3
Table Of Contents
- Compressor 3 User Manual
- Contents
- Welcome to Compressor
- Getting Started Quickly
- Ways to Use Compressor
- The Basic Transcoding Workflow
- The Compressor Interface
- Setting Compressor Preferences
- Importing Source Media Files
- Creating, Previewing, and Modifying Settings
- Finalizing Jobs and Submitting Batches
- Creating AIFF Files
- Creating Dolby Digital Professional Output Files
- About the Dolby Digital Professional Encoder Pane
- General Information About Creating Dolby Digital Professional Files
- Converting Stereo Audio Files to Dolby Digital Professional Format
- Assigning Files to Surround Sound Channels (Manual Method)
- Assigning Files to Surround Sound Channels (Automatic Methods)
- Assigning Files to Surround Sound Channels with Droplets
- Options for Spatial Mixing
- Creating DV Stream Output Files
- Creating H.264 for Apple Devices Output Files
- Creating H.264 for DVD Studio Pro Output Files
- Creating H.264 for Blu-ray Disc
- Creating Image Sequence Files
- Creating MP3 Output Files
- Creating MPEG-1 Output Files
- Common Uses for MPEG-1
- MPEG-1 Specifications
- About the MPEG-1 Encoder Pane
- About the MPEG-1 Video Tab
- About the MPEG-1 Audio Tab
- About System and Elementary Streams
- MPEG-1 Transcoding Workflow
- Configuring the MPEG-1 File Format for Web Use
- Configuring the MPEG-1 File Format for DVD Use
- Creating the MPEG-1 Video for DVD Setting
- Creating the MPEG-1 Audio for DVD Setting
- Optional—Creating an MPEG-1 for DVD Group and Destination
- Creating MPEG-2 Output Files
- Creating MPEG-4 Output Files
- About MPEG-4 Part 2
- About the MPEG-4 Part 2 Encoder Pane
- Using Default MPEG-4 Part 2 Settings
- Customizing MPEG-4 Part 2 Settings
- Audio Podcasting Workflow
- Stage 1: Configuring the MPEG-4 Output for Audio-Only Output
- Stage 2: Including Podcasting Information
- Stage 3: Applying the Setting to a Source Media File’s Target
- Stage 4: Entering Annotations for the Output Media File
- Stage 5: Creating and Configuring Markers for the Output Media File
- Stage 6: Submitting the Job and Verifying the Output Media File
- Adding Additional Settings and Presets
- Creating QuickTime Movie Output Files
- Creating QuickTime Export Component Files
- Adding Filters to a Setting
- Working with Frame Controls
- Adding Geometry Settings
- Adding Actions
- Using the Preview Window
- Creating and Changing Destinations
- Using Droplets
- Appendix A: Keyboard Shortcuts
- Appendix B: Solving Problems
- Resources for Solving Problems
- Solutions to Common Problems
- Exporting from Final Cut Pro and Distributed Processing
- QuickTime Reference Movies
- Cluster Settings for Extended Transcoding Sessions
- Cleaning Up Cluster Storage
- Using Apple Qmaster with an NFS Server
- Apple Qmaster Distributed Processing and Xsan
- Compressor Command-Line Usage Requires Login
- Create Blu-ray Disc Job Action
- Contacting AppleCare Support
- Appendix C: Using the Command Line
- Installing Apple Qmaster from the Command Line
- Using the Command Line for Distributed Processing
- Using Scripts to Run Apple Qmaster, Compressor, and Batch Monitor
To combine a video file with surround audio files to make a single source media file
1 Follow steps 1-5 above to manually assign source audio files to channels of a surround
sound stream.
2 Click the Add Video button and use the resulting Open window to choose the video file.
Note: This feature supports QuickTime source media files only. Image sequences are not
supported.
3 Make any necessary adjustments in the Inspector window and click Submit.
Assigning Files to Surround Sound Channels (Automatic
Methods)
Compressor offers some streamlined channel assignment techniques that can save you
time.
To assign files to surround channels with channel identifier codes
1 Append the channel identifier code of the target surround channel to the filename of
each source audio file. (See the list below for a list of the appropriate channel identifier
codes.)
• -L: Left front channel
• -R: Right front channel
• -C: Center front channel
• -Ls: Left surround channel
• -Rs: Right surround channel
• -S: Center surround channel
• -LFE: Low frequency channel (Subwoofer, LFE)
For example, to assign an AIFF file to the left surround channel, rename the file as
filename-Ls.aiff (where filename is the name of your file).
Note: Mac OS X may add a file extension like .aiff. This will not interfere with this channel
assignment method.
This procedure only works when you drag and drop files into the Batch window. If you
drag the files onto the Compressor application icon, they will appear as separate source
files, each in its own job.
Note: If you are creating Dolby Digital Professional (AC-3) surround sound streams, you
will not use all the channels listed in the table at once. See Audio Tab Settings for a
diagram of the Dolby audio coding modes.
2 Drag the renamed source audio files to the Batch window.
149Chapter 10 Creating Dolby Digital Professional Output Files










