Allen & Heath

P
ioneer’s DJM range of
mixers are everywhere,
and always have been.
Perhaps they just
appeared in spots
around the globe,
years ago, and people
felt compelled to build DJ booths
around them. Their ubiquity clearly
riles the suits at Allen & Heath, who
think it’s come time to dethrone
king-of-the-club mixers like the 850
and 900 Nexus. Their dog in the
ght? Enter the Xone:PX5.
It’s a serious-looking machine.
The grills on the side and front look
ready to snort hot air like a bull, while
the matt black fi nish and bold white
lettering give the unit a utilitarian,
no-nonsense façade.
It may be mean on the outside,
but inside beats a warmer heart, like
meeting a club doorman who keeps
budgies on the side. Once you’re
pumping music through this beast,
the sound coming out is rich and
warm, with fi ltering and FX that’ll give
you goosebumps.
The controls have a nice spacing
to them, too. No mean feat as there’s
39 buttons and switches, fi ve faders,
and seven rotary controls to contend
with. The faceplate real estate is taken
up with four line faders, a crossfader,
three-band EQs, FX module, and a
fth channel with a mic/aux input and
EQs. While the much-loved, never
bettered, Xone VCO fi lter is present
and correct, but two might have been
nice, right?
The crossfader? It’s not built for
scratching, as the cut-in is
performance-sappingly wide.
However, it’s Innofader compatible, so
a quick add-on and you’re up and
cutting with the best of ’em.
In the mix the channel faders
don’t disappoint, though, and have
terrifi c fl uidity and resistance,
enabling meticulous blends. Like all
the buttery smooth knobs, the rotary
pots on the EQs have a satisfying 12
o’clock dimple, so judging merciless
frequency kills is nice and intuitive.
For FX, the Xone:Xcite suite is
icing on the cake. The digital panel
over on the top right offers up the
classic workhorse settings that
everyone likes to overindulge in, and a
nice constrained bank of other useful
delays, resonators, and reverbs.
Round the back you have the full
complement of sends and returns,
too, and enough ins and outs to light
up the face of even the sourest
soundman. Add to that the X:Link
input, Line/Hi-Z input switch, a single
USB port for full Traktor integration, a
MIDI sync/out port to link external
units to the machine’s super-tight
MIDI clock engine, and you have a
shockingly fl exible mixer right here.
An extra USB in would have been cool,
though, for easy DJ changeovers...
With few minor quibbles and many
plus points, the PX5 achieves what it
set out to do – take a shot at the title,
and launch itself as a serious contender
for the next industry-standard 4+1
channel high performance club mixer.
Stunning work.
THE PROS & CONS
+
That signature
Allen & Heath
warmth and build
Super playable
Xcite FX suite
High-quality
sound card
supporting Traktor
-
Just the one
VCO fi lter
Scratch-unfriendly
crossfader
out-the-box
Serato not built in
FM VERDICT
9.1
Allen & Heath builds on its
Xone legacy with its new
agship 4+1 channel mixer,
and holds its own against
Pioneer’s DJM series
ready to snort hot air like a bull, while
but inside beats a warmer heart, like
warm, with fi ltering and FX that’ll give
to them, too. No mean feat as there’s
39 buttons and switches, fi ve faders,
with. The faceplate real estate is taken
up with four line faders, a crossfader,
ioneer’s DJM range of
mixers are everywhere,
and always have been.
years ago, and people
years ago, and people
With few minor quibbles and
many plus points, the PX5
achieves what it set out to do
Allen & Heath Xone:PX5 | Reviews
103
FMU324.rev_allenheath.indd 103 04/10/2017 15:28