Specifications

WHY THE AVM 30 IS THE BEST-SELLING
PREAMPLIFIER/PROCESSOR IN ITS CLASS
(and above!)
Designed and built in North America by Sonic Frontiers
Component parts are carefully chosen for their ability to maintain
the lowest possible total harmonic distortion and noise
(THD + N)
Handcrafted circuit board layouts (not done by auto-routers) with
extensive use of groundplanes achieve exceptionally low noise,
low crosstalk, and protect against electrostatic discharge
4-layer motherboard with separate power- and groundplanes
6-layer DSP, A/D and D/A boards. A/D and D/A boards use
separate analog and digital planes, as well as separate power-
and groundplanes
All critical signal paths are surrounded by groundplanes,
a painstaking, dedicated design process
Large, conservatively rated toroidal-transformer-based linear power
supply minimizes radiation interference
Two power transformers—total 120 VA
– Low-radiating, low-noise main toroidal transformer
Ten power supply regulation stages
Our own precision Digital Signal Processing design using one of
the most powerful DSP engines in the industry—the Freescale
Semiconductor DSP 56367 rated at 150 million instructions per
second
Individual low-jitter RS-485 line receivers on all digital inputs
Superior Digital-to-Analog/Analog-to-Digital conversion
– D/A uses AKM
®
AK4382 converters capable of up to 24-bit x
192 kHz resolution
– A/D uses AKM
®
AK5383 converters operating at up to
24-bit x 96 kHz resolution
Audiophile-grade operational amplifiers (Burr-Brown
OPA 2134's
and Motorola
®
MC33078’s)
Superior-quality (Crystal
®
CS3310) analog attenuator
(volume control)
Fully buffered audio and video inputs for minimum crosstalk
Highest-quality video-switching circuitry on completely independent
and isolated circuit boards
High-precision thru-hole passive components
Heavy-gauge non-resonant chassis
Headphone amplifier features a high-current/voltage design with
a dedicated fully discrete output stage
Massive mechanical shielding
Especially for the Purist
Analog-Direct available on all inputs (bypasses A/D’s, DSP and D/As)
Tone Bypass (removes Bass/Treble from the signal path)
Balanced 2-channel XLR Digital input (AES/EBU) provides the best
digital signal transmission possible
True-Balanced
2-channel Analog input for the best analog signal
transmission possible
True-Balanced
Analog outputs provide the best noise rejection
and purest analog signal transmission possible
For best possible video performance, on-screen displays can be
disabled, completely removing their character generators from the
video signal path
The AVM 30 incorporates the same user-friendly Operating System
as our Anthem
Statement D1. For the complete Operating Overview
see pages 7 to 13.
DESIGN OVERVIEW
(4) Independent Signal Paths (Main, Zone 2, Zone 3, Record)
INPUTS
Auto Digital/Analog Input Switching (For Every Source)
Built-In FM/AM Tuner with Stereo/High-Blend/Mono Setting
(Memorized to each FM Preset)
(7) Coaxial Digital Audio Inputs (Assignable to Multiple Digital Sources)
(3) Toslink Digital Audio Inputs
(Assignable to Multiple Digital Sources)
(1) AES/EBU Digital Audio Input (Assignable to Multiple Digital Sources)
Bit Rate/Sample Rate Status Indicator (Displays PCM,
Dolby
®
Digital, DTS
®
)
(7) Stereo S/E Analog Audio Inputs (DSP or Direct)
(1) Stereo True-Balanced
(XLR) Analog Audio Input (DSP or Direct)
(1) Six-Channel S/E Audio Input (DSP or Direct)
Source EQ (Independent for Each Source)
(4) Component Video Inputs (Assignable to Multiple Sources)
HDTV Video Switching (All formats up to 1080p)
(7) S-Video Inputs (Assignable to Multiple Sources)
(7) Composite Video Inputs (Assignable to Multiple Sources)
MAIN
(10) True-Balanced
(XLR) Analog Audio Outputs
(10) S/E Analog Audio Outputs
Second Center Channel Output (Parallel–Balanced and S/E)
Second Subwoofer Output (Parallel–Balanced and S/E)
(1) Stereo Headphone Output
(Independent Volume/Bass/Treble/Balance Controls)
(2) Component Video Outputs
(1) S-Video Output
(1) Composite Video Output
Mode Presets by Source (Assignable for Each Source)
Simulcast Video+Audio Sources
Lip-Sync Delay (For Each Source in half-ms increments)
Main Sources – Copy to Other Paths
On-Screen Display (Bypassable)
On-Screen Setup Menu
Selectable Setup Menu Background Color
(Blue, Black, Magenta)
Adjustable Mute Level
Direct Remote Control Codes for Modes
6-CHANNEL ANALOG-DSP
(MAIN)
(DVD-Audio/SACD)
Selectable 44 kHz, 48 kHz, 88 kHz, 96 kHz
Bass Management
Time Alignment for Listener Position
Bass/Treble
Lip-Sync Delay
THX
®
, Dolby
®
Pro Logic IIx and DTS
®
Neo:6 Post Processing
Surrounds can be Rerouted to Rears (5.1 Output)
Surrounds can be Copied to Rears (7.1 Output)
2-Channel Stereo Downmix
(For Headphone, Zone 2, Zone 3, Record)
SURROUND MODES (MAIN)
AnthemLogic–Music
(No Center Channel)
AnthemLogic–Cinema
(Up to 7.1)
Dolby
®
Pro Logic IIx Music (with Adjustments)
Dolby
®
Pro Logic IIx Movie
Dolby
®
Pro Logic IIx Matrix
Dolby
®
Pro Logic IIx Game
Dolby
®
Pro Logic
DTS
®
Neo:6 Music (Center Image Adjustment)
DTS
®
Neo:6 Cinema
All-Channel Stereo (Up to 7.1)
24