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Table Of Contents
- Compressor 3 User Manual
- Contents
- Welcome to Compressor
- Getting Started Quickly
- Ways to Use Compressor
- The Basic Transcoding Workflow
- The Compressor Interface
- Setting Compressor Preferences
- Importing Source Media Files
- Creating, Previewing, and Modifying Settings
- Finalizing Jobs and Submitting Batches
- Creating AIFF Files
- Creating Dolby Digital Professional Output Files
- About the Dolby Digital Professional Encoder Pane
- General Information About Creating Dolby Digital Professional Files
- Converting Stereo Audio Files to Dolby Digital Professional Format
- Assigning Files to Surround Sound Channels (Manual Method)
- Assigning Files to Surround Sound Channels (Automatic Methods)
- Assigning Files to Surround Sound Channels with Droplets
- Options for Spatial Mixing
- Creating DV Stream Output Files
- Creating H.264 for Apple Devices Output Files
- Creating H.264 for DVD Studio Pro Output Files
- Creating H.264 for Blu-ray Disc
- Creating Image Sequence Files
- Creating MP3 Output Files
- Creating MPEG-1 Output Files
- Common Uses for MPEG-1
- MPEG-1 Specifications
- About the MPEG-1 Encoder Pane
- About the MPEG-1 Video Tab
- About the MPEG-1 Audio Tab
- About System and Elementary Streams
- MPEG-1 Transcoding Workflow
- Configuring the MPEG-1 File Format for Web Use
- Configuring the MPEG-1 File Format for DVD Use
- Creating the MPEG-1 Video for DVD Setting
- Creating the MPEG-1 Audio for DVD Setting
- Optional—Creating an MPEG-1 for DVD Group and Destination
- Creating MPEG-2 Output Files
- Creating MPEG-4 Output Files
- About MPEG-4 Part 2
- About the MPEG-4 Part 2 Encoder Pane
- Using Default MPEG-4 Part 2 Settings
- Customizing MPEG-4 Part 2 Settings
- Audio Podcasting Workflow
- Stage 1: Configuring the MPEG-4 Output for Audio-Only Output
- Stage 2: Including Podcasting Information
- Stage 3: Applying the Setting to a Source Media File’s Target
- Stage 4: Entering Annotations for the Output Media File
- Stage 5: Creating and Configuring Markers for the Output Media File
- Stage 6: Submitting the Job and Verifying the Output Media File
- Adding Additional Settings and Presets
- Creating QuickTime Movie Output Files
- Creating QuickTime Export Component Files
- Adding Filters to a Setting
- Working with Frame Controls
- Adding Geometry Settings
- Adding Actions
- Using the Preview Window
- Creating and Changing Destinations
- Using Droplets
- Appendix A: Keyboard Shortcuts
- Appendix B: Solving Problems
- Resources for Solving Problems
- Solutions to Common Problems
- Exporting from Final Cut Pro and Distributed Processing
- QuickTime Reference Movies
- Cluster Settings for Extended Transcoding Sessions
- Cleaning Up Cluster Storage
- Using Apple Qmaster with an NFS Server
- Apple Qmaster Distributed Processing and Xsan
- Compressor Command-Line Usage Requires Login
- Create Blu-ray Disc Job Action
- Contacting AppleCare Support
- Appendix C: Using the Command Line
- Installing Apple Qmaster from the Command Line
- Using the Command Line for Distributed Processing
- Using Scripts to Run Apple Qmaster, Compressor, and Batch Monitor
Compressor provides the tools you need to create exceptional MPEG-4 transcoded files.
MPEG-4 Part 2 (known as MPEG-4 video in QuickTime 6) plays an important role in the
evolution of standards for the Internet and wireless multimedia industries, where it has
been widely adopted.
Use MPEG-4 Part 2 anywhere you want to be compatible with MPEG-4 Part 2 devices or
players, such as the millions of 3G mobile phones and digital still cameras that capture
and play back MPEG-4 Part 2 video.
H.264, also known as MPEG-4 Part 10, is a newer technology than MPEG-4 Part 2, providing
up to four times the frame size of video encoded with the MPEG-4 Part 2 codec at a given
data rate. But, just as MPEG-1 and MPEG-2 are still used in the industry today, MPEG-4
Part 2 will continue to be used.
Note: MPEG-4 Part 2 is both a QuickTime codec (MPEG-4 Video) and an output format.
This chapter discusses MPEG-4 Part 2 as an output format.
This chapter covers the following:
• About MPEG-4 Part 2 (p. 221)
• About the MPEG-4 Part 2 Encoder Pane (p. 222)
• Using Default MPEG-4 Part 2 Settings (p. 226)
• Customizing MPEG-4 Part 2 Settings (p. 227)
• Audio Podcasting Workflow (p. 230)
• Adding Additional Settings and Presets (p. 233)
About MPEG-4 Part 2
MPEG-4 Part 2 offers the following advantages.
• Standards compliance: Output is with MPEG-4 Part 2 devices and other standards-based
(ISMA) players, such as mobile phones.
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Creating MPEG-4 Output Files
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