files
- About MPEG-4 Part 2
- About the MPEG-4 Part 2 Encoder Pane
- Using Default MPEG-4 Part 2 Settings
- Customizing MPEG-4 Part 2 Settings
- Audio Podcasting Workflow
- Stage 1: Configuring the MPEG-4 Output for Audio-Only Output
- Stage 2: Including Podcasting Information
- Stage 3: Applying the Setting to a Source Media File’s Target
- Stage 4: Entering Annotations for the Output Media File
- Stage 5: Creating and Configuring Markers for the Output Media File
- Stage 6: Submitting the Job and Verifying the Output Media File
- Adding Additional Settings and Presets
- Creating QuickTime Movie Output Files
- Creating QuickTime Export Component Files
- Adding Filters to a Setting
- Working with Frame Controls
- Adding Geometry Settings
- Adding Actions
- Using the Preview Window
- Creating and Changing Destinations
- Using Droplets
- Appendix A: Keyboard Shortcuts
- Appendix B: Solving Problems
- Resources for Solving Problems
- Solutions to Common Problems
- Exporting from Final Cut Pro and Distributed Processing
- QuickTime Reference Movies
- Cluster Settings for Extended Transcoding Sessions
- Cleaning Up Cluster Storage
- Using Apple Qmaster with an NFS Server
- Apple Qmaster Distributed Processing and Xsan
- Compressor Command-Line Usage Requires Login
- Create Blu-ray Disc Job Action
- Contacting AppleCare Support
- Appendix C: Using the Command Line
- Installing Apple Qmaster from the Command Line
- Using the Command Line for Distributed Processing
- Using Scripts to Run Apple Qmaster, Compressor, and Batch Monitor
• Video Settings and Audio Settings: These buttons open the QuickTime Compression
Settings and Sound Settings dialogs. Use these dialogs to select suitable codecs and
change other video or audio compression settings. See About the Sound Settings Dialog
and About the Compression Settings Dialog for more information on these dialogs.
• Enabled/Disabled/Pass-through: Use these pop-up menus to enable or disable Video
and Audio settings. Enabled means the video or audio track will be included in the
output movie. Disabled means the video or audio track will be excluded from the output
movie. Pass-through (audio only) means Compressor will copy the audio into the output
movie without modifying it. An example of this might involve HD (high definition) files
with multitrack audio that you want to convert to SD (standard definition) files without
disturbing the audio tracks.
Note: If you export a sequence from Final Cut Pro to Compressor (File > Export > Using
Compressor) and apply a setting with “Pass-through” selected, the audio portion of
the setting will change to a PCM setting with the sequence’s setting and channel count,
but with only a single track created on output. If you require audio passthrough for a
Final Cut Pro sequence, export a QuickTime movie (File > Export > QuickTime Movie)
and then import the movie into Compressor.
Important: If a setting has “Pass-through” selected, the Filter pane audio filters are not
available. Additionally, the Frame Controls pane retiming controls will not correct the
audio, potentially causing synchronization errors with the video.
• Streaming: Choose a QuickTime streaming option from this pop-up menu.
• None: If you choose this setting (the default), your output media file will not stream
over the Internet.
• Fast Start: This option allows your output media file to be viewed even before it is
fully downloaded from its server.
• Fast Start-Compressed Header: This setting achieves the same results as Fast Start
(allowing your output media file to be viewed before it is fully downloaded from the
server), but the output media files are smaller.
• Hinted Streaming: This setting allows hint tracks to be added to the output media
file so that it can be used with a QuickTime Streaming Server.
• Options button: This button remains dimmed unless Hinted Streaming is selected from
the Streaming pop-up menu. Clicking this button opens the QuickTime Hint Exporter
Settings dialog, which allows you to choose extra hinting settings for your stream.
• Summary table: Displays full details for this setting.
237Chapter 20 Creating QuickTime Movie Output Files