Specifications

CONTROLS AND CONNECTIONS
AUXILIARY OUTPUTS SECTION:
This section includes 6 identical channels (A, B, C, D, E and F).
The following description is valid for each of them.
43 ➤ A / B / C / D / E / F outputs level: 12 segment LED array gives
istantaneous reading of A, B, C, D, E and F outputs level.
44 ➤ HIGH / MID kHz / MID dB / LOW: 3-band Equalizer with para
metric control of the mid range for the A, B, C, D, E, F monitor
outputs. The High and Low controls act on xed frequency bands,
the Mid control allows to choose the frequency to be boosted or
cut.
HIGH: adjusts the amount of boost or cut in the high frequency
range (±15dB@15kHz). Turning the control clockwise increases the
amount of high frequencies, counter-clockwise decreases it.
The response is at at the center position.
MID kHz: chooses the frequency to be boosted or cut (0,18÷3kHz).
MID dB: adjusts the amount of boost or cut (±15dB) in the frequen-
cy choosen by means of the MID kHz control.
Note: If the MIDdB control is set at '0' (centre) there will be no alteration
in the mid frequency band (independently of the MIDkHz control setting).
LOW: adjusts the amount of boost or cut in the low frequency
range (±15dB@50Hz). Turning the control clockwise increases the
amount of low frequencies, counter-clockwise decreases it.
The response is at at the center position.
45 ➤ PFL: this push-button allows to check the level of the aux
output signal by means of the PFL level indicator (57) and to listen
to it on headphones, even if the fader is closed. It is so possible to
adjust the aux mix and output equalizer without sending it to the
output. If more than one PFL switch is on, the phones amplier and
the PFL LED indicator will receive the sum of the selected signals.
Note: To allow headphone listening of a PFL signal, the PFL switch of the
master module's headphone amplier (56) must be pressed.
46 ➤ A, B, C, D, E and F output level fader.
●
connections:
47 ➤ A / B / C / D / E / F AUX OUTPUTS: each output is tted with
an unbalanced XLR socket and a stereo jack socket (for the inser-
tion of external accessories)
■ Connect the A, B, C, D, E, F output sockets to the inputs of the
self-powered monitors. Adjust the monitor sends controls on each
channel (A, B, C, D, E, F controls), the tone controls (44), as well as
the aux volume faders (46).
Note: The stereo jack socket may also be used as unbalanced jack output,
using a standard mono jack. In this case the corresponding XLR output will
be disconnected. You may thus use XLR or Jack sockets according to your
needs.
■ Each output can drive up to 10 parallel connected active speaker
enclosures or power ampliers.
☛
see g. 2 page 22
MASTER SECTION:
48 ➤ L / R outputs level: 12 segment LED arrays give istantaneous
reading of L and R outputs levels.
49 ➤ L/R MASTER: volume faders for the left and right master
outputs.
50 ➤ 10-band stereo graphic EQUALIZER.
51 ➤ EQ / FLAT: equalizer on/off switch.
52 ➤ MONO: volume control for the mono output.
53 ➤ PRE/POST: the signal to the 'mono' output may be selected
independent from master L/R faders (PRE) or dependent from the
fader postion (POST).
54 ➤ CTRL ROOM: level control for the CONTROL ROOM stereo
output (63).
55 ➤ PHONES: level control for the phones output.
56 ➤ PFL L/R: in normal conditions, the headphones amplier
receive the master L/R signal (pre fader), but pressing this switch
it is switched to the selected PFL signal. If more than one PFL
switch is selected, the headphones receive the sum of all the
selected signals.
57 ➤ PFL: PFL signal LED level indicator (12 segment LED array).
58 ➤ TAPE IN VOL: sets the level of the signal at the 'Tape in'
sockets.
59 ➤ PHANTOM 48V D.C.: master phantom power switch.
It enables the individual phantom power switches on mono input
channels. If no phantom powered microphones are used with the
mixer, it is suggested to switch off this switch.
60 ➤ POWER: mains power switch.
●
connections:
61 ➤ L /R MASTER OUTPUTS: each output is tted with an
unbalanced XLR socket and a stereo jack socket (for the insertion
of external accessories).
■ Connect the L/R master outputs to the inputs of the self-powered
speaker enclosures or to the inputs of the power ampliers.
Adjust the volume fader on each channel as well as the L/R master
volume faders.
Note: The stereo jack socket may also be used as unbalanced jack output,
using a standard mono jack. In this case the corresponding XLR output will
be disconnected. You may thus use XLR or Jack sockets according to your
needs.
■ Each output can drive up to 10 parallel connected active speaker
enclosures or power ampliers.
☛
see g. 1 page 21
13
ENGLISH










