3
Table Of Contents
- Compressor 3 User Manual
- Contents
- Welcome to Compressor
- Getting Started Quickly
- Ways to Use Compressor
- The Basic Transcoding Workflow
- The Compressor Interface
- Setting Compressor Preferences
- Importing Source Media Files
- Creating, Previewing, and Modifying Settings
- Finalizing Jobs and Submitting Batches
- Creating AIFF Files
- Creating Dolby Digital Professional Output Files
- About the Dolby Digital Professional Encoder Pane
- General Information About Creating Dolby Digital Professional Files
- Converting Stereo Audio Files to Dolby Digital Professional Format
- Assigning Files to Surround Sound Channels (Manual Method)
- Assigning Files to Surround Sound Channels (Automatic Methods)
- Assigning Files to Surround Sound Channels with Droplets
- Options for Spatial Mixing
- Creating DV Stream Output Files
- Creating H.264 for Apple Devices Output Files
- Creating H.264 for DVD Studio Pro Output Files
- Creating H.264 for Blu-ray Disc
- Creating Image Sequence Files
- Creating MP3 Output Files
- Creating MPEG-1 Output Files
- Common Uses for MPEG-1
- MPEG-1 Specifications
- About the MPEG-1 Encoder Pane
- About the MPEG-1 Video Tab
- About the MPEG-1 Audio Tab
- About System and Elementary Streams
- MPEG-1 Transcoding Workflow
- Configuring the MPEG-1 File Format for Web Use
- Configuring the MPEG-1 File Format for DVD Use
- Creating the MPEG-1 Video for DVD Setting
- Creating the MPEG-1 Audio for DVD Setting
- Optional—Creating an MPEG-1 for DVD Group and Destination
- Creating MPEG-2 Output Files
- Creating MPEG-4 Output Files
- About MPEG-4 Part 2
- About the MPEG-4 Part 2 Encoder Pane
- Using Default MPEG-4 Part 2 Settings
- Customizing MPEG-4 Part 2 Settings
- Audio Podcasting Workflow
- Stage 1: Configuring the MPEG-4 Output for Audio-Only Output
- Stage 2: Including Podcasting Information
- Stage 3: Applying the Setting to a Source Media File’s Target
- Stage 4: Entering Annotations for the Output Media File
- Stage 5: Creating and Configuring Markers for the Output Media File
- Stage 6: Submitting the Job and Verifying the Output Media File
- Adding Additional Settings and Presets
- Creating QuickTime Movie Output Files
- Creating QuickTime Export Component Files
- Adding Filters to a Setting
- Working with Frame Controls
- Adding Geometry Settings
- Adding Actions
- Using the Preview Window
- Creating and Changing Destinations
- Using Droplets
- Appendix A: Keyboard Shortcuts
- Appendix B: Solving Problems
- Resources for Solving Problems
- Solutions to Common Problems
- Exporting from Final Cut Pro and Distributed Processing
- QuickTime Reference Movies
- Cluster Settings for Extended Transcoding Sessions
- Cleaning Up Cluster Storage
- Using Apple Qmaster with an NFS Server
- Apple Qmaster Distributed Processing and Xsan
- Compressor Command-Line Usage Requires Login
- Create Blu-ray Disc Job Action
- Contacting AppleCare Support
- Appendix C: Using the Command Line
- Installing Apple Qmaster from the Command Line
- Using the Command Line for Distributed Processing
- Using Scripts to Run Apple Qmaster, Compressor, and Batch Monitor
• Field Dominance pop-up menu: Choose whether the top field or the bottom field of
your interlaced source media file will be the dominant (first) field in the output MPEG-2
video file. If you choose Automatic (the default), Compressor analyzes the source video
and attempts to determine field dominance automatically. The bottom field is dominant
for DV source video. This setting does not pertain to the 720p video format, since that
format must be progressive.
Note: For interlaced video, the top field is also known as the upper or odd field, and
the bottom field is also known as the lower or even field.
• “Choose start timecode” checkbox and field: If you leave the checkbox deselected (the
default), Compressor embeds the source media file’s existing timecode into the output
media file. Selecting this checkbox allows you to override the source media file’s existing
timecode and enter a new timecode in the timecode field. This field remains dimmed
unless the checkbox is selected, and if it is left blank, the output media file uses the
default timecode of 00:00:00:00.
• “Drop frame” checkbox: If you have already selected the “Choose start timecode”
checkbox, and you want your timecode to be drop frame (rather than non-drop frame),
you must also select this checkbox.
Timecode is a numbering system for labeling the frames in a video sequence. The type
of timecode designed for 30 fps video has a frame counter that counts from 0 to 29
and then increments the seconds counter and returns to 0. This type of timecode, also
known as non-drop frame timecode, maintains an accurate measure of elapsed time
for true 30 fps video. However, the NTSC frame rate is 29.97 fps, and so drop frame
timecode was defined to provide a more accurate measure of elapsed time for NTSC.
Drop frame timecode skips frame numbers 0 and 1 once a minute on the minute,
except for every 10 minutes. For example, drop frame timecode 01:08:59;29 is followed
by 01:09:00;02, skipping timecodes 01:09:00;00 and 01:09:00;01.
Note: Drop frame timecode applies only if you are using interlaced NTSC video.
Quality Tab
The Quality tab allows you to set the bit rate for your video so that it can be transcoded
to a suitable data size and quality.
In addition to the controls, the lower-right corner shows an estimate of how many minutes
of video would fit on a 4.7 GB DVD using the current settings. This time assumes a single
AIFF audio stream to be used with the MPEG-2 stream.
201Chapter 18 Creating MPEG-2 Output Files










