User guide
GL2800 User Guide                   27 
Using PFL / AFL Allen & Heath are renowned for bringing you 
the most comprehensive engineer’s monitoring system in consoles at 
this price point. We recognise the importance of correct gain structure 
and signal handling. The GL2800 includes LED meters for every 
input channel and main output, as well as a pair of high resolution 
meters dedicated to monitor duty only. In monitor mode the M fader 
and associated controls become a full featured PFL/AFL monitor feed 
for the engineer’s listen wedge. 
The input channels provide PFL (pre-fade listen) so that each source 
can be checked using the meters and headphones before you bring 
the fader up. You can even use PFL while the channel is muted to 
prevent the signal reaching the house and monitor speakers until you 
have checked it and are ready. 
All the main and aux outputs provide AFL (after-fade listen) so that you 
can check the exact level leaving the console. Once again, the AFL 
switch gets its source before the output mute switch so that you can 
check the signal before you send it to its destination. This can be very 
important when you are feeding remote destinations such as 
broadcast and recording. 
The Decibel the ‘Bell’ is the unit of sound level. Decibel is 1/10 
Bell, a more conveniently sized unit. dB = 20 log (Vo / Vi) where Vi 
and Vo are two signal voltages, in and out (ignoring the impedances). 
The dB is used to express the relationship between two levels, chosen 
because of the logarithmic way our ears respond to sound. The ‘dB’ 
relates one level to another.  For example, a preamp with a gain of 
40dB (100x) would produce an output of +10dBu for an input of -
30dBu. Several audio standards exist to relate a signal level to a 
known reference. Audio engineers need to deal with a variety of 
equipment standards, for example, a -10dBV CD player plugged into a 
console with +4dBu outputs connected to a 0dBu input DSP speaker 
manager, or an operator using an SPL (sound pressure level) meter to 
measure sound intensity. 
  dBu  Relative to 0.775Vrms – professional standard 
0dBu = 0.775V  +4dBu = 1.228V 
  dBV  Relative to 1Vrms - consumer audio standard 
0dBV = 1V  -10dBV = 316mV = -8dBu 
dB-A  Sound pressure with a filter contour to approximate 
the response of the human ear. Three curves A, B, 
C exist for different loudness. 
dBfs  Relative to signal maximum before clip (full scale) 
Using Inserts The GL2800 channel inserts operate at 0dBu, 
the output inserts operate at -2dBu. In practice this makes little 
difference as long as the inserted equipment is intended for line level 
operation (-6 to +4dBu). Simply set the gain through the device to 
unity (0dB) with the bypass switch pressed (if available). With the 
effect switched in, use the console channel gain control to make any 
further adjustments needed. This keeps the gain structure correct 
through the channel signal path. 
With nothing plugged into the insert, the channel signal is routed 
through a switching (‘normalling’) contact in the socket. As soon as a 
jack is plugged into the socket the contact is opened and the signal 
path broken so that the external device can be patched in series with 
the signal. 
AFL
dB 
SEND
INSERT
RETURN
TIP
RING
☺ If you suspect the insert 
socket to be faulty or 
intermittent through excessive 
wear or contamination, test for 
this by plugging in a jack with 
its tip shorted to its ring 
contact. This bypasses the 
contact in the socket. Clean 
using suitable electrical 
contact cleaner. 
 Tech talk… 
For an audio circuit stage: 
Pi = Input signal power 
Po = Output signal power 
The Decibel is defined as: 
dB = 10 log (Po / Pi) 
= 10 log (Vo
2
/Ro / Vi
2
/Ri) 
If input and output impedances 
Ri and R0 are the same, then: 
dB = 20 log (Vo / Vi) 
dBm is defined as 1mW into 
600 ohms = 0.775V 
dBu = 0.775V ignoring the 
600 ohms as we assume high 
input and low output 
impedance and therefore 
maximum voltage transfer 
between stages, appropriate 
for modern audio. 
Note: The stereo Aux 9-10 
and matrix 1-4 outputs can 
be monitored using the 
monitor select switch bank. 
This provides true stereo 
monitoring of these mixes. 
PFL/AFL automatically 
overrides any source 
selected on this 
switchbank. 










