3
Table Of Contents
- Compressor 3 User Manual
- Contents
- Welcome to Compressor
- Getting Started Quickly
- Ways to Use Compressor
- The Basic Transcoding Workflow
- The Compressor Interface
- Setting Compressor Preferences
- Importing Source Media Files
- Creating, Previewing, and Modifying Settings
- Finalizing Jobs and Submitting Batches
- Creating AIFF Files
- Creating Dolby Digital Professional Output Files
- About the Dolby Digital Professional Encoder Pane
- General Information About Creating Dolby Digital Professional Files
- Converting Stereo Audio Files to Dolby Digital Professional Format
- Assigning Files to Surround Sound Channels (Manual Method)
- Assigning Files to Surround Sound Channels (Automatic Methods)
- Assigning Files to Surround Sound Channels with Droplets
- Options for Spatial Mixing
- Creating DV Stream Output Files
- Creating H.264 for Apple Devices Output Files
- Creating H.264 for DVD Studio Pro Output Files
- Creating H.264 for Blu-ray Disc
- Creating Image Sequence Files
- Creating MP3 Output Files
- Creating MPEG-1 Output Files
- Common Uses for MPEG-1
- MPEG-1 Specifications
- About the MPEG-1 Encoder Pane
- About the MPEG-1 Video Tab
- About the MPEG-1 Audio Tab
- About System and Elementary Streams
- MPEG-1 Transcoding Workflow
- Configuring the MPEG-1 File Format for Web Use
- Configuring the MPEG-1 File Format for DVD Use
- Creating the MPEG-1 Video for DVD Setting
- Creating the MPEG-1 Audio for DVD Setting
- Optional—Creating an MPEG-1 for DVD Group and Destination
- Creating MPEG-2 Output Files
- Creating MPEG-4 Output Files
- About MPEG-4 Part 2
- About the MPEG-4 Part 2 Encoder Pane
- Using Default MPEG-4 Part 2 Settings
- Customizing MPEG-4 Part 2 Settings
- Audio Podcasting Workflow
- Stage 1: Configuring the MPEG-4 Output for Audio-Only Output
- Stage 2: Including Podcasting Information
- Stage 3: Applying the Setting to a Source Media File’s Target
- Stage 4: Entering Annotations for the Output Media File
- Stage 5: Creating and Configuring Markers for the Output Media File
- Stage 6: Submitting the Job and Verifying the Output Media File
- Adding Additional Settings and Presets
- Creating QuickTime Movie Output Files
- Creating QuickTime Export Component Files
- Adding Filters to a Setting
- Working with Frame Controls
- Adding Geometry Settings
- Adding Actions
- Using the Preview Window
- Creating and Changing Destinations
- Using Droplets
- Appendix A: Keyboard Shortcuts
- Appendix B: Solving Problems
- Resources for Solving Problems
- Solutions to Common Problems
- Exporting from Final Cut Pro and Distributed Processing
- QuickTime Reference Movies
- Cluster Settings for Extended Transcoding Sessions
- Cleaning Up Cluster Storage
- Using Apple Qmaster with an NFS Server
- Apple Qmaster Distributed Processing and Xsan
- Compressor Command-Line Usage Requires Login
- Create Blu-ray Disc Job Action
- Contacting AppleCare Support
- Appendix C: Using the Command Line
- Installing Apple Qmaster from the Command Line
- Using the Command Line for Distributed Processing
- Using Scripts to Run Apple Qmaster, Compressor, and Batch Monitor
About the Frame Sync Setting
The Frame Sync setting defines an H.264 group of pictures (GOP). One difference between
MPEG-2 and H.264 encoding is that a frame within a GOP can reference frames other
than those that it is closest to, which means the decoder must store all potential reference
frames in order to be able to access them. The first frame of an H.264 GOP is a special
I-frame known as an instantaneous decoder refresh (IDR) frame that also flushes the
decoder’s reference frame buffers.
FS PS
GOP
Two seconds default
GOVU
0.5 seconds default
Partial Sync
key frame
PS PS
Frame Sync
key frame
This means that frames within the GOP defined by the Frame Sync setting can reference
any other frames in that GOP, but not those outside the GOP. The result is that a longer
frame sync setting creates a larger GOP, with more frames available for referencing, while
a shorter setting results in a smaller GOP and fewer frames that can be referenced.
Additional I-frames, referred to as partial sync key frames, are added to the GOP. These
standard I-frames define a group of video access unit (GOVU).
Important: To conform to the HD DVD specification and its requirements for maximum
GOVU length, Compressor inserts a partial sync key frame every 0.5 seconds.
Using Multi-Pass for DVD Authoring
To ensure that any H.264 files you create with Compressor will compile properly into HD
DVD-compliant files in DVD Studio Pro, make sure that multi-pass encoding is turned on.
To turn on H.264 multi-pass encoding
1 Open the Settings tab.
2 Select the setting in the Settings tab that you want to modify. (Or select a setting already
applied to a source media file in the Batch window.)
3 Open the H.264 Encoder pane in the Inspector window.
4 Select the Multi-pass checkbox.
About the Bit-Rate Settings
When determining average and maximum bit rates for DVD playback, remember to
consider the bit rate of your audio tracks as well as the H.264 bit rate.
167Chapter 13 Creating H.264 for DVD Studio Pro Output Files










