3
Table Of Contents
- Compressor 3 User Manual
- Contents
- Welcome to Compressor
- Getting Started Quickly
- Ways to Use Compressor
- The Basic Transcoding Workflow
- The Compressor Interface
- Setting Compressor Preferences
- Importing Source Media Files
- Creating, Previewing, and Modifying Settings
- Finalizing Jobs and Submitting Batches
- Creating AIFF Files
- Creating Dolby Digital Professional Output Files
- About the Dolby Digital Professional Encoder Pane
- General Information About Creating Dolby Digital Professional Files
- Converting Stereo Audio Files to Dolby Digital Professional Format
- Assigning Files to Surround Sound Channels (Manual Method)
- Assigning Files to Surround Sound Channels (Automatic Methods)
- Assigning Files to Surround Sound Channels with Droplets
- Options for Spatial Mixing
- Creating DV Stream Output Files
- Creating H.264 for Apple Devices Output Files
- Creating H.264 for DVD Studio Pro Output Files
- Creating H.264 for Blu-ray Disc
- Creating Image Sequence Files
- Creating MP3 Output Files
- Creating MPEG-1 Output Files
- Common Uses for MPEG-1
- MPEG-1 Specifications
- About the MPEG-1 Encoder Pane
- About the MPEG-1 Video Tab
- About the MPEG-1 Audio Tab
- About System and Elementary Streams
- MPEG-1 Transcoding Workflow
- Configuring the MPEG-1 File Format for Web Use
- Configuring the MPEG-1 File Format for DVD Use
- Creating the MPEG-1 Video for DVD Setting
- Creating the MPEG-1 Audio for DVD Setting
- Optional—Creating an MPEG-1 for DVD Group and Destination
- Creating MPEG-2 Output Files
- Creating MPEG-4 Output Files
- About MPEG-4 Part 2
- About the MPEG-4 Part 2 Encoder Pane
- Using Default MPEG-4 Part 2 Settings
- Customizing MPEG-4 Part 2 Settings
- Audio Podcasting Workflow
- Stage 1: Configuring the MPEG-4 Output for Audio-Only Output
- Stage 2: Including Podcasting Information
- Stage 3: Applying the Setting to a Source Media File’s Target
- Stage 4: Entering Annotations for the Output Media File
- Stage 5: Creating and Configuring Markers for the Output Media File
- Stage 6: Submitting the Job and Verifying the Output Media File
- Adding Additional Settings and Presets
- Creating QuickTime Movie Output Files
- Creating QuickTime Export Component Files
- Adding Filters to a Setting
- Working with Frame Controls
- Adding Geometry Settings
- Adding Actions
- Using the Preview Window
- Creating and Changing Destinations
- Using Droplets
- Appendix A: Keyboard Shortcuts
- Appendix B: Solving Problems
- Resources for Solving Problems
- Solutions to Common Problems
- Exporting from Final Cut Pro and Distributed Processing
- QuickTime Reference Movies
- Cluster Settings for Extended Transcoding Sessions
- Cleaning Up Cluster Storage
- Using Apple Qmaster with an NFS Server
- Apple Qmaster Distributed Processing and Xsan
- Compressor Command-Line Usage Requires Login
- Create Blu-ray Disc Job Action
- Contacting AppleCare Support
- Appendix C: Using the Command Line
- Installing Apple Qmaster from the Command Line
- Using the Command Line for Distributed Processing
- Using Scripts to Run Apple Qmaster, Compressor, and Batch Monitor
Using Final Cut Pro with Compressor
This section explains how to submit Final Cut Pro projects directly to Compressor.
Submitting a Final Cut Pro Project for Transcoding
You can use Compressor to improve the transcoding process for your Final Cut Pro projects.
For example, you can transcode your Final Cut Pro project without rendering it. This avoids
a potentially time-consuming step depending on how many transitions, filters, and video
effects have been applied to your project, and also results in no generational loss of the
content from your source media files. This process also eliminates one step from the
earlier transcoding workflow, which involved exporting from Final Cut Pro to QuickTime
and then transcoding that QuickTime movie in Compressor.
Depending on its file size, a Final Cut Pro project that is transcoded only on your computer
could significantly affect your computer’s performance.
Note: Transcoding a Final Cut Pro project doesn’t actually create a rendered project,
although the transcoded output media file does have all the rendered effects applied. If
you want to continue working on the project within Final Cut Pro, you need to render it
in Final Cut Pro.
To transcode a Final Cut Pro project
1 Open the project you want to transcode in Final Cut Pro.
2 Use one of the following methods to select the project for transcoding in Final Cut Pro:
• In the Browser, select the sequence you want to transcode.
• Make the Timeline the active window by clicking in it.
3 Save your Final Cut Pro project and give it an appropriate name.
4 Choose File > Send To > Compressor.
Compressor opens (if it was not already open) and the sequence appears as a job in a
new untitled batch.
The Final Cut Pro
sequence and project
names are combined
to create the new
job’s name.
5 Assign settings and destinations to the job as necessary.
126 Chapter 8 Finalizing Jobs and Submitting Batches










