User Manual

12
Harmony Voices 1–4
Each of the four Harmony Voice channels
are functionally identical and contain identical
controls.
It may be useful to think of the four Harmony
Voices as being similar to the voices of a four-
voice synthesizer. Each voice has independent
controls for setting its timbre, vibrato, pan
and level. The method by which pitches are
assigned to voices varies with the Harmony
Modes selected in the Harmony Control
section. In this section, we’ll describe the
Harmony Voice controls. The Harmony Modes
will be discussed later in this chapter.
NOTE: As mentioned below in the
Harmony Control section, harmony
notes will be assigned to the various
harmony channels such that the lowest pitched
note will be assigned to the highest numbered
active channel and the progressively higher
pitched notes will be assigned in order to
the progressively lowered numbered active
channels. For example, for a four note chord,
the lowest note will be assigned to harmony
channel 4, the next higher to channel 3, the
next higher to channel 2 and
the highest to channel 1.
Gain
Each Gain fader controls the
gain of its Harmony Voice
channel whenever that
channel is not muted.
In the various MIDI Harmony
Modes, the Gain control sets
the maximum gain level for
its channel (i.e., the gain at
MIDI velocity value 127).
The default Gain value is
-6dB. Option (Mac)/Control
(PC)-clicking a fader returns it
to that value.