3
Table Of Contents
- Compressor 3 User Manual
- Contents
- Welcome to Compressor
- Getting Started Quickly
- Ways to Use Compressor
- The Basic Transcoding Workflow
- The Compressor Interface
- Setting Compressor Preferences
- Importing Source Media Files
- Creating, Previewing, and Modifying Settings
- Finalizing Jobs and Submitting Batches
- Creating AIFF Files
- Creating Dolby Digital Professional Output Files
- About the Dolby Digital Professional Encoder Pane
- General Information About Creating Dolby Digital Professional Files
- Converting Stereo Audio Files to Dolby Digital Professional Format
- Assigning Files to Surround Sound Channels (Manual Method)
- Assigning Files to Surround Sound Channels (Automatic Methods)
- Assigning Files to Surround Sound Channels with Droplets
- Options for Spatial Mixing
- Creating DV Stream Output Files
- Creating H.264 for Apple Devices Output Files
- Creating H.264 for DVD Studio Pro Output Files
- Creating H.264 for Blu-ray Disc
- Creating Image Sequence Files
- Creating MP3 Output Files
- Creating MPEG-1 Output Files
- Common Uses for MPEG-1
- MPEG-1 Specifications
- About the MPEG-1 Encoder Pane
- About the MPEG-1 Video Tab
- About the MPEG-1 Audio Tab
- About System and Elementary Streams
- MPEG-1 Transcoding Workflow
- Configuring the MPEG-1 File Format for Web Use
- Configuring the MPEG-1 File Format for DVD Use
- Creating the MPEG-1 Video for DVD Setting
- Creating the MPEG-1 Audio for DVD Setting
- Optional—Creating an MPEG-1 for DVD Group and Destination
- Creating MPEG-2 Output Files
- Creating MPEG-4 Output Files
- About MPEG-4 Part 2
- About the MPEG-4 Part 2 Encoder Pane
- Using Default MPEG-4 Part 2 Settings
- Customizing MPEG-4 Part 2 Settings
- Audio Podcasting Workflow
- Stage 1: Configuring the MPEG-4 Output for Audio-Only Output
- Stage 2: Including Podcasting Information
- Stage 3: Applying the Setting to a Source Media File’s Target
- Stage 4: Entering Annotations for the Output Media File
- Stage 5: Creating and Configuring Markers for the Output Media File
- Stage 6: Submitting the Job and Verifying the Output Media File
- Adding Additional Settings and Presets
- Creating QuickTime Movie Output Files
- Creating QuickTime Export Component Files
- Adding Filters to a Setting
- Working with Frame Controls
- Adding Geometry Settings
- Adding Actions
- Using the Preview Window
- Creating and Changing Destinations
- Using Droplets
- Appendix A: Keyboard Shortcuts
- Appendix B: Solving Problems
- Resources for Solving Problems
- Solutions to Common Problems
- Exporting from Final Cut Pro and Distributed Processing
- QuickTime Reference Movies
- Cluster Settings for Extended Transcoding Sessions
- Cleaning Up Cluster Storage
- Using Apple Qmaster with an NFS Server
- Apple Qmaster Distributed Processing and Xsan
- Compressor Command-Line Usage Requires Login
- Create Blu-ray Disc Job Action
- Contacting AppleCare Support
- Appendix C: Using the Command Line
- Installing Apple Qmaster from the Command Line
- Using the Command Line for Distributed Processing
- Using Scripts to Run Apple Qmaster, Compressor, and Batch Monitor
Video Format Tab
You use the Video Format tab to make settings related to video formats, frame rates,
aspect ratio, field dominance, and timecode. All of these, except the timecode setting,
can be set to automatically configure themselves based on the video being encoded.
The Video Format tab contains the following controls.
• Video Format pop-up menu: Choose your output video file format as NTSC, PAL, 720p,
HD 1440x1080, HD 1920x1080, or a variety of versions of 640 width formats. The Stream
Usage setting determines which of these formats are actually available. When you
choose a Video Format setting, the other settings in this tab will be filled in with default
values, or they will be dimmed, indicating that there are no options for that setting.
The NTSC and PAL items refer to standard definition settings for the NTSC and PAL TV
standards. Of the major-market DVD regions, NTSC is used in North America and Japan,
and PAL is used throughout Europe.
Generally, the output video format should match the source video format. For interlaced
video originating from traditional NTSC or PAL camcorders, choose NTSC or PAL from
this pop-up menu. If you are unsure of what your source media file’s video format is,
you can choose Automatic. This setting analyzes your source media clip’s frame rate
to determine the correct video format.
If you click the video format Automatic button, the GOP size is limited to 12 or 15 (based
on whether the video is PAL or NTSC), with a closed IBBP pattern. With Automatic
selected, you cannot change the frame rate setting in this tab, or the GOP settings in
the GOP tab. See Understanding GOPs and Frame Types for more information about
GOPs.
Video Format Automatic
button
199Chapter 18 Creating MPEG-2 Output Files