Brochure
USB audio flexibility
GettingGetting audio to and from a computer easily is now a common
requirement for live sound and music production. The way this
has been implemented on ZED is super-flexible and
super-easy! No longer do you need to fiddle around the back of
your PC to get to the soundcard inputs, only to find that the
levels are all wrong and noisy. Just plug in a USB lead to your
ZED, select the USB routing on the mixer and the device on
your
your computer and that's it! CD quality audio to and from your
PC or Mac. Switches and connection through jack socket
terminals provide different send/return configurations:-
ZED-10, 10FX Send options:
1) Main Mix Left + Right (Post master Level)
2) Aux + FX bus (Aux is a pre-fade send, FX is a post-fade send)
3) Record Bus Left + Right (Separate stereo bus to Main Mix)
Return Options:
1) To Playback input (through jack socket break contacts)
2) To Stereo 2 channel (through jack socket break contacts)
ZED-14, 24, 12FX & 22FX Send options:
1) Main Mix Left & Right (post fader)
2) Main Mix L & R (pre fader)
3) Aux 3 & 4 (post fade sends – ideal for effects processing)
4) Aux 1 & 2 (pre fade sends – useful for recording)
4) Aux 1 & 2 (pre fade sends – useful for recording)
Return Options:
1) To Main Mix L & R (using dedicated level trim)
2) To Stereo channel 3 (so you can use EQ, fader etc)
ZED-420, 428, 436 Send options:
1) Main Mix Left & Right (post fader)
2) Main Mix L & R (pre fader)
3) Aux 5 & 6 (post fade sends – ideal for effects processing)
3) Aux 5 & 6 (post fade sends – ideal for effects processing)
4) Aux 1 & 2 (pre fade sends – useful for recording)
5) Matrix 1 & 2 (great for recording a different mix to the main PA)
Return Options:
1) To 2 Track Return (ideal for background music or playback)
2) To Stereo channel 3 (via switch – either straight to L-R or to the channel)
Lo-Cut Filter
HF
Mid
LF
HF
HF Mid
LF Mid
LF
ZED Design Essentials
DuoPre
BasedBased on the proven pre-amps from the hugely
successful PA series, the ZED mixers (except
ZED-10 & 10FX) have new DuoPretm pre-amps,
which use a two stage design, with carefully
controlled amounts of gain in each stage. When
amplifying the signal from the XLR input, the gain
range is huge - 69dB of range to be exact - and is
ve
very evenly distributed around the gain control,
meaning better control of signal level. Most of the
gain comes from the first stage, so unwanted noise
is kept to a minimum. Line level signals are simply
plugged into the second stage of the pre-amp by
using the line input jack socket, which has the great
advantage of less noise when using the line input
and also matching to a higher input impedance.
and also matching to a higher input impedance.
MusiQ
ZED-10, 10FX. 14, 24, 12FX & 22FX feature a
responsive 3-band, swept mid frequency design,
while ZED 4-Bus mixers have instead a tuned 4-band
EQ taken from the acclaimed GL2400 mixer. Both
designs utilise MusiQ – with optimised slope (or Q
factor) for equalising individual instruments.
TM
TM
ZED-14, 24, 12FX, 22FX ZED-420, ZED-428, ZED-436
ZED-FX
LaunchedLaunched to complement the existing ZED series, the
ZED-FX has an essential selection of 16 time-delay
effects, designed for small groups who don’t want to
carry around an effects unit with their gear but who
still want great quality FX at their gigs and on their
recordings. Our DSP engineers worked hard, crafting
and refining beautiful reverb algorithms to enhance
eve
every performance. These effects are available
nowhere else at this price point – this quality and
integration is only available from the ZED-FX. ZED
effects are easily controlled using 3 buttons with 9
display LEDs. For example, the ideal delay time can be
quickly tapped-in, or the perfect amount of reverb on
the lead vocal can be dialled-in. There is one-stop
navigation
navigation and editing – in fact, it’s just as easy as
using effects pedals. To alter effects parameters, the
TAP button is held down and the up/down buttons
pressed to adjust the specific parameter for that
effect, for example, the decay length on PLATE, or the
depth on CHORUS.
Guitar DI
In place of the DuoPre, the ZED-10 &10FX have
pre-amps similar in design to our MixWizard range of
mixers, but with a twist! Inputs 3 & 4 have a high
impedance jack input capable of taking either a normal
line level or a low level input from a guitar pickup.
These
These newly designed inputs have been crafted with
the aim of replicating the sound of a classic guitar or
instrument tube pre-amp in a combo or head amp. An
extremely high input impedance ensures loading on
pick-ups is minimal and a Class A FET (field effect
transistor) circuit powered from 48V is employed to
give the valve-like gain stage. There is a gain “Boost”
switch
switch associated with the guitar inputs which boosts
gain by 26dB to cater for instruments with very low
level outputs and the overdrive characteristics of the
guitar inputs are very similar to a valve (tube) circuit,
being asymmetric and soft. All this makes for a
wonderfully natural sound to be reproduced from the
instrument, full of warmth and character.
SONAR LE - provided Free!
(Except 10/10FX)
W
We’ve included Cakewalk SONAR LE with all ZED mixers
(except ZED 10 & 10FX) so you can immediately start to use
it to create your own music – just add a PC and a it couldn’t
be more straightforward to get going. You’ll be able to record
from your ZED mixer, create tracks and arrange songs, then
play back to ZED via the USB port. You can use SONAR LE
and your ZED mixer together in many ways – for example,
straightfo
straightforward recording of a stereo mix, recording tracks
individually to build up a song, or sending a postfade mix
from ZED and inserting an effects plug-in from SONAR LE,
returning the post-effects signal to the mix in ZED. SONAR
LE is the most complete OEM audio production software
solution available today. And it is now ready for Windows 7!
Today's SONAR LE is based on SONAR 8.5, the newest
technology from Cakewalk, the world's leading developer of
powerful and easy to use products for music creation and
recording.
Key Features
• Powered by SONAR 8.5
• 32 audio tracks
•
• 64 MIDI tracks
• 8 simultaneous inputs and outputs
• 24-bit/96 kHz audio quality
• 24 simultaneous effects
• 8 simultaneous virtual instruments
• Includes 2 virtual instruments
• Includes over 10 audio effects
•
• Integrated VST/VSTi support
• Support for ACID™-format loops
• Support for ReWire clients such as Live, Reason, and more
• Elegant user interface
•
• Active Controller Technology™ automatically maps MIDI
keyboards and control surfaces to the parameters you
need most on effects, instruments, volume, pan, and other
mix elements
• Easier integration of virtual instruments with Synth Rack
•
• Support for 32-bit and 64-bit versions of Windows 7 and
Windows Vista as well as 32-bit Windows XP operating
systems
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