Operation Manual

ML5000 User Guide  21 
 A      MONO INPUT and EQ. The input preamp 
matches microphone or line level signals to the 
console. The sweepable high pass filter removes 
unwanted low frequency sounds below the selected 
frequency. The channel insert is post filter, pre EQ. 
A swept frequency 4 band equaliser provides 
shelving high and low bands with adjustable shelf 
frequency, and fully parametric high and low mid 
bands with adjustable centre frequency and Q. The 
filter and EQ can be independently switched in or 
out. 
 B   GRP/AUX SENDS. This section provides 
controls for the group routing and auxiliary sends.  
Controls 1-8 function according to the setting of the 
mode switches in the master section  F . These 
configure group routing switches and independent 
post-fade aux sends for FOH (front-of-house) 
application, or pre/post switchable sends for stage 
monitor application. Controls 9-16 can be 
configured as mono or stereo pre/post aux sends. 
 C   MAIN MIX SENDS. A single switch routes the 
channel signal to the main L, R and C outputs. The 
balance between the three outputs is determined by 
the LCRplus pan and blend controls. Pan can also 
be switched in or out of the group routing for stereo 
or mono groups. 
 D   INPUT FADERS. Includes the channel fader, 
mute, signal meter and PAFL monitoring. The 8 
VCA group assignments are displayed. VCA and 
mute group editing and channel safe selection is 
performed using the mute switch with green 
safe/edit indicator below. 
 E    STEREO INPUT and EQ. The input preamp 
accepts two stereo sources with independent 
control of each. This allows selection of either or 
mixing together both sources. A fixed frequency 4 
band equaliser provides shelving high and low 
bands and two bell mid bands. The EQ can be 
switched in or out. 
 F  GRP/AUX 1-8 MASTERS. These are the 
fader masters for channel sends 1-8, configurable 
using mode switches as fixed level groups or as 
variable level pre or post-fade auxes. The output 
can be routed to the main mix through LCRplus 
controls to create sub groups. LED meters display 
the pre-fade mix levels. 
 G      AUX 9-16 MASTERS. These are the fader 
masters for channel sends 9-16. 
 H   ROTARY AUX 1-8 MASTERS. These are the 
rotary masters for channel post-fade aux sends 1-8. 
They provide the independent effects sends when 
the fader masters are configured as groups. They 
still function when the fader masters are configured 
as pre/post auxes but would not normally be 
required. 
 I  MAIN MIX FADERS. Provides separate master 
faders and mutes for the main L, R and C outputs.  
A mode switch configures the C output as the 
engineers wedge monitor feed for the stage monitor 
application. 
 J   MATRIX. This section provides all the controls 
for the 8 matrix outputs, including the source and 
master rotaries. 
 K      VCA GROUPS. These are the VCA group 
master faders, mutes and PAFL monitor switches.  
Channels are assigned to the groups using the edit 
key. The normal fader operating level is marked ‘0’. 
 L    MUTE GROUPS. These are the master keys 
that mute all channels assigned to the group.  
Channels are assigned using the edit key. 
 M      SNAPSHOT MEMORIES. Provides the 
controls to store, recall and preview the 128 
onboard memories, and edit channel safes. Mute 
settings and/or VCA assignments can be disabled 
from the snapshots. 
 N   SOLO-IN-PLACE. Pressed with the shift key 
this puts the console into SIP mode ready to solo 
any channel when its mute key is pressed. 
 O  HEADPHONES / MONITOR. Provides source 
selection and independent control of the 
headphones and local monitor outputs. 
 P      PAFL CONTROL. This section controls how 
the intelligent PAFL system functions and provides 
the clear all key. 
 Q   OSC/NOISE GENERATOR. Enables and 
selects a 1kHz tone or pink noise which can be 
routed to any output for line up or system testing. 
 R      INTERCOM. The console talkback mic and 
headphones can be interfaced to a ClearCom 
compatible intercom system so eliminating the need 
for a separate intercom headset. 
 S      TALKBACK. Pressing the talk switch routes 
the talkback mic to any output with its TB enable 
switch selected. The mic input is duplicated on the 
rear panel for plugging in hand held microphones. 
 T      GRP/AUX 1-8 METERS. These moving coil 
VU meters display the grp/aux 1-8 outputs. 
 U      LRC/PAFL METERS. The main L,R and C 
outputs are simultaneously displayed on both VU 
and LED bar meters. These switch to display any 
PFL or AFL when selected. The display is mono or 
mono + stereo depending on source. The large call 
lamp lights to warn when the intercom is signalled. 
 V   AUX 9-16 / MTX 1-8 METERS. These meters 
display either the aux 9-16 outputs or matrix 1-8 
levels according to the setting of the meter select 
switch near section  O . 










