User`s manual

LEFT RIGHT LEFT(MONO) RIGHT
A102
9VAC
POWER
~
BYPASS
OUTPUT
INPUT
From Instrument or Effects Send
Left Input
To Amplifier or Mixing Console
Left Output
LEFT RIGHT LEFT(MONO) RIGHT
A102
9VAC
POWER
~
BYPASS
OUTPUT
INPUT
From Instrument or Effects Send
Left Input
To Amplifier or Mixing Console
Left Output
Right Output
LEFT RIGHT LEFT(MONO) RIGHT
A102
9VAC
POWER
~
BYPASS
OUTPUT
INPUT
From Instrument or Effects Send
Left Input
To Amplifier or Mixing Console
Left Output
Right Output
Right Input
6
While still using a mono input, you could connect two audio
cables to the [LEFT] and [RIGHT] outputs of your Verb II to the inputs of an amplifier
or mixing desk.
MONO IN, STEREO OUT:
Connect two audio cables to the [LEFT] and [RIGHT] INPUTS of the Verb II
from a stereo source, and two other audio cables from the [LEFT] and [RIGHT] OUTPUTS
of your Verb II to a stereo amplifier or mixer inputs.
STEREO:
3. CONTROL ELEMENTS
4. INSTALLATION AND CONNECTION
5.1 THE REVERBS
a. HALLS
Hall 1 - This is a large bright hall program with 54ms pre-delay, and can be used for
almost anything.
Hall 2 - This is a warmer hall program with 77ms pre-delay, and adds depth and
character to acoustic instruments.
Hall3-Thethirdprogramisamediumbright hall with no pre-delay, and can be used
for snares and percussions.
b. SPRING
Spring 1- This program is suitable for organs and will still be found in many guitar amplifiers.
Spring 2- This program is similar to the previous one, and also be used in organs and
guitar amplifiers.
Thisprogramallowsyoutocreatemorecomplexpatternsthatcanaddarhythmic
quality to the instrument.
Reverb in nature, is the combination of a large number of distinct echoes generated
by the reflection of the original sound against obstacles (i.e. walls). In a real acoustic
environment, the amplitude and brightness of these reflections decays over time and
the decaying is depending on the room size, the position of the sound source in acoustic
space, the "nature" of obstacles (shape, material, dimension, etc.) and many other factors.
This preset simulates a large acoustic space (as a concert hall). Hall wants to
simulate large rooms with many reflective surfaces, where sounds can be reflected
and also hided, changing its "colour" over time. This is a classic reverb and can be
used with all sound sources as vocals, drums or acoustic and electric instruments.
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5. PRESET DESCRIPTION
c. TAPE
d. PLATES
This algorithm wants to simulate the "sound" of a classic plate reverb, obtained using
suspended sheet of metal with transducers at either end. This kind of reverb, commonly
used in the 1970's, it is still useful for its transparent sound and it works well for
vocals, piano, or guitar.
Plate 1- The first program is a classic bright vocal plate.
Plate 2- A warmer variation of the previous program, sounding very well on acoustic
guitar and strings.