3
Table Of Contents
- Compressor 3 User Manual
- Contents
- Welcome to Compressor
- Getting Started Quickly
- Ways to Use Compressor
- The Basic Transcoding Workflow
- The Compressor Interface
- Setting Compressor Preferences
- Importing Source Media Files
- Creating, Previewing, and Modifying Settings
- Finalizing Jobs and Submitting Batches
- Creating AIFF Files
- Creating Dolby Digital Professional Output Files
- About the Dolby Digital Professional Encoder Pane
- General Information About Creating Dolby Digital Professional Files
- Converting Stereo Audio Files to Dolby Digital Professional Format
- Assigning Files to Surround Sound Channels (Manual Method)
- Assigning Files to Surround Sound Channels (Automatic Methods)
- Assigning Files to Surround Sound Channels with Droplets
- Options for Spatial Mixing
- Creating DV Stream Output Files
- Creating H.264 for Apple Devices Output Files
- Creating H.264 for DVD Studio Pro Output Files
- Creating H.264 for Blu-ray Disc
- Creating Image Sequence Files
- Creating MP3 Output Files
- Creating MPEG-1 Output Files
- Common Uses for MPEG-1
- MPEG-1 Specifications
- About the MPEG-1 Encoder Pane
- About the MPEG-1 Video Tab
- About the MPEG-1 Audio Tab
- About System and Elementary Streams
- MPEG-1 Transcoding Workflow
- Configuring the MPEG-1 File Format for Web Use
- Configuring the MPEG-1 File Format for DVD Use
- Creating the MPEG-1 Video for DVD Setting
- Creating the MPEG-1 Audio for DVD Setting
- Optional—Creating an MPEG-1 for DVD Group and Destination
- Creating MPEG-2 Output Files
- Creating MPEG-4 Output Files
- About MPEG-4 Part 2
- About the MPEG-4 Part 2 Encoder Pane
- Using Default MPEG-4 Part 2 Settings
- Customizing MPEG-4 Part 2 Settings
- Audio Podcasting Workflow
- Stage 1: Configuring the MPEG-4 Output for Audio-Only Output
- Stage 2: Including Podcasting Information
- Stage 3: Applying the Setting to a Source Media File’s Target
- Stage 4: Entering Annotations for the Output Media File
- Stage 5: Creating and Configuring Markers for the Output Media File
- Stage 6: Submitting the Job and Verifying the Output Media File
- Adding Additional Settings and Presets
- Creating QuickTime Movie Output Files
- Creating QuickTime Export Component Files
- Adding Filters to a Setting
- Working with Frame Controls
- Adding Geometry Settings
- Adding Actions
- Using the Preview Window
- Creating and Changing Destinations
- Using Droplets
- Appendix A: Keyboard Shortcuts
- Appendix B: Solving Problems
- Resources for Solving Problems
- Solutions to Common Problems
- Exporting from Final Cut Pro and Distributed Processing
- QuickTime Reference Movies
- Cluster Settings for Extended Transcoding Sessions
- Cleaning Up Cluster Storage
- Using Apple Qmaster with an NFS Server
- Apple Qmaster Distributed Processing and Xsan
- Compressor Command-Line Usage Requires Login
- Create Blu-ray Disc Job Action
- Contacting AppleCare Support
- Appendix C: Using the Command Line
- Installing Apple Qmaster from the Command Line
- Using the Command Line for Distributed Processing
- Using Scripts to Run Apple Qmaster, Compressor, and Batch Monitor
More About GOPs and Markers
Following is some additional information you may find useful when deciding how to
configure your GOP settings and how the GOP settings affect DVD Studio Pro markers.
The following MPEG-2 markers can be found in a source media file:
• Chapter markers: These identify frames that should be encoded as I-frames and are
recognized as chapter markers when imported into DVD Studio Pro.
• Forced compression markers: These are added by an editor during editing and identify
frames in the video that should be forced to I-frames for better quality encoding, such
as the first frame of a new scene. Forced compression markers are not recognized as
chapter markers by DVD Studio Pro.
• Automatic compression markers: These are inserted by Final Cut Pro at all edit points,
forcing I-frames where scene changes are likely to occur. Automatic compression
markers are not recognized as chapter markers by DVD Studio Pro. These will not be
included if you select the “Include chapter markers only” checkbox.
If the “Include chapter markers only” checkbox is not selected, Compressor automatically
places I-frames at all three kinds of markers. In most cases, this produces the best results.
However, if you intend to use the media files as part of a mixed-angle or multi-angle DVD
title, all media files must have identical I-frame patterns.
Chapter markers set in Final Cut Pro and transcoded in Compressor, or set directly in
Compressor, will not be present in the imported MPEG-2 data in versions earlier than
DVD Studio Pro 2. However, I-frames will be set where chapter markers were named. If
you are using a version earlier than DVD Studio Pro 2, you have two options: Final Cut Pro
native projects or Compressor native projects.
Final Cut Pro Native Projects
You have the following three options for Final Cut Pro native projects.
• Use Share to create DVD Output: You can use the Share feature in Final Cut Pro to create
MPEG-2 (.m2v) video and Dolby Digital Professional (.ac3) audio files and automatically
burn them to a standard definition DVD disc.
• Send to Compressor: If quality and transcoding controls are important to your project,
use Compressor to export your MPEG-2 media file. You will save time, avoid generation
loss, and still have access to the advanced controls in Compressor. The disadvantage
of using this mode is that you cannot use Final Cut Pro during the export process.
• Export a QuickTime Reference Movie and encode in standalone Compressor: You will not
get quite the high quality that exporting directly to Compressor provides, but you will
be able to continue editing in the Final Cut Pro Timeline while Compressor works in
the background.
For more information about these three options, see the Final Cut Pro User Manual.
210 Chapter 18 Creating MPEG-2 Output Files