Specifications

RENAISSANCE 450 SECTION II
12.
CHOIR ORGAN
continued:
8’ Krummhorn Imitative of a very old instrument Krummhorn (crooked
horn). Audsley describes it to mean
cor
horn, and
morne
mournful. This reed voice can be used alone as a
solo stop or combined with light flues for a somewhat
rounder reed solo effect.
Unison Off Turns off voices in the Choir Division yet allowing the
voices of Swell, Solo, and String divisions to be played on
the Choir Manual when coupled to it.
Tremulant Use of this stop provides a vibrato effect, natural in the
human voice and wind instruments, when used with the
stops in the Choir division.
16’ Swell to Choir Intermanual coupler connecting all Swell stops to the
Choir manual an octave lower than indicated.
8’ Swell to Choir
(With Reversible)
Intermanual coupler connecting all Swell stops to the
Choir manual at the pitch indicated on the Swell stops.
4’ Swell to Choir Intermanual coupler connecting all Swell stops to the
Choir manual on octave higher than indicated.
8’ Solo on Choir
(With Reversible)
Enables Solo Division stops to be played from the Choir
Manual at the pitch indicated on Solo stops.
8’ String on Choir Enables Floating String Division stops to be played with
the Choir keys at the pitch indicated on the String stops.
Great-Choir
Manual Transfer
Transposes stops in the Great and Choir Divisions so
that the stops from the Great Division are played from
the bottom Choir Manual and the stops from the Choir
Division are played from the second Great Manual.
Choir to
Antiphonal
Causes the Choir Division’s voices to speak from
Antiphonal speakers. With this drawknob engaged, the
division speaks from both the Antiphonal and Main
speakers. When the Choir Main Off control is also
engaged, the Antiphonal will sound alone.