Owner`s manual
58
Chapter 5: Get Creative
Up to this point, the instructions in this manual have focused on how to
use the AVP for its primary purpose: creating traditionally gorgeous vocal
tracks. But don’t let that limit you. We’ve purposely given the controls
wide ranges to allow you to move beyond what might be considered
useful for traditional processing. Try some of the following:
Using the Auto-Tune Module
• Auto-Tune can be used to simulate other singing styles. Many ethnic
styles feature exceptional (almost unbelievable) intonation during fast,
melismatic passages. Setting the Speed parameter faster than normal
(less than 5), and setting the SCALE to an appropriately exotic mode
(for example, G A A# C# D D# F#) can produce exactly this result (if the
singer improvises with sufficient global panache.)
•You can also create ‘impossible’ effects (like very fast octave leaps) by
creating a Scale of only one note and setting the Speed medium fast
(~5). Using a foot pedal, enter bypass mode before beginning the
performance, then engage Auto-Tune while singing an interval of a
fifth or more from the Scale note, and then re-enter Bypass Mode to
continue with the normal performance. This effect can sound quite like
the abruptly beautiful vocal ornaments of the Pygmies.
• Don’t be afraid to use just as little Auto-Tune as you need. It’s quite
possible that a performer has really quite good intonation, but fails
consistently on one or two notes. In this case, use Auto-Tune’s note
Bypass function to bypass all the notes except the one(s) which need
the retuning. This way, the Auto-Tune is working in a completely
transparent mode, and only when needed.
• Speed = 0 = “Cher effect.” Enough said.