User guide
WZ14:4:2
U
SER
G
UIDE
17
M
ASTER
& M
ONITOR
M
AIN
L-R O
UTPUTS
L-R FADERS - Individual 100mm faders adjust the main L-R mix level with
+10dB boost available above the nominal ‘0’ position. For best performance
the faders should be operated around the ‘0’ position for normal ‘loud’ level.
If you find yourself operating significantly below ‘0’ then the amplifier or
recorder input is too sensitive for the console +4dBu output. Simply turn
down the amplifier or recorder level trim. If none is available then insert an
attenuator pad between the console and connected equipment.
M
ONO
O
UTPUT
MONO - Sums L+R mix to produce a mono signal. Output is on a balanced
XLR for long cable runs. A MODE SWITCH allows the signal to be switched
from the mono sum to AFL/PFL. This switch is recessed to avoid accidental
operation. Use a pointed object or pen tip to operate.
When switched to L-R MONO SUM, the MONO output provides for a centre
fill or sub-bass loudspeaker, mono recording or broadcast feed. When
switched to AFL/PFL, you can feed a stage monitor engineer’s listen wedge.
S
TEREO
R
ETURNS
Four stereo returns ST1 - 4 are provided giving you a total of 26 inputs to
the L-R mix. These are normally used for returning the processed signal
from effects devices. They can also be used for additional submix inputs.
The AUX control feeds the summed left and right signal to the corresponding
aux bus. This is ideal for returning effects to the monitors without using up
valuable channel inputs. The L-R level control feeds the stereo signal to the
L-R mix.
P
HONES
M
ONITOR AND
B
ARGRAPH
M
ETERS
Use stereo headphones with a nominal impedance of 30 to 600 ohms.
Adjust the LEV control for a comfortable listening level. The phones and the
12 segment bargraph normally meter the post fade L-R mix or the two track
return depending on the position of the L-R/2TRK switch. Pressing any
AFL/PFL button on the console will override the monitor with the selected
AFL/PFL signal. A large red LED located below the meters indicates when a
PFL/AFL switch has been pressed when illuminated.
T
ALKBACK
An XLR Talkback mic socket is provided on the front panel for connecting a
standard low impedance dynamic microphone. Talkback buttons 1-2, 3-4, 5-
6 send the talkback signal to the corresponding aux busses. Press and hold
these buttons for talkback. The TALK TRIM controls the talkback mic input
level.
T
WO
T
RACK
S
END AND
R
ETURN
The two track send and return controls are provided for a stereo recorder
such as a cassette or DAT machine. The SEND may be used for recording
the performance in stereo or to drive an induction loop hearing aid system.
The send outputs are post L-R fader as standard. Press L-R REPLAY to
route the replay signal to the L-R mix. Separate send and return level
controls adjust the signal to the required level and sensitivity. The console
can work with both high (+4dBu) and low (-10dBV) level equipment.
5 6
MAIN
OUTP UTS
10
55
5
10
5
L
ON
5
ON
R
6
2TRK
8
SENDS
AUX
REVERSE
OPERATING MODE
STAGE MONI TOR
FRONT- OF- HOUSE
+10
AFL/PFL
LI STEN WEDGE
LR SUM
0
OO
M
MONO
OUT PUT
MONO
L
5
R
6
AFL
OO
AUX
5
OO+10 +10
AFL
0
6
AUX
0
19
L-R
100
LEV
3
2
6
5
4
7
GRP/ AUX
RETURN
8
MONITOR
PFL/ A FL
2-TRACK
SEND
0
1
10
91
L-R
REPLAY
100
9
POWER ON
3
2
5
4
6
7
8
3
2
6
5
4
7
-20
-30
-9
-16
-12
+16
+3
0
-6
-3
+9
+6
REV
0
SIG
+6
PEAK
0
SIG
+6
PEAK
OOOO
AFL AFL
0 0
20
30
10
20
30
10
REV