3
Table Of Contents
- Compressor 3 User Manual
- Contents
- Welcome to Compressor
- Getting Started Quickly
- Ways to Use Compressor
- The Basic Transcoding Workflow
- The Compressor Interface
- Setting Compressor Preferences
- Importing Source Media Files
- Creating, Previewing, and Modifying Settings
- Finalizing Jobs and Submitting Batches
- Creating AIFF Files
- Creating Dolby Digital Professional Output Files
- About the Dolby Digital Professional Encoder Pane
- General Information About Creating Dolby Digital Professional Files
- Converting Stereo Audio Files to Dolby Digital Professional Format
- Assigning Files to Surround Sound Channels (Manual Method)
- Assigning Files to Surround Sound Channels (Automatic Methods)
- Assigning Files to Surround Sound Channels with Droplets
- Options for Spatial Mixing
- Creating DV Stream Output Files
- Creating H.264 for Apple Devices Output Files
- Creating H.264 for DVD Studio Pro Output Files
- Creating H.264 for Blu-ray Disc
- Creating Image Sequence Files
- Creating MP3 Output Files
- Creating MPEG-1 Output Files
- Common Uses for MPEG-1
- MPEG-1 Specifications
- About the MPEG-1 Encoder Pane
- About the MPEG-1 Video Tab
- About the MPEG-1 Audio Tab
- About System and Elementary Streams
- MPEG-1 Transcoding Workflow
- Configuring the MPEG-1 File Format for Web Use
- Configuring the MPEG-1 File Format for DVD Use
- Creating the MPEG-1 Video for DVD Setting
- Creating the MPEG-1 Audio for DVD Setting
- Optional—Creating an MPEG-1 for DVD Group and Destination
- Creating MPEG-2 Output Files
- Creating MPEG-4 Output Files
- About MPEG-4 Part 2
- About the MPEG-4 Part 2 Encoder Pane
- Using Default MPEG-4 Part 2 Settings
- Customizing MPEG-4 Part 2 Settings
- Audio Podcasting Workflow
- Stage 1: Configuring the MPEG-4 Output for Audio-Only Output
- Stage 2: Including Podcasting Information
- Stage 3: Applying the Setting to a Source Media File’s Target
- Stage 4: Entering Annotations for the Output Media File
- Stage 5: Creating and Configuring Markers for the Output Media File
- Stage 6: Submitting the Job and Verifying the Output Media File
- Adding Additional Settings and Presets
- Creating QuickTime Movie Output Files
- Creating QuickTime Export Component Files
- Adding Filters to a Setting
- Working with Frame Controls
- Adding Geometry Settings
- Adding Actions
- Using the Preview Window
- Creating and Changing Destinations
- Using Droplets
- Appendix A: Keyboard Shortcuts
- Appendix B: Solving Problems
- Resources for Solving Problems
- Solutions to Common Problems
- Exporting from Final Cut Pro and Distributed Processing
- QuickTime Reference Movies
- Cluster Settings for Extended Transcoding Sessions
- Cleaning Up Cluster Storage
- Using Apple Qmaster with an NFS Server
- Apple Qmaster Distributed Processing and Xsan
- Compressor Command-Line Usage Requires Login
- Create Blu-ray Disc Job Action
- Contacting AppleCare Support
- Appendix C: Using the Command Line
- Installing Apple Qmaster from the Command Line
- Using the Command Line for Distributed Processing
- Using Scripts to Run Apple Qmaster, Compressor, and Batch Monitor
• Frame Rate (fps): Use this field and pop-up menu to enter the frame rate at which you
want the still images to be created. The higher the frame rate, the greater the number
of still images created and the larger the output file. For example, if you choose 30 fps,
Compressor creates 30 still images for every second of the video clip you are transcoding.
If you choose 8 fps, Compressor creates only 8 still images per second.
• Create unique output directory: Select this checkbox to create a folder for the resulting
output files. The folder is given the same name as that of the media file, and the files
are stored inside the folder and named frame-nnn. For example, if the output filename
is test, the directory path is destination/test/frame-nnn.
If you don’t select this box, the output files are stored at the top level of your destination
folder and named filename-nnn rather than frame-nnn. Be aware that even at the slow
rate of 8 fps, a large number of files are created when you transcode to this output
format, so creating an output directory is a good way to keep your files organized.
• Add leading zeros to frame numbers: Select this checkbox to add leading zeros to the
frame number. When choosing this method, all the output files consist of multidigit
filenames, such as frame-000001 (or filename-000001 if these files aren’t being saved in
a unique output directory). If you don’t select this checkbox, each file uses a regular
filename, such as frame-1 (or filename-1 if these files aren’t being saved in a unique
output directory).
Configuring Image Sequence Settings
You use the Image Sequence output format if you want to transcode a video clip into a
series of still images.
To create an Image Sequence setting
1 In the Settings tab, do one of the following:
• Make sure that the correct setting is selected.
• Create a new setting by choosing Image Sequence from the “Create a new setting” (+)
pop-up menu.
2 Apply the setting to a job in the Batch window.
3 Make sure the resulting image sequence target is selected.
4 In the Inspector, click the Encoder tab, then choose Image Sequence from the File Format
pop-up menu.
The Image Sequence Encoder pane appears.
5 Use the Image Type pop-up menu to choose one of the following image sequence types
for the output media. For descriptions of these output types, see Creating Image Sequence
Output Files.
• TIFF
175Chapter 15 Creating Image Sequence Files










