User Manual

Allen & Heath 33 XB-14 MK2 User Guide
APPLICATION TIPS: OFF-AIR CALL RECORDING
ST2
-15 + 15
12kHz
HF
-15 + 15
80Hz
LF
L
+16
-6
-9
-20
-30
-16
-12
-3
0VU
+3
+6
+9
R
PFL ACTIVE
MIN MAX
PHONE S
AUX
MIX B
EXT
CRM
SPEAK E RS
1/2
ST5
USB
SEND
RETURN
-15 + 15
12kHz
HF
-15 + 15
80Hz
LF
ST3
-15 + 15
12kHz
HF
-15 + 15
80Hz
LF
ST1
OO +6
AUX
PRE
LR
PAN
=
SIGNAL
PFL
-15 + 15
12kHz
HF
-15 + 15
80Hz
LF
ST7
ST3
L/M
R
ST5
L/M
R
L/M
R
L
R
48V
INSERT R
MAIN
ST2
L
R
ST4
L
R
MIX B OUT
L
R
CRM SPEAKERS
L
R
INS ERT
M4
INS ERT
M3
100Hz
12kHz
-15
+15
HF
-15
MF
+15
100Hz
12kHz
-15
+15
HF
-15
MF
+15
M1 M2 M3 M4 ST1 ST2 ST3
PGM
ALLEN HEATH
LINE LIN E
MIC MIC
ST7
ST1
L/M
R
AUX
INSERT L
-6-10 63 26
GAI N
MIC
0
LINE
10
0
10
20
30
40
50
-6-10 63 26
GAI N
MIC
0
LINE
10
0
10
20
30
40
50
-15 + 15
80Hz
LF
-15 + 15
80Hz
LF
120Hz
4k
200
2k
650
500
1k
3k
120Hz
4k
200
2k
650
500
1k
3k
+16
-6
-9
-20
-30
-16
-12
-3
0VU
+3
+6
+9
T2
PEAK
T1
CUT SPKS
DIM SPKS
LR
PAN
=
SIGNAL
PFL
PEAK
LR
PAN
=
SIGNAL
PFL
PEAK
LR
PAN
=
SIGNAL
PFL
PEAK
LR
PAN
=
SIGNAL
PFL
PEAK
LR
PAN
=
SIGNAL
PFL
PEAK
LR
BAL
=
SIGNAL
PFL
PEAK
SIGNAL
PFL
PEAK
LR
BAL
=
SIGNAL
PFL
PEAK
LR
BAL
=
SIGNAL
PFL
PEAK
PFL ENABLE
TO GUEST
INS ERT
M2
INS ERT
M1
LINE LIN E
MIC MIC
100Hz
12kHz
-15
+15
HF
-15
MF
+15
12kHz
-15
+15
HF
-15
MF
+15
-6-10 63 26
GAI N
MIC
0
LINE
10
0
10
20
30
40
50
-6-10 63 26
GAI N
MIC
0
LINE
10
0
10
20
30
40
50
-15 + 15
80Hz
LF
-15 + 15
80Hz
LF
120Hz
4k
200
2k
650
500
1k
3k
120Hz
4k
200
650
500
1k
3k
CLF OUT
TELCO 1
TEL IN
CLF OUT
TELCO 2
TEL IN
TALKTALK
OO +6
PRE
OO +6
PRE
OO +6
PRE
OO +6
PRE
OO +6
PRE
OO +6
PRE
OO +6
PRE
OO +6
PRE
OO +6
PRE
CLF SCE
3/4 5/US B
GUEST PHONES 1
GUE ST PHONES 2 C RM PHONES
EXT M ON I N
L
R
ST1
ST2
ST4
ST3
ST6 ( USB)
ST5
0
5
10
15
20
30
40
50
OO
MIN MAX
CRM
TALK
TO GUEST
LR
BAL
=
PGM
FDR
PGM
FDR
PGM
FDR
PGM
FDR
PGM
FDR
PGM
FDR
PGM
FDR
PGM
FDR
PGM
FDR
PGM
FDR
MIX B
BUS BUS BUS BUS BUS BUS BUS BUS BUS BUS
MIX B
POW ER
AUD OUT
L
R
ST4
MIN MAX
EX MON
PGM MIX
FADER
AUXAUXAUXAUXAUXAUXAUXAUXAUX
0
5
10
15
20
30
40
50
OO
0
5
10
15
20
30
40
50
OO
0
5
10
15
20
30
40
50
OO
0
5
10
15
20
30
40
50
OO
0
5
10
15
20
30
40
50
OO
0
5
10
15
20
30
40
50
OO
0
5
10
15
20
30
40
50
OO
0
5
10
15
20
30
40
50
OO
0
5
10
15
20
30
40
50
OO
0
5
10
15
20
30
40
50
OO
USB SOU RCE SELECT
CRM+ PHONE S
SELECTIO N
MIX B MIX B MIX B MIX B MIX B MIX B MIX B MIX B MIX B
PGM MIX
USB
PHONE S
MIN MAX
GUEST
GUEST PHONES
SELECT ION
MI C FA DER UP
= CUT SPKS
+ START/ CUE + START/ CUE + START/ CUE + START/ CUE
REM MUTE REM MUTE REM MUT E REM MUTE
MON O
OUT
100Hz
IN
MO N
OUT
&
-1O
26
-5
5
10
20
0
-1O
26
-5
5
10
20
0
GAI N GAI N
M1 M2 M3 M4 T1 T2
PGM
+15
0
5
-15
+15
0
5
-15
+15
0
5
-15
+15
0
5
-15
+15
0
5
-15
+15
0
5
-15
+15
0
5
-15
ST6
AUDITION
CLF SCE
AUDITI ON
REM MUTE REM MUTE
AUD AUD AUD AUD AUD AUD AUD AUD AUD AUD
AUD
ON
AUDITION
AUX + MON O
2k
MIN MAX
AUD
MIX B LE V
MIN MAX
PGMPGM
700Hz
20k
3k
LPF
HPF
20Hz 6kHz
120Hz
700Hz
20k
3k
LPF
HPF
20Hz 6kHz
120Hz
AUX AUX
ST4
CD
This diagram shows the basic mixer setup using the Audition bus to rec-
ord an interview with a telephone caller off-air, whilst playing music
through stereo channel ST1. The interview could be recorded from the
Audition out phono connectors or via the USB port as shown here.
Notes:
Ensure Audition buttons
are pressed and audition
lights are on for the off-
air channels
Switch the CLF source for
the caller to Audition.
Select Audition to USB if
recording to computer.
The producer can monitor
either the live program or
the off-air interview using
the CRM selection switch-
es.