IMPORTANT SAFETY INSTRUCTIONS CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.
WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture. Avoid installing this unit where foreign objects may fall onto this unit and/or this unit may be exposed to liquid dripping or splashing. On the top of this unit, do not place: • Burning objects (i.e. candles), as they may cause fire, damage to this unit, and/or personal injury.
IMPORTANT INFORMATION FOR UK CUSTOMERS: DO NOT cut off the mains plug from this equipment. If the plug fitted is not suitable for the power points in your home or the cable is too short to reach a power point, then obtain an appropriate safety approved extension lead or consult your dealer. If, nonetheless, the mains plug is cut off, REMOVE THE FUSE and dispose of the PLUG immediately, to avoid possible shock hazard by inadvertent connection to the mains supply.
NOTES ON ENVIRONMENTAL PROTECTION At the end of its useful life, this product must not be disposed of with regular household waste but must be returned to a collection point for the recycling of electrical and electronic equipment. The symbol on the product, user’s manual and packaging, point this out. The materials can be reused in accordance with their markings.
TABLE of CONTENTS SECTION PAGE 1. INTRODUCTION 1.1 Before Making Connections. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 1.2 In-Use Notices . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 1.3 Front Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
4. OPERATION 4.1 Power On and Off . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31 4.2 Zone Selection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31 4.3 Source Selection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31 4.3.
1. INTRODUCTION Thank you for purchasing the Anthem MRX series receiver. The MRX 300, MRX 500, and MRX 700 receivers are cutting-edge home theater audio components with HDMI switching and video upconversion, multimedia and second zone capabilities, FM/AM tuner, HD Radio™ reception (MRX 700 120V model) and connection for optional MDX 1 iPod / iPhone dock.
1. INTRODUCTION continued … 1.3 FRONT PANEL (MRX 700 US model shown, others are similar) 1 2 12 11 10 3 9 4 8 5 7 6 1 – Navigation buttons for setup and multimedia 7 – Main / Zone 2 selection 2 – Remote control sensor location 8 – Display brightness 3 – Display 9 – Sliding cover for front connections 4 – Input selection 10 – Front AV input 5 – Volume and level functions 11 – USB input (5VDC/0.
1. INTRODUCTION continued … 1.4 FRONT PANEL DISPLAY MAIN Display Example: 2 1 BDP 1080p Dolby TrueHD 3/4 3 4 1 – Source selection. 2 – Video input resolution. 3 – Number of front/surround channels. 4 – Audio format. Tuner Display Example: 2 1 FM-01 Stereo 101.3 -35 1 – Band and preset. 2 – Frequency. AM is tuned to nearest 10 kHz (120V model) or 9 kHz (230V model).
1. INTRODUCTION continued … 1.5 REAR PANEL (MRX 700 US model shown, others are similar) 1 20 2 19 3 18 4 17 5 16 6 15 14 8 13 9 10 12 11 1 – Connection for optional MDX 1 dock 11 – Switched AC outlet (50W maximum output)* 2 – HDMI output 12 – AC input 3 – Ethernet connection (not available on MRX 300) 13 – Component video outputs (via scaler) 4 – USB input (5VDC/0.
1. INTRODUCTION continued … 1.
1. INTRODUCTION continued … 1.7 SPEAKER PLACEMENT The illustration below shows typical 7.1-channel speaker placement. The subwoofer can be placed in any location where severe resonances are prevented – details are in section 3.11 under “Quick Measure”. back speakers are not used in a 5.1 system The illustration below shows 7.1-channel speaker placement for use with Dolby Pro Logic IIz.
2. CONNECTIONS 2.1 VIDEO CONNECTIONS To configure inputs see section 3.5 and to configure video outputs see section 3.1. HDMI: Video is sent with audio from source components to the receiver. Maximum video resolution is 1080p60. Connect MAIN HDMI output to a display with HDMI input – one with High-bandwidth Digital Content Protection (HDCP) is required to display copy-protected material. Note that disc players usually enable HDCP even on home movies where copy protection was not seleced.
2. CONNECTIONS continued … 2.2 AUDIO CONNECTIONS Digital Audio Inputs and Outputs: Digital audio sources can be connected with a coaxial, optical, or HDMI cable. These carry 2-channel PCM, Dolby Digital, and DTS. The HDMI inputs also accept up to eight channels of PCM. Use the HDMI inputs if your display has HDCP-compliant HDMI or DVI input, otherwise use the coaxial or optical inputs. Any digital input can be assigned to any number of sources that are set to digital.
2. CONNECTIONS continued … 2.4 ETHERNET (not available on MRX 300) This connection is required for Internet radio. Connect your router using CAT 5 cable or a wireless bridge. 2.5 ANTHEM MDX 1 DOCK (optional) Connect using the special cable that’s supplied with the dock. Further connection instructions are provided with the dock. 2.6 12 VOLT TRIGGER If another system component has a trigger input it can be activated by the receiver. Connect the receiver’s trigger output using a cable with 3.
2.
2. CONNECTIONS continued … Example 2: A/V recorder to receiver For Zone 2 and Rec you must use the same input type as the output type, except coaxial and optical audio which are interchangeable.
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3. SETUP For optimum performance and enjoyment, your receiver should be properly set up. This may appear like a lot of work but keep in mind that most settings do not need to be changed from defaults. The most important things are entering information about your display and speakers if the defaults do not apply, and the distance from each speaker to the listening area.
3. SETUP continued … QUICK SETUP Highlight Quick Setup and press4. Up to four questions will appear on-screen, one at a time in sequence, with multiple choice answers depending on previous answer: • Do you use an HDMI/DVI TV? No / Yes • Component video output resolution? • Do you have a subwoofer? 480i / 480p (120V model) or 576i / 576p (230V) / 720p / 1080i No / Yes • How many additional speakers do you have? 7 (ceiling) / 7 (back) / 5 / 2 For detailed setup, follow the rest of section 3. 3.
3. SETUP continued … 3.2 SPEAKER CONFIGURATION This menu allows you to enter information about your speakers so that sounds from sources are not lost or distorted. If your source components have bass management and time alignment, turn them off by setting all channels “large” and to the same distance in the source components.
3. SETUP continued … Crossover Frequency: A crossover does not cut frequencies off like a cliff, but rolls them off according to a slope. If set to, for example, 80 Hz your main speakers will still play lower frequencies – they just won’t have to play them as loudly. This also lightens the load on the amplifier leaving extra power for mid and high frequencies. Select 60, 80, 100, 120 or 150 Hz according to the low frequency capability of your speakers.
3. SETUP continued … 3.4 LEVEL CALIBRATION Level Calibration uses internal test noises to match speaker output levels at the listening position. These noises are also a way of checking system connections between receiver, amplifier, and speaker. Audio calibrations from home theater setup discs are not recommended – some use incorrect methods. A sound pressure level (SPL) meter with C-weighting is recommended if not using ARC.
3. SETUP continued … Test Noise Sequence: Test noise plays from one speaker at a time, changed by using the 56 buttons. Level Calibration of each channel: Balances speaker levels to one another. If you’re calibrating by ear, use the remote control and sit in the listening area when adjusting. If using an SPL meter, adjust level so it reads 75 dB for each channel. If Noise Level is set while Front-L is at 0 dB, no adjustment of Front-L is needed since the output is the same.
3. SETUP continued … 3.5 SOURCE SETUP Inputs and preset listening mode presets are configured in this section. Audio/Video Setup and Presets Main Source Setup 4 Advanced Source Setup Listening Mode Presets Video Mode Presets Audio Rec Device Connected to None Video Rec Device Connected to None HDMI Audio Output AVR HDMI CEC Off Audio / Video recording device connected to: Select the input that the output of your recording device is connected to.
3. SETUP continued … Video Output Configuration (MAIN only): For the source, select the most appropriate configuration that is set in Video Output Configuration menu. Main Video Input / Main Audio Input / Bass Manager: Assign input connections and bass management to be used for main output when the source is selected.
3. SETUP continued … 3.6 LISTENING MODE PRESETS Listening mode presets are applied when the source is selected. Each input format except mono has a setting. To disable presets, set them to Last Used. For descriptions of surround modes and when they’re applicable refer to section 4.6. Spend some time listening to various modes with various sources before deciding which presets to use. Listening Mode Presets Source 2.0 1 of 9 (BDP) AnthemLogic-Cinema 2.
3. SETUP continued … 3.7 VIDEO MODE PRESETS Compensation is provided here for less than ideal video sources that cannot be adjusted internally. If possible check performance of each video source through test patterns. Unfortunately, these days the sources that need adjustment most are also the least likely to have test patterns available for them, for example bad satellite channels.
3. SETUP continued … 3.8 DISPLAYS / TIMEOUT This menu allows you to configure on-screen display, front panel display, and selection time. Displays/Timeout Display Brightness Front Panel Wake Up Display Timeout Video Mute Status Message Status Message Timeout Setup Menu Timeout Dim Up 1 5s Black On 3s 5 min Display Brightness: Lets you select between bright, dim, or no front panel display.
3. SETUP continued … 3.9 TRIGGER CONFIGURATION When the receiver’s trigger output is connected to the trigger input of another component, such as an amplifier or projector, the receiver can turn it on or off according to the trigger’s setup. For components that do not have trigger inputs, a triggerable power bar may work (see your dealer).
3. SETUP continued … 3.10 GENERAL CONFIGURATION This menu allows you to define the power-on volume settings, save.load settings, and configure RS-232. General Configuration Power On Volume 4 Load Factory Defaults Save/Load User Settings RS-232 Baud Rate 115200 Power-On Volume: When you turn Main or Zone 2, the volume for each will be at the levels you have set in this menu.
3. SETUP continued … 3.11 ANTHEM ROOM CORRECTION (ARC) ARC corrects the effects of reflective surfaces and room boundaries on sound quality by measuring the response of each speaker relative to the listening area and equalizing it. ARC equalizes response without stressing the amplifier or speakers and does not downsample the source material to process it.
3. SETUP continued … Before starting: • Ensure that the receiver software and ARC software that you will be using are compatible with one another – check www.anthemAV.com for latest versions. Receiver software installation instructions are in section 4.11 and in software download. • Your ARC microphone and its support file are a system. Before a mic can be used for measurement, its response must be known.
3. SETUP continued … Microphone stand assembly: Screw the microphone clip onto the tube. Position the clip vertically. Connect the USB microphone cable to the microphone and slide the microphone into the clip. Microphone positioning: During measurement the microphone must point straight up. The microphone’s height is critical to proper measurement and should be at ear level when seated.
3. SETUP continued … Manual mode: A file created in Automatic mode can be opened in Manual mode to change correction range and room gain. To do this, change Targets then click on Calculate, then Upload. Since rooms and systems vary the only advice that Anthem technical support can provide without being at your house to hear your system is to use the auto-detected settings. The alternative is trial and error.
3. SETUP continued … 3.12 MULTIMEDIA iPod (optional MDX 1 dock required): To set up iPod connection use on-screen display. First, use input selection on front panel or remote to select iPod input. If using the front panel input selection, the button may have to be pressed more than once to cycle through Internet Radio, USB, and iPod. Once iPod input is selected, use navigation keys to select iPod Settings. Here you can select iPod audio and video output type.
4. OPERATION 4.1 POWER ON AND OFF Main and Zone 2 have separate power controls. Volume comes on according to setup menu setting. ZONE 2 4.2 ZONE SELECTION During the timeout period after pressing ZONE, select Zone 2 source. This routes analog audio and composite video sources to another part of your home. 4.3 SOURCE SELECTION Select a source through the input buttons.
4. OPERATION continued … 4.3.1 TUNER AM/FM Tuning: After selecting the desired band by pressing TUNER, use the 56 buttons to change frequency. AM/FM Presets: 30 stations can be stored. To store a station press and hold PRESETS on the remote control then assign a number from 01 to 30. To recall a preset enter the assigned number. Presets are divided into four banks of six. To scan presets press PRESETS or PRESETS SCAN then use the 34 buttons.
4. OPERATION continued … Press MENU to show/hide the on-screen display. This example is for USB media – others are similar: USB Albums 4 Artists 4 Genres 4 Playlists 4 Songs 4 Now Playing 4 Folder View (music only) 4 Settings 4 Use navigation keys to browse and select categories and songs. Songs that do not contain identification other than file name appear under “unknown” Albums or Artists. In such cases Folder View may be the best browsing method.
4. OPERATION continued … 4.6.1 AnthemLogic™ These are proprietary surround modes developed by Anthem that offer outstanding surround performance and can be applied to any 2-channel source: AnthemLogic-Music™ AnthemLogic-Music™ enhances the stereo listening experience without detracting from the stereo soundstage. Through extensive listening tests a very effective design was developed.
4. OPERATION continued … 4.6.2 DOLBY DIGITAL 2.0 Dolby Digital 2.0 soundtracks with surround encoding contain a flag that is normally used to activate Pro Logic IIx Movie mode. The modes in the next section may be selected separately for flagged and unflagged stereo sources. 4.6.3 SURROUND MODES FOR 2.0-CHANNEL SOURCES Number of output channels is indicated. Press AUDIO then use the 56 (up/down) keys to select: Stereo No surround mode is applied.
4. OPERATION continued … 4.6.5 DOLBY DIGITAL Lossless Dolby TrueHD and various compressed formats including Dolby Digital Plus can be played. The number of input channels ranges up to 7.1. Dolby Digital EX or Pro Logic IIx can be used to extract rear channels from the surrounds on DVDs encoded in Dolby Digital Surround EX. Dolby Digital EX creates a mono rear signal whereas with Pro Logic IIx the rear channels play a stereo signal. Either of these modes can be applied to any 5.1-channel source.
4. OPERATION continued … 4.6.7 DOLBY VOLUME AND DYNAMIC RANGE CONTROL To use Dolby Volume according to its settings in the level calibration and source setup menus press DOLBY VOLUME then use 56 keys to select On/Off. You can change the On/Off default in the setup menu. Also note that sources often have dynamic range controls as well. Be sure to disable them to get the most from the receiver’s dynamics control.
4. OPERATION continued … 4.10 INFO DISPLAY Press, Release, Press to cycle through display screens that show the following: • Video Input: Video input jack in use. • Audio Input: Audio input jack in use. • Video In Configuration: Resolution of source. • Audio In Configuration: Format of source. • Video Out Configuration: Resolution to TV. • F/W Info: Firmware versions of main controller, video, audio DSP, multimedia module, and date. 4.
SPECIFICATIONS PREAMPLIFIER Frequency Response at 2 Vrms . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20 Hz to 20 kHz (+0, -0.25 dB) THD+N . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0.004% (1.25 Vrms), <0.01% (2 Vrms) S/N Ratio at 2 Vrms, IEC-A filter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102 dB Crosstalk at 2 Vrms . . . . . . . . . . . . . . . . .
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LIMITED WARRANTY CANADA & USA The warranty period on new Anthem products is: 5 years: Separate power amplifiers and integrated amplifiers 3 years: Audio/Video preamplifiers and receivers 2 years: Projectors, Blu-ray players 1 year: Remote controls 6 months: Projector lamps The warranty period begins on the date of purchase from Anthem or an Authorized Anthem Dealer.
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