Specifications

RENAISSANCE 450 SECTION II
4.
PEDAL ORGAN
continued:
4’ Clairon A bright 4’ chorus reed. Combines with the 16’
Bombarde and 8’ Trompete to form the full Pedal Reed
Chorus. Particularly useful as a solo voice.
8’ Trompete Clear Pedal reed useful in adding definition to a full
pedal combination, or as a solo Pedal trumpet.
8’ Great to Pedal
(With Reversible)
Connects all Great stops so they may be played with the
Pedal keys at the pitch indicated on the Great stops.
4’ Great to Pedal Connects all Great stops to the Pedal an octave higher in
pitch than the Great stop indicates.
8’ Swell to Pedal
(With Reversible)
Connects all Swell stops so they may be played with
Pedal keys at the pitch indicated on the Swell stops.
4’ Swell to Pedal Connects all Swell stops to the Pedal an octave higher in
pitch than the Swell stop indicates.
8’ Choir to Pedal
(With Reversible)
Connects all Choir stops so they may be played with
Pedal keys at the pitch indicated on the Choir stops.
8’ String on Pedal Enables Floating String Division stops to be played with
the Pedal keys at the pitch indicated on the String stops.
8’ Solo on Pedal
(With Reversible)
Enables Solo Division stops to be played with the Pedal
keys at the pitch indicated on the Solo stops.
Bass Coupler When this coupler is used, the lowest note played on the
Great manual will automatically key the appropriate
Pedal note; playing those stops that have been drawn in
the Pedal Division as well as those in the Great division.
For MIDI on PEDAL see this section page 15.
PEDAL ORGAN SECOND VOICES:
The voices of several stops in the Pedal Division can be instantly replaced by a Pedal
Second Voice. This is done by engaging the Gt-Pd 2
nd
VOICES drawknob along with
the Pedal Division drawknobs that have red italicized additional voice names.