Owner`s manual

Using Auto-Tune in Double Track Mode

• Use Auto-Tune to create the double track, but instead of using a scale

that will produce the traditional unison double track, create a more

constrained scale that includes some, but not all, of the notes in the

main track’s melody. Improvising in this mode can produce

heterophonic effects (the effect of two players and instruments playing

the ‘same’ melody, which actually varies with some different pitch

material). The more constrained your Auto-Tune scale is, the more

variation there will be between the two performances.

•To set up a drone or ambient aura behind a melodic performance, use

Double Track Mode in stereo with an extremely constrained scale (for

example, in the key of C: C, F, G, A#). Process the Auto-Tune created

double track through a lush, long reverb. The effect produced will be a

steady backdrop of chanting tones behind the main melodic material.

Using the Microphone Modeler Module

• Select a Source Mic that doesn’t match your physical mic. In fact, try one

whose characteristics are as different as possible from your physical mic.

• Select Bypass for the Source Mic to combine the sound of your physical

mic with the sound of the modeled mic.

• Extreme Proximity settings can give strange, but interesting effects. Try

wildly differing settings in the Source and Model sections.

• Dynamically change Proximity settings during a performance.

• Overdrive the Tube Warmth section for some serious gruzz.