Specifications

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AKG ULTRA LINEAR SERIES
STUDIO/BROADCAST/STAGE
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AKG ULTRA LINEAR SERIES
The AKG Ultra Linear Series is a line of small diaphragm modular
condenser microphones with the highest technical performance stan-
dards. The ULS system is a universally acclaimed and accepted tool
for high-end digital recording, film and video production as well as
serious live sound reinforcement. All AKG Ultra Linear Series models
have a three-year warranty.
C 480 B PREAMP/OUTPUT MODULE
The new C 480 B has patented electronic circuitry and a trans-
formerless output stage with self-noise figures close to the theoreti-
cal minimum. The well-designed circuitry delivers 129 dB dynamic
range potential (144 dB SPL capability) with very accurate phase
and transient response. Two sets of switches offer a choice of linear
response or 12-dB-per-octave low-cut filters at 70 Hz or 150 Hz and
three sensitivity settings for 0 dB, + 6 dB and -10 dB. Gold plated
switch and connector contacts ensure reliable, loss-free signals, plus
the output circuit can drive long cable runs without problems. To
achieve its high level of performance, the C 480 B must be powered
with a 48 volt phantom supply.
CK 60 SERIES CONDENSER CAPSULES
• High quality cardioid capsule with
exceptionally flat on-axis frequency response
• High temperature stability,
reliable construction
• Gold plated, self-cleaning connector pins
for high resistance to humidity
C 480 B COMB-ULS/61 CARDIOID MICROPHONE
• Ultra low-noise preamplifier
• Three selectable gain settings: 0, +6, -10 dB
• High headroom
The C 480 B is part of a system designed specifically for
excellent audio quality and maximum flexibility. Its electronic
circuitry coupled to a transformerless output stage assures
completely linear transfer characteristics across the
entire audio bandwidth, while achieving self-noise figures close
to the theoretical minimum. This, in combination with a typical SPL
handling capability of 140 dB broadband means a dynamic
range exceeding 125 dB, making the system suitable for the
most critical digital recording applications. Gold plated switch and
connector contacts guarantee consistent performance.
A specially designed output stage drives difficult loads
(e.g. excessively long cables) with no signal degradation. Two
sets of switches offer a two-step highpass filter and two gain manip-
ulation stages of either –10 dB or +6 dB.
CK 61-ULS CARDIOID CAPSULE
The ruler-flat frequency response and consistent polar pattern of
the CK 61-ULS make it ideal for critical recording and live sound
applications where consistent suppression of off-axis
sound is an important requirement. Includes foam windscreen.
CK 62-ULS OMNIDIRECTIONAL CAPSULE
Identical to CK 61-ULS, except for omnidirectional polar pattern. For
more reverberant sounding recordings. Includes foam windscreen.
CK 63-ULS HYPERCARDIOID CAPSULE
Identical to CK 61-ULS, except for hypercardioid polar pattern.
Better off-axis rejection provides better channel separation
and higher gain-before-feedback. Includes foam windscreen.
CK 69-ULS SHOTGUN CAPSULE
• Two shotgun capsules in one,
using two-partinterference tube
• Ultra-low noise
• Long shotgun for recording from medium
distances
• Short shotgun for close-up video recording
Two shotgun capsules in one, with quick and easy conver-
sion from long to short shotgun applications, from hypercardioid to
directional polar patterns.
In its long shotgun configuration, the CK 69-ULS will deliver
perfect results for film/TV outdoor applications or
indoor front of stage recording from approximately 20 to 24
feet (6 to 8 m). If you unscrew the front half of the interference
tube, the same capsule becomes a short shotgun for use in TV, film
and video close-up work. Additionally, the short shotgun mode is
ideal for interviews in noisy environments.
The CK 69-ULS operates flawlessly in high humidity environ-
ments and windscreens are provided for both long and short config-
urations. Windscreens for long and short shotgun configurations.
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