Specifications

Effects and Signal Processing
Studio 32 Reference Manual 43
To hear effects in the headphone/cue mix:
Often while recording, musicians would like to hear some reverb or delay in their
headphone mix. It is possible to meet this need without actually recording the
effect. If you’re using L/R as the cue feed, follow the steps for “control room
monitors” above. If the headphone mix’s source is MON 1/2:
1 Select MON 1/2 as the Control Room source so you can hear what the studio is
hearing.
2 Raise the MON 1/2 control (the purple knobs) of the Stereo Aux Return(s) until
the desired balance is heard.
To record effects onto the multitrack:
In most cases, effects are added at mixdown instead of during tracking and
overdubbing. However, you can “record wet” (with effects) in order to use the same
device for some other effect at mixdown, or because the effect is essential to the
part. To do this, you simply:
1 Assign the Stereo Aux Return to the Group that you’re recording, by pressing the
GRP switch. Returns A and B can be sent to Groups 1 and 2, and Returns C and D
can be sent to Groups 3 and 4. (If this doesn’t fit your needs, you will have to
repatch.)
2 To make sure you’re hearing what’s actually going to tape, make sure the L/R
switch is up, and follow the procedure earlier in this section under “Recording
Multiple Sources.”
If the effect is stereo, it must be recorded onto two tracks. The left Aux Return input
will go to the odd-numbered group (1 or 3) and the right Aux Return input will go to
the even-numbered group (2 or 4).
To record effects onto the mixdown deck:
This procedure is the same as for hearing effects in the control room monitors
described earlier: assign the STEREO AUX RETURNS to L/R and adjust the LEVEL
controls.