User Manual
 4  Traditional Mixing  
  21 
Your MultiMix 8 USB2.0 can be used in a wide variety of  ways in 
both live and recording applications. You have several options for 
bringing sound into and out of the board. And when it’s brought 
in, you can route it to various parts of  the mixer for certain desired 
effects, or even send it to an external processor or tape deck and 
back. To give you some ideas for different mixing scenarios, here 
are descriptions of  a few common applications for the MultiMix 8 
USB2.0. 
Simple Live Setup 
In this setup, you connect your instruments and microphones to 
the mono and stereo channels. 
Set the levels for each of  your microphones and line-level sources 
as explained earlier. 
You can select one on-board effect and control its level with the 
AUX B knob for each channel. Or you can use an external effects 
processor by sending a signal to the external unit via the AUX 
SEND A and returning it via AUX RETURN A. 
You can plug an additional effects processor into the AUX B 
SEND and RETURN jacks as well, but this will disable the 
internal effects. 
In a live setup, you most likely will connect the MAIN MIX OUT 
to a PA system amplifier and the CTRL RM OUT to a stage 
monitor amplifier for monitoring purposes. 
Using Additional External Audio 
Sources 
The MultiMix gives you a few extra audio inputs in addition to 
the mic and line inputs. If  you want to bring external audio 
sources into a recording or live mix, you can do it in one of  two 
ways: 
Using the 2-TRACK IN, you can add a tape deck, 
ADAT, CD player, USB2.0 audio stream from a 
computer, or other source to the mix. The 2-TRACK 
IN also can be used to entertain the audience with a CD 
as the band is setting up for a live show. 
The AUX RETURNS can be used as additional audio 
inputs when you are not using them for effects. 
A
udio coming into the 
MultiMix from a computer 
over the USB2.0 connection 
is routed to the 2-TRACK IN. 
You can use the RCA jacks of 
the 2-TRACK IN at the same 
time as audio is playing back 
from a computer, but you 
must adjust the relative levels 
of each input from outside the 
MultiMix. 










