Datasheet

AD8010
–5–REV. B
5.0355.0155.04.9854.965
FREQUENCY – MHz
INTERMODULATION DISTORTION – dBm
5
–5
–15
–25
–35
–45
–55
–65
–75
–85
G = +2
R
L
= 18.75
f
O
= 5MHz

f
= 10kHz
4dBm
4dBm
P
OUT
–69dBm –69dBm
Figure 9. Intermodulation Distortion
P
OUT
– dBm
–35
–75
–105
–10 12–8
TOTAL HARMONIC DISTORTION – dBc
–6 –4 –20 246810
–45
–55
–85
–95
–65
FREQUENCY = 5MHz
G = +2
R
L
= AS SHOWN (SEE SCHEMATIC)
R
L1
= FOR R
L
= 100
R
L1
= 23.1 FOR R
L
= 18.75
50
50
P
OUT
P
IN
R
F
R
G
150
50
R
L1
R
L
= 100
R
L
= 18.75
Figure 10. Total Harmonic Distortion vs. P
OUT
; G = +2
FREQUENCY – MHz
2
1
–7
0.1 10001
NORMALIZED GAIN – dB
10 100
0
–1
–6
–2
–3
–4
–5
GAIN AS SHOWN
V
O
= 0.2V p-p
R
L
= 18.75
G = +1
G = +2
G = +3
Figure 11. Small Signal Closed-Loop Frequency
Response; R
L
= 18.75 Ω
FREQUENCY – MHz
010123456789
0
–10
–90
P
MEASURE
– dBm
–50
–60
–70
–80
–30
–40
–20
R
F
GAIN = 6.6
50
50
R
G
50
150
P
MEASURE
= 10dBm
(FULL SCALE)
500kHz TONE SPACING FROM
500kHz TO 5.5MHz WITH
4 MISSING TONES
Figure 12. Multitone Distortion; R
L
= 100 Ω
G = +2
V
O
= 2V p-p
f = 5MHz
LOAD – 
–55
–60
–65
–70
–75
–80
–85
–90
15 100 200 300 400 500
2
ND
3
RD
HARMONIC DISTORTION – dBc
Figure 13. Harmonic Distortion vs. Load
FREQUENCY – MHz
8.0
0.0
1 100010
GAIN – dB
100
7.0
6.0
2.0
5.0
4.0
3.0
1.0
G = +2
V
O
= 0.2V p-p
NUMBER OF VIDEO LOADS AS SHOWN
12
4
1
8
Figure 14. Closed-Loop Frequency Response vs.
Number of Video Loads