User manual

Solo

Logic MMC has both pre-fader listen (PFL) and after-fader listen (AFL) solo.

AFL solo can work in up to three different ways: standard AFL which only affects what is heard on the monitor;

Solo-In-Place which cuts all other paths but leaves open reverb returns so a path can be isolated from the mix,

yet still heard in context. The operation of AFL is selected in Solo Settings & Relay Control Preferences.

The default AFL operation for Logic MMC is Solo-In-Place as this is more commonly used in music recording

and mix down.

To AFL solo a path press the SOLO key for the required path.

The LED above the key will illuminate and the integral LED in the SOLO CLEAR key on the CONTROL ROOM

Panel will flash orange.

The solo signal will appear on the Control Room Monitor speakers, plus the AFL speaker (if fitted).

Press additional SOLO keys to listen to a group of paths.

To PFL solo a path press the PFL key for the required path.

The integral LED will illuminate red and the integral LED in the SOLO CLEAR key on the CONTROL ROOM

Panel will flash orange.

The solo signal will appear on the PFL speaker (if fitted). Press additional PFL keys to listen to a group of paths.

ä To select PFL as a monitor source for Control Room, Headphones or Studio L/S press and hold the relevant

SELECT key and press the PFL key at the bottom of the SELECT Panel.

The integral LED in the key will flash to indicate that the destination is PFL ready. The current source for the

monitoring destination will remain unchanged.

When PFL solo is activated anywhere on the console then the PFL signal will take over the output for the

destination(s) it is selected to. The LED in the PFL key will illuminate solid while PFL is active and routed to the

Control Room monitor speakers.

To cancel all active solo keys press the SOLO CLEAR key on the CONTROL ROOM Panel, the integral LED in

the key will stop flashing.

This does not clear PFL from the destinations it is selected to.

Cut

The CUT key is used to mute the output from a path.

Cut is at the same point in the signal path as the fader (i.e. it is similar to moving the fader down until the signal is

cut).

Pre-fader auxiliary contributions are not affected by cut.

Monitoring Solo

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