User Manual
Table Of Contents
28
NOTE:
 Pressing and holding the 
Shift key on your keyboard will 
temporarily toggle the Keyboard 
Mode.
A TIP: The main purpose of the 
Momentary mode is to allow you to 
deal easily with specific individual 
events in a performance. However, you can 
also use it to “play” the target melody notes in 
real time. To do this: 
•
Set the Scale to Chromatic and use the Scale 
Edit window Remove All button to remove all 
notes from the scale
•
Set Keyboard Edit to Remove and Keyboard 
Mode to Momentary
•
Now use your mouse to play the target 
melody on the keyboard. 
It’s not as easy as Target Notes via MIDI, but if 
you don’t have a MIDI controller handy, it’ll do 
in a pinch.
Sample Rate Display 
This display indicates the sample rate of the 
current audio file as reported to Auto-Tune 8 
by the host application. 
NOTE: Auto-Tune 8 is high sample 
rate compatible. If your host 
application and audio hardware 
are capable of dealing with up to 192 kHz files, 
Auto-Tune 8 will process them correctly. 
However, it’s important to remember that 
high sample rate files require substantially 
more DSP power than 44.1 kHz and 48 kHz 
files, so the number of possible simultaneous 
Auto-Tune 8 instantiations will be decreased.
YET ANOTHER NOTE: If you are 
using external A/D converters 
with independently selectable 
sample rates, it can be possible to establish 
a mismatch between the actual conversion 
sample rate and what the host application 
thinks is the sample rate. If this happens, Auto-
Tune 8 will appear to be correcting pitch to the 
“wrong” key. If this appears to be happening, 
check to be sure that your converter sample 
rate and your host application sample rate (as 
displayed by Auto-Tune 8) match.
Pitch Shifting, Formant Correction 
and Throat Modeling
To use the Pitch Shifting, Formant Correction 
and/or Throat Modeling functions in 
Automatic Mode, refer to the descriptions of 
the Transpose, Throat Length, and Formant 
controls in the Common Controls section 
earlier in this chapter.










